#001 Latin America - Spanish
#002 Conventions used to keep the same writing style along new texts and versions
#003
#004  Abreviaturas (Abbreviations)
#005  -----------------------------
#006   AC: Aberración cromática (fringe)
#007   B&N: Blanco y Negro (Black & White)
#008   CV: Corrección de Viñeteado (Vignette Filter: in Transform tab)
#009   FG: Filtro Graduado (Gradient Filter)
#010   FV: Filtrar Viñeteado (Vignette Filter: in Exposure tab)
#011   MC: Mezclador de canales (Channel Mixer)
#012   RGB: Modelo de color Rojo Verde Azul (Red Green Blue)
#013   WB: Balance de blancos (White Balance)
#014
#015  Convención de traducción de términos importantes,
#016  sin equivalente estándar o poco conocidos en español:
#017  ---------------------------------------------
#018   Artifacts: Elementos extraños
#019   Brightness: Brillo
#020   Checkbox: Casilla (seleccionada/desmarcada)
#021   Chroma: Crominancia (**, definida en es.wikipedia)
#022   Chromatic: Cromática (*)
#023   Chromaticity: Cromaticidad (**)
#024   Colorfulness: Colorido
#025   Cyan: Cian (*)
#026   Dark Frame: Toma Negra
#027   Dim: Luz tenue
#028   Feather: Difuminado
#029   Illuminant: Iluminante
#030   Lightness: Claridad
#031   Luminance: Luminancia (*)
#032   Luminosity: Luminosidad
#033   Mapping: Mapeo (*)
#034   Sharpening: Enfoque
#035   Slider: Control deslizante
#036   Tone Curve: Curva tonal
#037   Vibrance: Vibranza
#038
#039   (*) Término incluido en diccionario RAE
#040   (**) Término no incluido en diccionario RAE
#041
#042  Términos conservados en Inglés por no tener traducción breve
#043  al español en el sentido usado por RT/fotografía digital
#044  -----------------------------------------------------
#045   ICM (Image Color Management)
#046   Gamut
#047   Gamma
#048   Raw
#049
#050 2008-01-15 keenonkites, first translation
#051 2008-03-03 Ioritz Ibarguren, corrections
#052 2008-04-05 keenonkites, completed for 2.4m1
#053 2008-04-09 Ramon, partly corrected (part of 2.3)
#054 2008-04-29 Ramon, small correction
#055 2008-06-09 Ramon, Adaptions regarding 2.4m1 and others
#056 2008-09-20 keenonkites, first version for 2.4m2
#057 2008-12-19 keenonkites, first version for 2.4beta4
#058 2010-12-07 rickydh, some translations of untranslated keys for 3.0 alpha1
#059 2011-12-25 plores, translation improvement, translation of untranslated strings
#060 2013-01-03 OdeLama, translation for v4.0.12 of untranslated/changed strings
#061 2014-01-14 mapelo, bug correction and small enhancements.
#062 2014-10-10 fotger
#063 2018-12-09 Faber777
#100
#101 @LANGUAGE_DISPLAY_NAME=Español (Latinoamericano)

ABOUT_TAB_BUILD;Versión
ABOUT_TAB_CREDITS;Créditos
ABOUT_TAB_LICENSE;Licencia
ABOUT_TAB_RELEASENOTES;Notas de la versión
ABOUT_TAB_SPLASH;Splash
ADJUSTER_RESET_TO_DEFAULT;Restablece los valores predeterminados
BATCH_PROCESSING;Proceso por lotes
CURVEEDITOR_AXIS_IN;I:
CURVEEDITOR_AXIS_LEFT_TAN;LT:
CURVEEDITOR_AXIS_OUT;O:
CURVEEDITOR_AXIS_RIGHT_TAN;RT:
CURVEEDITOR_CURVE;Curva
CURVEEDITOR_CURVES;Curvas
CURVEEDITOR_CUSTOM;Personalizado
CURVEEDITOR_DARKS;Oscuros
CURVEEDITOR_EDITPOINT_HINT;Active la edición de los valores de entrada / salida del nodo. \nHaga clic con el botón derecho en un nodo para seleccionarlo. \nHaga clic con el botón derecho en el espacio vacío para anular la selección del nodo.
CURVEEDITOR_HIGHLIGHTS;Luces altas
CURVEEDITOR_LIGHTS;Luces
CURVEEDITOR_LINEAR;Lineal
CURVEEDITOR_LOADDLGLABEL;Cargar curva...
CURVEEDITOR_MINMAXCPOINTS;Puntos de control de mínimo/máximo
CURVEEDITOR_NURBS;Jaula de control
CURVEEDITOR_PARAMETRIC;Paramétrica
CURVEEDITOR_SAVEDLGLABEL;Guardar curva...
CURVEEDITOR_SHADOWS;Sombras
CURVEEDITOR_TOOLTIPCOPY;Copiar curva actual al portapapeles
CURVEEDITOR_TOOLTIPLINEAR;Restablecer la curva a linea recta
CURVEEDITOR_TOOLTIPLOAD;Abrir una curva desde un archivo
CURVEEDITOR_TOOLTIPPASTE;Pegar curva desde el portapapeles
CURVEEDITOR_TOOLTIPSAVE;Guardar curva actual
CURVEEDITOR_TYPE;Tipo:
DIRBROWSER_FOLDERS;Carpetas
DONT_SHOW_AGAIN;No muestres este mensaje otra vez.
DYNPROFILEEDITOR_DELETE;Borrar
DYNPROFILEEDITOR_EDIT;Editar
DYNPROFILEEDITOR_EDIT_RULE;Editar regla de perfil dinámico
DYNPROFILEEDITOR_ENTRY_TOOLTIP;La coincidencia no distingue entre mayúsculas y minúsculas. \nUtilice el prefijo "re:" para ingresar \nUna expresión regular.
DYNPROFILEEDITOR_IMGTYPE_ANY;Cualquier
DYNPROFILEEDITOR_IMGTYPE_HDR;HDR
DYNPROFILEEDITOR_IMGTYPE_PS;Cambio de píxel
DYNPROFILEEDITOR_IMGTYPE_STD;Estándar
DYNPROFILEEDITOR_MOVE_DOWN;Mover hacia abajo
DYNPROFILEEDITOR_MOVE_UP;Mover hacia arriba
DYNPROFILEEDITOR_NEW;Nuevo
DYNPROFILEEDITOR_NEW_RULE;Nueva regla de perfil dinámico
DYNPROFILEEDITOR_PROFILE;Perfil de procesamiento
EDITWINDOW_TITLE;Edición de imagen
EDIT_OBJECT_TOOLTIP;Muestra un instrumento en la ventana de previo, el cual le permitirá ajustar esta herramienta.
EDIT_PIPETTE_TOOLTIP;Para agregar un punto de ajuste en la curva , mantenga presionada la tecla Ctrl mientras oprime el botón izquierdo del ratón sobre el punto deseado en el previo de la imagen.\nPara ajustar el punto, mantenga presionada la tecla Ctrl mientras oprime el botón izquierdo del ratón sobre la correspondiente area en el previo y muevase hacia arriba y/o hacia abajo, logrando un ajuste fino del punto en la curva. Si desea un ajuste mayor, libere la tecla Ctrl.
EXIFFILTER_APERTURE;Diafragma
EXIFFILTER_CAMERA;Cámara
EXIFFILTER_EXPOSURECOMPENSATION;Compensación de exposición (EV)
EXIFFILTER_FILETYPE;Tipo de archivo
EXIFFILTER_FOCALLEN;Distancia focal
EXIFFILTER_IMAGETYPE;Tipo de imagen
EXIFFILTER_ISO;ISO
EXIFFILTER_LENS;Lente
EXIFFILTER_METADATAFILTER;Activar filtros de metadatos
EXIFFILTER_SHUTTER;Tiempo de exposición
EXIFPANEL_ADDEDIT;Agregar/Cambiar
EXIFPANEL_ADDEDITHINT;Agregar atributo nuevo o cambiar atributo
EXIFPANEL_ADDTAGDLG_ENTERVALUE;Introducir valor
EXIFPANEL_ADDTAGDLG_SELECTTAG;Seleccionar atributo
EXIFPANEL_ADDTAGDLG_TITLE;Agregar/Cambiar atributo
EXIFPANEL_KEEP;Conservar
EXIFPANEL_KEEPHINT;Conserva las etiquetas seleccionadas al escribir el archivo de salida
EXIFPANEL_REMOVE;Borrar
EXIFPANEL_REMOVEHINT;Quita las etiquetas seleccionadas al escribir el archivo de salida
EXIFPANEL_RESET;Restablecer
EXIFPANEL_RESETALL;Restablecer todo
EXIFPANEL_RESETALLHINT;Restablecer todos los atributos a los valores predeterminados
EXIFPANEL_RESETHINT;Restablecer atributos seleccionados a los valores predeterminados
EXPORT_BYPASS;Procesamiento de pasos a bypass
EXPORT_BYPASS_ALL;Seleccionar / Deseleccionar todo
EXPORT_BYPASS_DEFRINGE;Saltar Quitar borde púrpura
EXPORT_BYPASS_DIRPYRDENOISE;Saltar Reducción de ruido
EXPORT_BYPASS_DIRPYREQUALIZER;Saltar Contraste por niveles de detalle
EXPORT_BYPASS_EQUALIZER;Bypass Wavelet niveles
EXPORT_BYPASS_RAW_CA;Saltar [raw] Corrección de aberración cromática
EXPORT_BYPASS_RAW_CCSTEPS;Saltar [raw] Supresión de falso color
EXPORT_BYPASS_RAW_DCB_ENHANCE;Saltar [raw] Aplicar pasos de mejora DCB
EXPORT_BYPASS_RAW_DCB_ITERATIONS;Saltar [raw] Iteraciones DCB
EXPORT_BYPASS_RAW_DF;Saltar [raw] Toma Negra
EXPORT_BYPASS_RAW_FF;Saltar [raw] Campo plano
EXPORT_BYPASS_RAW_GREENTHRESH;Saltar [raw] Equilibrado de verdes
EXPORT_BYPASS_RAW_LINENOISE;Saltar [raw] Filtro de ruido de línea
EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Saltar [raw] Aplicar pasos de mejora LMMSE
EXPORT_BYPASS_SHARPENEDGE;Saltar Enfoque de bordes
EXPORT_BYPASS_SHARPENING;Saltar Enfoque
EXPORT_BYPASS_SHARPENMICRO;Saltar Microcontraste
EXPORT_FASTEXPORTOPTIONS;<b>Opciones de Exportación Rápida</b>
EXPORT_INSTRUCTIONS;Las opciones de Exportación Rápida proporcionan la posibilidad de saltarse pasos de revelado que consumen mucho tiempo y recursos, ejecutando en su lugar el procesamiento de la cola utilizando los ajustes de Exportación Rápida. Se recomienda este método para generar más rápidamente imágenes de menor resolución: cuando la velocidad es prioritaria, o cuando se desea cambiar el tamaño de una o muchas imágenes de salida sin modificar sus parámetros de revelado.
EXPORT_MAXHEIGHT;Altura máxima:
EXPORT_MAXWIDTH;Anchura máxima:
EXPORT_PIPELINE;Fuente de procesamiento
EXPORT_PUTTOQUEUEFAST;  Poner en la cola de Exportación Rápida
EXPORT_RAW_DMETHOD;Método de interpolado
EXPORT_USE_FAST_PIPELINE;Dedicado (procesamiento completo en imagen redimensionada)
EXPORT_USE_FAST_PIPELINE_TOOLTIP;Usar un conducto de procesamiento dedicado para las imágenes en el modo Exportación rápida, que cambia la velocidad por la calidad. El cambio de tamaño de la imagen se realiza lo antes posible, en lugar de hacerlo al final como en el conducto normal. La aceleración puede ser importante, pero prepárese para ver elementos extraños y una degradación general de la calidad de salida.
EXPORT_USE_NORMAL_PIPELINE;Standard (bypass some steps, resize at the end)
EXTPROGTARGET_1;Raw
EXTPROGTARGET_2;procesado en cola
FILEBROWSER_APPLYPROFILE;Aplicar perfil
FILEBROWSER_APPLYPROFILE_PARTIAL;Aplicar perfil (parcial)
FILEBROWSER_AUTODARKFRAME;Toma Negra automática
FILEBROWSER_AUTOFLATFIELD;Campo plano automático
FILEBROWSER_BROWSEPATHHINT;Ingrese la ruta a examinar \n<b>Ctrl-O</b> poner el foco en campo con la ruta\n<b>Enter</b> / <b>Ctrl-Enter</b> para examinar allí;\n<b>Esc</b>Para quitar los cambios.\n<b>Shift-Esc</b> Para quitar el foco.\n\n\nAbreviaturas de ruta:\n  <b>~</b> - Carpeta hogar del usuario\n  <b>!</b> - Carpeta de imágenes del usuario
FILEBROWSER_CACHE;Caché
FILEBROWSER_CACHECLEARFROMFULL;Limpiar del caché - Total
FILEBROWSER_CACHECLEARFROMPARTIAL;Limpiar del caché - Parcial
FILEBROWSER_CLEARPROFILE;Borrar perfil
FILEBROWSER_COLORLABEL_TOOLTIP;Etiquetar con color\n\nUse menú desplegable o atajos de teclado:\n<b>Shift-Ctrl-0</b> No Color\n<b>Shift-Ctrl-1</b> Rojo\n<b>Shift-Ctrl-2</b> Amarillo\n<b>Shift-Ctrl-3</b> Verde\n<b>Shift-Ctrl-4</b> Azul\n<b>Shift-Ctrl-5</b> Púrpura
FILEBROWSER_COPYPROFILE;Copiar perfil
FILEBROWSER_CURRENT_NAME;Nombre actual:
FILEBROWSER_DARKFRAME;Toma Negra
FILEBROWSER_DELETEDIALOG_HEADER;Confirmación de borrar archivos
FILEBROWSER_EMPTYTRASH;Vaciar papelera
FILEBROWSER_EXTPROGMENU;Abrir con
FILEBROWSER_FLATFIELD;Campo plano
FILEBROWSER_MOVETODARKFDIR;Mover a carpeta de Tomas Negras
FILEBROWSER_MOVETOFLATFIELDDIR;Mover a carpeta de Campo Plano
FILEBROWSER_NEW_NAME;Nuevo nombre:
FILEBROWSER_OPENDEFAULTVIEWER;Ventana predeterminada de visualización (procesada en cola)
FILEBROWSER_PARTIALPASTEPROFILE;Pegar perfil parcialmente
FILEBROWSER_PASTEPROFILE;Pegar perfil
FILEBROWSER_POPUPCANCELJOB;Cancelar trabajo
FILEBROWSER_POPUPCOLORLABEL;Etiquetar con un color
FILEBROWSER_POPUPCOLORLABEL0;Etiqueta: Ninguna
FILEBROWSER_POPUPCOLORLABEL1;Etiqueta: Rojo
FILEBROWSER_POPUPCOLORLABEL2;Etiqueta: Amarillo
FILEBROWSER_POPUPCOLORLABEL3;Etiqueta: Verde
FILEBROWSER_POPUPCOLORLABEL4;Etiqueta: Azul
FILEBROWSER_POPUPCOLORLABEL5;Etiqueta: Púrpura
FILEBROWSER_POPUPCOPYTO;Copiar a...
FILEBROWSER_POPUPFILEOPERATIONS;Operaciones con archivos
FILEBROWSER_POPUPMOVEEND;Mover hacia el final de la cola
FILEBROWSER_POPUPMOVEHEAD;Mover hacia el inicio de la cola
FILEBROWSER_POPUPMOVETO;Mover a...
FILEBROWSER_POPUPOPEN;Abrir
FILEBROWSER_POPUPOPENINEDITOR;Abrir en Editor
FILEBROWSER_POPUPPROCESS;Poner en la cola
FILEBROWSER_POPUPPROCESSFAST;Poner en la cola (exportación rápida)
FILEBROWSER_POPUPPROFILEOPERATIONS;Operaciones con perfiles
FILEBROWSER_POPUPRANK;Asignar rango
FILEBROWSER_POPUPRANK0;Sin Rango
FILEBROWSER_POPUPRANK1;Rango 1 *
FILEBROWSER_POPUPRANK2;Rango 2 **
FILEBROWSER_POPUPRANK3;Rango 3 ***
FILEBROWSER_POPUPRANK4;Rango 4 ****
FILEBROWSER_POPUPRANK5;Rango 5 *****
FILEBROWSER_POPUPRENAME;Renombrar
FILEBROWSER_POPUPSELECTALL;Seleccionar todo
FILEBROWSER_POPUPTRASH;Mover a la papelera
FILEBROWSER_POPUPUNRANK;Quitar valoración
FILEBROWSER_POPUPUNTRASH;Sacar de la papelera
FILEBROWSER_QUERYBUTTONHINT;Borrar la búsqueda
FILEBROWSER_QUERYHINT;Escriba <i>parte del nombre del archivo</i> a buscar, o una <i>lista separada con comas</i>.\nP.ej. <i>1001,1004,1199</i>\n\n<b>Ctrl-F</b> Para poner el foco en el campo Buscar.\n<b>Enter</b> Para iniciar la búsqueda.\n<b>Esc</b> Para limpiar.\n<b>Shift-Esc</b> Para quitar el foco.
FILEBROWSER_QUERYLABEL; Buscar:
FILEBROWSER_RANK1_TOOLTIP;Rango 1 *\nTecla de Atajo<b>1</b>
FILEBROWSER_RANK2_TOOLTIP;Rango 2 **\nTecla de Atajo<b>2</b>
FILEBROWSER_RANK3_TOOLTIP;Rango 3 ***\nTecla de Atajo<b>3</b>
FILEBROWSER_RANK4_TOOLTIP;Rango 4 ****\nTecla de Atajo<b>4</b>
FILEBROWSER_RANK5_TOOLTIP;Rango 5 *****\nTecla de Atajo<b>5</b>
FILEBROWSER_RENAMEDLGLABEL;Renombrar archivo
FILEBROWSER_RESETDEFAULTPROFILE;Restablecen a los predeterminados
FILEBROWSER_SELECTDARKFRAME;Seleccionar Toma Negra…
FILEBROWSER_SELECTFLATFIELD;Seleccionar Campo Plano…
FILEBROWSER_SHOWCOLORLABEL1HINT;Mostrar imágenes etiquetadas con Rojo <b>Alt-1</b>
FILEBROWSER_SHOWCOLORLABEL2HINT;Mostrar imágenes etiquetadas con Amarillo <b>Alt-2</b>
FILEBROWSER_SHOWCOLORLABEL3HINT;Mostrar imágenes etiquetadas con Verde <b>Alt-3</b>
FILEBROWSER_SHOWCOLORLABEL4HINT;Mostrar imágenes etiquetadas con Azul <b>Alt-4</b>
FILEBROWSER_SHOWCOLORLABEL5HINT;Mostrar imágenes etiquetadas con Púrpura <b>Alt-5</b>
FILEBROWSER_SHOWDIRHINT;Quitar todos los filtros.\nTecla de Atajo: <b>d</b>
FILEBROWSER_SHOWEDITEDHINT;Mostrar imágenes editadas.\nTecla de Atajo: <b>Shift-7</b>
FILEBROWSER_SHOWEDITEDNOTHINT;Mostrar imágenes no editadas.\nTecla de Atajo: <b>Shift-6</b>
FILEBROWSER_SHOWEXIFINFO;Mostrar datos Exif.\nTecla de Atajo: <b>i</b>\n\nTecla de Atajo en modo editor simple: <b>Alt-I</b>
FILEBROWSER_SHOWORIGINALHINT;Muestre solo imágenes originales. \nCuando existen varias imágenes con el mismo nombre de archivo pero con diferentes extensiones, la que se considera original es aquella cuya extensión está más cerca de la parte superior de la lista de extensiones analizadas en Preferencias> Explorador de archivos> Extensiones analizadas.
FILEBROWSER_SHOWRANK1HINT;Mostrar imágenes con 1 estrella.\nTecla de Atajo: <b>Shift-1</b>
FILEBROWSER_SHOWRANK2HINT;Mostrar imágenes con 2 estrellas.\nTecla de Atajo: <b>Shift-2</b>
FILEBROWSER_SHOWRANK3HINT;Mostrar imágenes con 3 estrellas.\nTecla de Atajo: <b>Shift-3</b>
FILEBROWSER_SHOWRANK4HINT;Mostrar imágenes con 4 estrellas.\nTecla de Atajo: <b>Shift-4</b>
FILEBROWSER_SHOWRANK5HINT;Mostrar imágenes con 5 estrellas.\nTecla de Atajo: <b>Shift-5</b>
FILEBROWSER_SHOWRECENTLYSAVEDHINT;Mostrar imágenes guardadas recientemente.\nTecla de Atajo: <b>Alt-7</b>
FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Mostrar imágenes no guardadas recientemente.\nTecla de Atajo: <b>Alt-6</b>
FILEBROWSER_SHOWTRASHHINT;Mostrar el contenido de la papelera.\nTecla de Atajo: <b>Ctrl-t</b>
FILEBROWSER_SHOWUNCOLORHINT;Mostrar imágenes sin etiqueta de color.\nTecla de Atajo: <b>Alt-0</b>
FILEBROWSER_SHOWUNRANKHINT;Mostrar imágenes sin rango.\nTecla de Atajo: <b>Shift-0</b>
FILEBROWSER_THUMBSIZE;Tamaño miniatura
FILEBROWSER_UNRANK_TOOLTIP;Sin Rango\nTecla de Atajo<b>0</b>
FILEBROWSER_ZOOMINHINT;Agrandar miniatura.\nTecla de Atajo: <b>+</b>\n\nTecla de Atajo en modo editor simple: <b>Alt-+</b>
FILEBROWSER_ZOOMOUTHINT;Reducir miniatura.\nTecla de Atajo: <b>-</b>\n\nTecla de Atajo en modo editor simple: <b>Alt--</b>
FILECHOOSER_FILTER_ANY;Todos los archivos
FILECHOOSER_FILTER_COLPROF;Perfiles de color
FILECHOOSER_FILTER_CURVE;Archivos de curva
FILECHOOSER_FILTER_LCP;Perfiles de corrección de lentes.
FILECHOOSER_FILTER_PP;Processing profiles
FILECHOOSER_FILTER_SAME;Same format as current photo
FILECHOOSER_FILTER_TIFF;Archivos TIFF 
GENERAL_ABOUT;Acerca de
GENERAL_AFTER;Después
GENERAL_APPLY;Aplicar
GENERAL_ASIMAGE;Como imagen
GENERAL_AUTO;Automático
GENERAL_BEFORE;Antes
GENERAL_CANCEL;Cancelar
GENERAL_CLOSE;Cerrar
GENERAL_CURRENT;Actual
GENERAL_DISABLE;Desactivar
GENERAL_DISABLED;Desactivado
GENERAL_ENABLE;Activar
GENERAL_ENABLED;Activado
GENERAL_FILE;Archivo
GENERAL_LANDSCAPE;Paisaje
GENERAL_NA;n/a
GENERAL_NO;No
GENERAL_NONE;Ninguno
GENERAL_OK;Aceptar
GENERAL_OPEN;Abrir
GENERAL_PORTRAIT;Retrato
GENERAL_RESET;Reiniciar
GENERAL_SAVE;Guardar
GENERAL_SAVE_AS;Guardar como...
GENERAL_SLIDER;Deslizador
GENERAL_UNCHANGED;(Sin cambios)
GENERAL_WARNING;Advertencia
GIMP_PLUGIN_INFO;¡Bienvenido al complemento GIMP de RawTherapee! \nUna vez que haya terminado de editar, simplemente cierre la ventana principal de RawTherapee y la imagen se importará automáticamente en GIMP.
HISTOGRAM_TOOLTIP_B;Mostrar/Ocultar Histograma Azul
HISTOGRAM_TOOLTIP_BAR;Mostrar/Ocultar barra indicadora RGB\nHacer clic con el botón derecho del ratón en la previsualización para congelar/descongelar
HISTOGRAM_TOOLTIP_CHRO;Mostrar/Ocultar Histograma de cromaticidad
HISTOGRAM_TOOLTIP_G;Mostrar/Ocultar Histograma Verde
HISTOGRAM_TOOLTIP_L;Mostrar/Ocultar Histograma de Luminancia CIELAB
HISTOGRAM_TOOLTIP_MODE;Alterne entre la escala lineal, log-linear y log-log del histograma.
HISTOGRAM_TOOLTIP_R;Mostrar/Ocultar Histograma Rojo
HISTORY_CHANGED;Cambiado
HISTORY_CUSTOMCURVE;Curva a medida
HISTORY_FROMCLIPBOARD;Desde el portapapeles
HISTORY_LABEL;Historial
HISTORY_MSG_1;Foto abierta
HISTORY_MSG_3;Perfil cambiado
HISTORY_MSG_4;Búsqueda de historial
HISTORY_MSG_5;Brillo
HISTORY_MSG_6;Contraste
HISTORY_MSG_7;Negro
HISTORY_MSG_8;Compensación de exposición
HISTORY_MSG_9;Compresión de luces altas
HISTORY_MSG_10;Compresión de sombras
HISTORY_MSG_11;Curva tonal 1
HISTORY_MSG_12;Exposición automática
HISTORY_MSG_13;Recorte de exposición
HISTORY_MSG_14;Lab - Claridad
HISTORY_MSG_15;Lab - Contraste
HISTORY_MSG_19;Curva 'L'
HISTORY_MSG_20;Enfoque
HISTORY_MSG_21;Enfoque - Radio
HISTORY_MSG_22;Enfoque - Cantidad
HISTORY_MSG_23;Enfoque - Umbral
HISTORY_MSG_24;Enfoque - Sólo bordes
HISTORY_MSG_25;Enfoque - Radio de detección de bordes
HISTORY_MSG_26;Enfoque - Tolerancia de bordes
HISTORY_MSG_27;Enfoque - Control de halo
HISTORY_MSG_28;Enfoque - Cantidad de Control de Halo
HISTORY_MSG_29;Método de Enfoque
HISTORY_MSG_30;Deconvolución - Radio
HISTORY_MSG_31;Deconvolución - Cantidad
HISTORY_MSG_32;Deconvolución - Amortiguación
HISTORY_MSG_33;Deconvolución - Iteraciones
HISTORY_MSG_34;Corrección de distorsión
HISTORY_MSG_35;Corrección de Viñeta
HISTORY_MSG_36;Corrección Aberr.Crom.
HISTORY_MSG_37;Niveles automáticos
HISTORY_MSG_38;Método de Balance de Blancos
HISTORY_MSG_39;Temperatura de color
HISTORY_MSG_40;Equilibrio de Blancos - Tinte
HISTORY_MSG_41;Curva tonal modo 1
HISTORY_MSG_42;Curva tonal 2
HISTORY_MSG_43;Curva tonal modo 2
HISTORY_MSG_48;Usar curva de tono DCP
HISTORY_MSG_49;Iluminante DCP
HISTORY_MSG_50;Sombras/Luces altas (S/LA)
HISTORY_MSG_51;S/LA - Luces altas
HISTORY_MSG_52;S/LA - Sombras
HISTORY_MSG_53;S/LA - Ancho tonal Luces Altas
HISTORY_MSG_54;S/LA - Ancho tonal Sombras
HISTORY_MSG_56;S/LA - Radio
HISTORY_MSG_57;Rotación basta
HISTORY_MSG_58;Volteo horizontal
HISTORY_MSG_59;Volteo vertical
HISTORY_MSG_60;Rotación
HISTORY_MSG_61;Rellenado automático
HISTORY_MSG_62;Corrección de distorsión
HISTORY_MSG_63;Marcador seleccionado
HISTORY_MSG_64;Recortar foto
HISTORY_MSG_65;Corrección aberraciones cromáticas
HISTORY_MSG_66;Recuperación de luces altas
HISTORY_MSG_68;Recuperación de luces altas - Método
HISTORY_MSG_69;Espacio de color de trabajo
HISTORY_MSG_70;Espacio de color de salida
HISTORY_MSG_71;Espacio de color de entrada
HISTORY_MSG_72;Corrección de viñeteo
HISTORY_MSG_73;Mezclador de canal
HISTORY_MSG_74;Cambiar tamaño - Escala
HISTORY_MSG_75;Cambiar tamaño - Método
HISTORY_MSG_76;Metadatos de Exif
HISTORY_MSG_77;Metadatos de IPTC
HISTORY_MSG_79;Cambiar tamaño - Anchura
HISTORY_MSG_80;Cambiar tamaño - Altura
HISTORY_MSG_81;Cambio tamaño activado
HISTORY_MSG_82;Perfil cambiado
HISTORY_MSG_84;Corrección de perspectiva
HISTORY_MSG_85;Perfil Corrector de Lente
HISTORY_MSG_86;Curvas RGB - Modo luminosidad
HISTORY_MSG_87;Impulsar Reducción de Ruido
HISTORY_MSG_88;Impulsar RR - Umbral
HISTORY_MSG_89;Reducción de ruido (RR)
HISTORY_MSG_90;RR - Luminancia
HISTORY_MSG_91;RR - Crominancia Maestra
HISTORY_MSG_92;RR - Gamma
HISTORY_MSG_93;Contraste/niveles de detalle - Valor
HISTORY_MSG_94;Contraste por niveles de detalle
HISTORY_MSG_95;Lab - Cromaticidad (saturación)
HISTORY_MSG_96;Curva 'a'
HISTORY_MSG_97;Curva 'b'
HISTORY_MSG_98;Método de Interpolación
HISTORY_MSG_99;Filtra píxel muerto/caliente
HISTORY_MSG_100;Saturación
HISTORY_MSG_101;Ecualizador HSV - Matiz
HISTORY_MSG_102;Ecualizador HSV - Saturación
HISTORY_MSG_103;Ecualizador HSV - Valor
HISTORY_MSG_104;Ecualizador HSV
HISTORY_MSG_105;Quitar borde púrpura
HISTORY_MSG_106;Quitar borde púrpura - Radio
HISTORY_MSG_107;Quitar borde púrpura - Umbral
HISTORY_MSG_108;Umbral de compres. de luces altas
HISTORY_MSG_109;Tamaño del rectángulo limitador
HISTORY_MSG_110;Cambio de tamaño aplica a
HISTORY_MSG_111;Lab - Evita deriva de color
HISTORY_MSG_112;--Sin Uso--
HISTORY_MSG_113;Lab - Protección
HISTORY_MSG_114;Iteraciones DCB
HISTORY_MSG_115;Supresión de color falso
HISTORY_MSG_116;DCB mejorado
HISTORY_MSG_117;Corrección AC - Rojo
HISTORY_MSG_118;Corrección AC - Azul
HISTORY_MSG_119;Filtro de ruido de línea
HISTORY_MSG_120;Equilibrado de verde
HISTORY_MSG_121;Corrección automática AC
HISTORY_MSG_122;Auto selección de arch. de Toma Negra
HISTORY_MSG_123;Archivo de Toma Negra
HISTORY_MSG_124;Corrección de punto blanco
HISTORY_MSG_126;Archivo de campo plano
HISTORY_MSG_127;Auto selección archivo de campo plano
HISTORY_MSG_128;Radio de difuminado de campo plano
HISTORY_MSG_129;Tipo de difuminado de campo plano
HISTORY_MSG_130;Corrección automática de distorsión
HISTORY_MSG_137;Nivel de negro - Verde 1
HISTORY_MSG_138;Nivel de negro - Rojo
HISTORY_MSG_139;Nivel de negro - Azul
HISTORY_MSG_140;Nivel de negro - Verde 2
HISTORY_MSG_141;Nivel de negro - Vincular verdes
HISTORY_MSG_142;Claridad - Pasos
HISTORY_MSG_143;Claridad - Intensidad de gradiente
HISTORY_MSG_144;Micro-contraste - Cantidad
HISTORY_MSG_145;Micro-contraste - Uniformidad
HISTORY_MSG_146;Enfoque de bordes (EB)
HISTORY_MSG_147;EB - Sólo luminancia
HISTORY_MSG_148;Micro-contraste
HISTORY_MSG_149;Micro-contraste - matriz 3×3
HISTORY_MSG_150;Reducción elementos extraños/ruido post interpolado
HISTORY_MSG_151;Vibranza (Vib)
HISTORY_MSG_152;Vib - Tonos pastel
HISTORY_MSG_153;Vib - Tonos saturados
HISTORY_MSG_154;Vib - Proteger tonos piel
HISTORY_MSG_155;Vib - Evitar deriva de color
HISTORY_MSG_156;Vib - Enlazar tonos pastel y saturados
HISTORY_MSG_157;Vib - Umbral pastel/saturado
HISTORY_MSG_158;MT - Intensidad
HISTORY_MSG_159;MT - Parada en los bordes
HISTORY_MSG_160;MT - Escala
HISTORY_MSG_161;MT - Iteraciones de reponderación
HISTORY_MSG_162;Mapeo tonal (MT)
HISTORY_MSG_163;Curvas RGB - Rojo
HISTORY_MSG_164;Curvas RGB - Verde
HISTORY_MSG_165;Curvas RGB - Azul
HISTORY_MSG_166;Exposición - Restablecer
HISTORY_MSG_167;Método de Interpolación
HISTORY_MSG_168;Curva 'CC'
HISTORY_MSG_169;Curva 'CM'
HISTORY_MSG_170;Vib - Curva
HISTORY_MSG_171;Curva 'LC'
HISTORY_MSG_172;Lab - Restringe 'LC'
HISTORY_MSG_173;NR - Recuperación del detalle
HISTORY_MSG_174;CIECAM02
HISTORY_MSG_175;CAM02 - Adaptación CAT02
HISTORY_MSG_176;CAM02 - Entorno de visualización
HISTORY_MSG_177;CAM02 - Luminosidad de escena
HISTORY_MSG_178;CAM02 - Luz de visualización
HISTORY_MSG_179;CAM02 - Modelo de punto blanco
HISTORY_MSG_180;CAM02 - Claridad (J)
HISTORY_MSG_181;CAM02 - Crominancia (C)
HISTORY_MSG_182;CAM02 - CAT02 Automático
HISTORY_MSG_183;CAM02 - Contraste (J)
HISTORY_MSG_184;CAM02 - Alrededor de escena
HISTORY_MSG_185;CAM02 - Control de Gamut
HISTORY_MSG_186;CAM02 - Algoritmo
HISTORY_MSG_187;CAM02 - Proteje tonos rojos &amp; piel
HISTORY_MSG_188;CAM02 - Brillo(Q)
HISTORY_MSG_189;CAM02 - Contraste (Q)
HISTORY_MSG_190;CAM02 - Saturación (S)
HISTORY_MSG_191;CAM02 - Colorido (M)
HISTORY_MSG_192;CAM02 - Matiz (ángulo)
HISTORY_MSG_193;CAM02 - Curva tonal 1
HISTORY_MSG_194;CAM02 - Curva tonal 2
HISTORY_MSG_195;CAM02 - Curva tonal 1
HISTORY_MSG_196;CAM02 - Curva tonal 2
HISTORY_MSG_197;CAM02 - Curva de Color
HISTORY_MSG_198;CAM02 - Curva de Color
HISTORY_MSG_199;CAM02 - Histogramas de salida
HISTORY_MSG_200;CAMO2 - Mapeo tonal
HISTORY_MSG_201;RR - Crominancia Ro,Ve
HISTORY_MSG_202;RR - Crominancia Az,Am
HISTORY_MSG_203;NR - Espacio de color
HISTORY_MSG_204;Pasos de mejora LMMSE
HISTORY_MSG_205;CAM02 - Píxel caliente/muerto
HISTORY_MSG_206;CAT02 - Luz de escena auto.
HISTORY_MSG_207;Elimina AC - Matices
HISTORY_MSG_208;WB - Ecualizador Az-Ro
HISTORY_MSG_210;FG - Ángulo
HISTORY_MSG_211;Filtro de Gradiente (FG)
HISTORY_MSG_212;FV - Intensidad
HISTORY_MSG_213;Filtro quitar Viñeteado
HISTORY_MSG_214;Blanco y Negro
HISTORY_MSG_215;B&amp;N - MC - Rojo
HISTORY_MSG_216;B&amp;N - MC - Verde
HISTORY_MSG_217;B&amp;N - MC - Azul
HISTORY_MSG_218;B&amp;N - Gamma - Rojo
HISTORY_MSG_219;B&amp;N - Gamma - Verde
HISTORY_MSG_220;B&amp;N - Gamma - Azul
HISTORY_MSG_221;B&amp;N - Filtro de color
HISTORY_MSG_222;B&amp;N - Preestablecidos
HISTORY_MSG_223;B&amp;N - MC - Naranja
HISTORY_MSG_224;B&amp;N - MC - Amarillo
HISTORY_MSG_225;B&amp;N - MC - Cian
HISTORY_MSG_226;B&amp;N - MC - Magenta
HISTORY_MSG_227;B&amp;N - MC - Púrpura
HISTORY_MSG_228;B&amp;N - Ecualiza Luminancia
HISTORY_MSG_229;B&amp;N - Ecualiza Luminancia
HISTORY_MSG_230;B&amp;N - Modo
HISTORY_MSG_231;B&amp;N - Curva 'Antes'
HISTORY_MSG_232;B&amp;N - Tipo de curva 'Antes'
HISTORY_MSG_233;B&amp;N - Curva 'Después'
HISTORY_MSG_234;B&amp;N - Tipo de curva 'Después'
HISTORY_MSG_235;B&amp;N - Mezcla canales Auto.
HISTORY_MSG_236;--Sin uso--
HISTORY_MSG_237;B&amp;N - Mezclador
HISTORY_MSG_238;FG - Difuminado
HISTORY_MSG_239;FG - Intensidad
HISTORY_MSG_240;FG - Centro
HISTORY_MSG_241;FV - Difuminado
HISTORY_MSG_242;FV - Redondez
HISTORY_MSG_243;CV - Radio
HISTORY_MSG_244;CV - Intensidad
HISTORY_MSG_245;CV - Centro
HISTORY_MSG_246;Curva 'CL'
HISTORY_MSG_247;Curva 'LM'
HISTORY_MSG_248;Curva 'MM'
HISTORY_MSG_249;CpND - Umbral
HISTORY_MSG_251;B&amp;N - Algoritmo
HISTORY_MSG_252;CbDL - Tono de piel
HISTORY_MSG_253;CbDL - Reducir elementos extraños
HISTORY_MSG_254;CbDL - Matiz de piel
HISTORY_MSG_255;RR - Filtro Median
HISTORY_MSG_256;NR - La mediana - Tipo
HISTORY_MSG_257;Tonificación de Color
HISTORY_MSG_258;TC - Color
HISTORY_MSG_259;TC - Opacidad
HISTORY_MSG_260;TC - Opacidad'a[b]'
HISTORY_MSG_261;TC - Método
HISTORY_MSG_262;TC - Opacidad 'b'
HISTORY_MSG_263;TC - Sombras - Rojo
HISTORY_MSG_264;TC - Sombras - Verde
HISTORY_MSG_265;TC - Sombras - Azul
HISTORY_MSG_266;TC - Tonos Medios - Rojo
HISTORY_MSG_267;TC - Tonos Medios - Verde
HISTORY_MSG_268;TC - Tonos Medios - Azul
HISTORY_MSG_269;TC - Altas Luces - Rojo
HISTORY_MSG_270;TC - Altas Luces - Verde
HISTORY_MSG_271;TC - Altas Luces - Azul
HISTORY_MSG_272;TC - Balance
HISTORY_MSG_273;TC - Restablecer
HISTORY_MSG_276;TC - Opacidad
HISTORY_MSG_277;--no utilizado--
HISTORY_MSG_278;TC - Preservar luminancia
HISTORY_MSG_279;TC - Sombras
HISTORY_MSG_280;TC - Altas Luces
HISTORY_MSG_281;TC - Intensidad de Saturación
HISTORY_MSG_282;TC - Umbral de Saturación
HISTORY_MSG_283;TC - Intensidad
HISTORY_MSG_284;TC - Autoprotección de Saturación
HISTORY_MSG_285;RR - Median - Método
HISTORY_MSG_286;RR - Median - Tipo
HISTORY_MSG_287;RR - Median - Iteracciones
HISTORY_MSG_288;Campo Plano - Control de recorte
HISTORY_MSG_289;Campo Plano - Control de recorte - Automático
HISTORY_MSG_290;Nivel de Negro - Rojo
HISTORY_MSG_291;Nivel de Negro - Verde
HISTORY_MSG_292;Nivel de Negro - Azul
HISTORY_MSG_293;Simulación de Fílmico
HISTORY_MSG_294;Simulación de Fílmico - Intensidad
HISTORY_MSG_295;Simulación de Fílmico - Filme
HISTORY_MSG_296;RR - Modular luminancia
HISTORY_MSG_297;NR - Modo
HISTORY_MSG_298;Filtro Pixel Muerto
HISTORY_MSG_299;NR - Curva de crominancia
HISTORY_MSG_301;NR - Luma control
HISTORY_MSG_302;NR - Método crominancia(color)
HISTORY_MSG_303;NR - Método crominancia(color)
HISTORY_MSG_304;W - Niveles de contraste
HISTORY_MSG_305;Wavelet niveles
HISTORY_MSG_306;W - Proceso
HISTORY_MSG_307;W - Proceso
HISTORY_MSG_308;W - dirección del Proceso 
HISTORY_MSG_309;W - ES - Detalle
HISTORY_MSG_310;W - Residual - cielo tar/prot
HISTORY_MSG_311;W - Wavelet niveles
HISTORY_MSG_312;W - Residual - Umbral de sombras
HISTORY_MSG_313;W - Cromaticidad(color) - Saturados/pastel
HISTORY_MSG_314;W - Gamut - Reduce elementos extraños
HISTORY_MSG_315;W - Residual - Contraste
HISTORY_MSG_316;W - Gamut- Piel tar/prot
HISTORY_MSG_317;W - Gamut - Tono de piel
HISTORY_MSG_318;W - Contraste - Niveles luces altas
HISTORY_MSG_319;W - Contraste - Rango de luces altas
HISTORY_MSG_320;W - Contraste - Rango de las sombras
HISTORY_MSG_321;W - Contraste - Niveles de sombra
HISTORY_MSG_322;W - Gamut - Evita el cambio de color.
HISTORY_MSG_323;W - ES - Contraste local
HISTORY_MSG_324;W - Cromaticidad(colores) - Pastel
HISTORY_MSG_325;W - Cromaticidad(color) - Saturado
HISTORY_MSG_326;W - Cromaticidad(color) - Método
HISTORY_MSG_327;W - Contraste - Aplicar a
HISTORY_MSG_328;W - Cromaticidad - Fuerza de enlace
HISTORY_MSG_329;W - Tonificación - Opacidad RG
HISTORY_MSG_330;W - Tonificación - Opacidad BY
HISTORY_MSG_331;W - Niveles de contraste - Extra
HISTORY_MSG_332;W - Método de mosaico
HISTORY_MSG_333;W - Sombras-Residual
HISTORY_MSG_334;W - Cromaticidad(color)-Residual
HISTORY_MSG_335;W - Umbral de luces-Residual
HISTORY_MSG_336;W - Umbral de luces altas-Residual
HISTORY_MSG_337;W - Tono del cielo-Residual 
HISTORY_MSG_338;W - ES - Radio
HISTORY_MSG_339;W - ES - Fuerza
HISTORY_MSG_340;W - Fuerza
HISTORY_MSG_341;W - Rendimiento del enfoque
HISTORY_MSG_342;W - ES-Primer nivel
HISTORY_MSG_343;W - Niveles de crominancia(color)
HISTORY_MSG_344;W - Método de crominancia (color)sl/cur
HISTORY_MSG_345;W - ES - Contraste local
HISTORY_MSG_346;W - ES - Método de contraste local
HISTORY_MSG_347;W - Quitar ruido - Nivel 1
HISTORY_MSG_348;W - Quitar ruido - Nivel  2
HISTORY_MSG_349;W - Quitar ruido - Nivel  3
HISTORY_MSG_350;W - ES - Edge detection
HISTORY_MSG_351;W - Residual-curva HH
HISTORY_MSG_352;W - Fondo
HISTORY_MSG_353;W - ES - Sensibilidad del gradiente
HISTORY_MSG_354;W - ES - Mejorado
HISTORY_MSG_355;W - ES - Umbral bajo
HISTORY_MSG_356;W - ES - Umbral alto
HISTORY_MSG_357;W - Quitar ruido -Enlace con ES
HISTORY_MSG_358;W - Gamut - CH
HISTORY_MSG_359;Vivo/Muerto - Umbral
HISTORY_MSG_360;TM - gamma
HISTORY_MSG_361;W - Final - Balance del cromaticidad(color)
HISTORY_MSG_362;W - Residual - Método de compresión
HISTORY_MSG_363;W - Residual - Fuerza comprensiva
HISTORY_MSG_364;W - Final - Balance del contraste
HISTORY_MSG_365;W - Final - balance Delta
HISTORY_MSG_366;W - Residual - Compresión gamma
HISTORY_MSG_367;W - Final - curva de contraste 'Después'
HISTORY_MSG_368;W - Final - Balance de contraste
HISTORY_MSG_369;W - Final - Método de balance
HISTORY_MSG_370;W - Final - Curva de contraste local
HISTORY_MSG_371;Enfocar después del cambio de tamaño
HISTORY_MSG_372;PRS USM - Radio
HISTORY_MSG_373;PRS USM - Cantidad
HISTORY_MSG_374;PRS USM - Límite
HISTORY_MSG_375;PRS USM - Enfocar solo los bordes
HISTORY_MSG_376;PRS USM - Radio de detección de bordes
HISTORY_MSG_377;PRS USM - Tolerancia del borde
HISTORY_MSG_378;PRS USM - Control del halo
HISTORY_MSG_379;PRS USM - Cantidad de control del halo
HISTORY_MSG_380;PRS - Método
HISTORY_MSG_381;PRS RLD - Radio
HISTORY_MSG_382;PRS RLD - Cantidad
HISTORY_MSG_383;PRS RLD - Amortiguador
HISTORY_MSG_384;PRS RLD - Iteraciones
HISTORY_MSG_385;W - Residual - Balance del color 
HISTORY_MSG_386;W - Residual - CB Verde Alto
HISTORY_MSG_387;W - Residual - CB Azul Alto
HISTORY_MSG_388;W - Residual - CB Verde medio
HISTORY_MSG_389;W - Residual - CB Azul medio
HISTORY_MSG_390;W - Residual - CB Verde Bajo
HISTORY_MSG_391;W - Residual - CB Azul Bajo
HISTORY_MSG_392;W - Residual - CB Reiniciar
HISTORY_MSG_393;DCP - revisar tabla
HISTORY_MSG_394;DCP - Punto de partida en la  exposición
HISTORY_MSG_395;DCP - Tabla base
HISTORY_MSG_396;W - Contraste sub-herramienta
HISTORY_MSG_397;W - Cromaticidad(color) sub-herramienta
HISTORY_MSG_398;W - ES sub-herramienta
HISTORY_MSG_399;W - Residual sub-herramienta
HISTORY_MSG_400;W - Final sub-herramienta
HISTORY_MSG_401;W - Viraje sub-herramienta
HISTORY_MSG_402;W - Quitar ruido sub-herramienta
HISTORY_MSG_403;W - ES - Edge sensitivity
HISTORY_MSG_404;W - ES - Amplificación de base
HISTORY_MSG_405;W - Quitar ruido - Nivel 4
HISTORY_MSG_406;W - ES - Píxeles vecinos
HISTORY_MSG_407;Retinex - Método
HISTORY_MSG_408;Retinex - Radio
HISTORY_MSG_410;Retinex - Offset
HISTORY_MSG_411;Retinex - Fuerza
HISTORY_MSG_412;Retinex - Gradiente gaussiano
HISTORY_MSG_413;Retinex - Contraste
HISTORY_MSG_414;Retinex - Histograma - Lab
HISTORY_MSG_415;Retinex - Transmisión
HISTORY_MSG_416;Retinex
HISTORY_MSG_417;Retinex - Transmisión mediana
HISTORY_MSG_418;Retinex - Límite
HISTORY_MSG_419;Retinex - Espacio de color
HISTORY_MSG_420;Retinex - Histograma - HSL
HISTORY_MSG_421;Retinex - Gamma
HISTORY_MSG_422;Retinex - Gamma
HISTORY_MSG_423;Retinex - Gamma slope
HISTORY_MSG_424;Retinex - HL Límite
HISTORY_MSG_425;Retinex - Base del registro
HISTORY_MSG_426;Retinex - Ecualizador(ajuste) de tono
HISTORY_MSG_427;Intento de reproducción de salida
HISTORY_MSG_428;Monitoreo del intento de representación
HISTORY_MSG_429;Retinex - Iteraciones
HISTORY_MSG_430;Retinex - Transmisión gradiente
HISTORY_MSG_431;Retinex - Fuerza del gradiente
HISTORY_MSG_432;Retinex - M - Luces altas 
HISTORY_MSG_433;Retinex - M - Luces altas TW
HISTORY_MSG_434;Retinex - M - Sombras
HISTORY_MSG_435;Retinex - M - Sombras TW
HISTORY_MSG_436;Retinex - M - Radio
HISTORY_MSG_437;Retinex - M - Método
HISTORY_MSG_438;Retinex - M - Equalizer
HISTORY_MSG_439;Retinex - Proceso
HISTORY_MSG_440;CbDL - Método
HISTORY_MSG_441;Retinex - Ganancia de la transmisión
HISTORY_MSG_442;Retinex - Escala
HISTORY_MSG_443;Compensación del punto negro de salida
HISTORY_MSG_444;WB - Sesgo temporal
HISTORY_MSG_445;Raw sub-imágen
HISTORY_MSG_449;PS - ISO adaptación
HISTORY_MSG_452;PS - Mostrar movimiento
HISTORY_MSG_453;PS - Mostrar máscara solamente
HISTORY_MSG_457;PS - Verificar rojo/azul
HISTORY_MSG_462;PS - Verificar verde
HISTORY_MSG_464;PS - Máscara de desenfoque del movimiento
HISTORY_MSG_465;PS - Radio de desenfoque
HISTORY_MSG_468;PS - Rellenar fallos
HISTORY_MSG_469;PS - Mediano/a
HISTORY_MSG_471;PS - Corrección del movimiento
HISTORY_MSG_472;PS - Transiciones suaves
HISTORY_MSG_474;PS - Ecualizar (ajustar)
HISTORY_MSG_475;PS - Equalizar(ajustar) el canal
HISTORY_MSG_476;CAM02 - Fuera de tempera
HISTORY_MSG_477;CAM02 - Fuera del verde
HISTORY_MSG_478;CAM02 - Yb Fuera
HISTORY_MSG_479;CAM02 - CAT02 adaptación incorrecta
HISTORY_MSG_480;CAM02 - Salida automática CAT02
HISTORY_MSG_481;CAM02 - Temperatura de la scena
HISTORY_MSG_482;CAM02 - Escena verde
HISTORY_MSG_483;CAM02 - Yb escena
HISTORY_MSG_484;CAM02 - Auto Yb escena
HISTORY_MSG_485;Corrección de lentes
HISTORY_MSG_486;Corrección de lente - Cámara
HISTORY_MSG_487;Lente Corrección - Lente
HISTORY_MSG_488;HDR Mapeo de tonos
HISTORY_MSG_489;HDR TM - Límite
HISTORY_MSG_490;HDR TM - Cantidad
HISTORY_MSG_491;Balance de Blancos
HISTORY_MSG_492;RGB Curvas
HISTORY_MSG_493;L*a*b* Ajustes
HISTORY_MSG_CLAMPOOG;Recortar la gama de colores
HISTORY_MSG_COLORTONING_LABGRID_VALUE;CT - Corrección del color
HISTORY_MSG_COLORTONING_LABREGION_AB;CT - Corrección de color
HISTORY_MSG_COLORTONING_LABREGION_CHANNEL;CT - Canal
HISTORY_MSG_COLORTONING_LABREGION_CHROMATICITYMASK;CT - máscara de región C
HISTORY_MSG_COLORTONING_LABREGION_HUEMASK;CT - Mascara h
HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESS;CT - luminosidad
HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESSMASK;CT - L máscara
HISTORY_MSG_COLORTONING_LABREGION_LIST;CT - Lista
HISTORY_MSG_COLORTONING_LABREGION_MASKBLUR;CT - desenfoque la <b> máscara de región</b>
HISTORY_MSG_COLORTONING_LABREGION_OFFSET;CT - Compensar la region
HISTORY_MSG_COLORTONING_LABREGION_POWER;CT - Poder de la región
HISTORY_MSG_COLORTONING_LABREGION_SATURATION;CT - Saturacion
HISTORY_MSG_COLORTONING_LABREGION_SHOWMASK;CT -Muetra la <b> máscara de región </b>
HISTORY_MSG_COLORTONING_LABREGION_SLOPE;CT - Región de la pendiente
HISTORY_MSG_DEHAZE_DEPTH;Dehaze - Profundidad
HISTORY_MSG_DEHAZE_ENABLED;Haze Eliminación
HISTORY_MSG_DEHAZE_SHOW_DEPTH_MAP;Dehaze - Mostrar mapa de profundidad
HISTORY_MSG_DEHAZE_STRENGTH;Dehaze - Fuerza
HISTORY_MSG_DUALDEMOSAIC_AUTO_CONTRAST;Doble demosaicado - Umbral automático
HISTORY_MSG_DUALDEMOSAIC_CONTRAST;Doble demosaicado - Umbral de contraste
HISTORY_MSG_HISTMATCHING;Curva de tono auto-emparejado
HISTORY_MSG_ICM_OUTPUT_PRIMARIES;Salida - Primaria
HISTORY_MSG_ICM_OUTPUT_TEMP;Salida - ICC-v4 iluminante D
HISTORY_MSG_ICM_OUTPUT_TYPE;Salida - Tipo
HISTORY_MSG_ICM_WORKING_GAMMA;Trabajando - Gamma
HISTORY_MSG_ICM_WORKING_SLOPE;Trabajando - pendiente
HISTORY_MSG_ICM_WORKING_TRC_METHOD;Trabajando - TRC método
HISTORY_MSG_LOCALCONTRAST_AMOUNT;Contraste cantidad-local
HISTORY_MSG_LOCALCONTRAST_DARKNESS;Contraste Oscuridad-local
HISTORY_MSG_LOCALCONTRAST_ENABLED;Contraste local
HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Contraste luminosidad-local
HISTORY_MSG_LOCALCONTRAST_RADIUS;Contraste radio-local
HISTORY_MSG_METADATA_MODE;Modo de copia de metadatos
HISTORY_MSG_MICROCONTRAST_CONTRAST;Microcontrast - Umbral de contraste
HISTORY_MSG_PIXELSHIFT_DEMOSAIC;PS - Demosaicado método para el movimiento.
HISTORY_MSG_PREPROCESS_LINEDENOISE_DIRECTION;Dirección del filtro de ruido de línea
HISTORY_MSG_PREPROCESS_PDAFLINESFILTER;PDAF filtro de líneas
HISTORY_MSG_PRSHARPEN_CONTRAST;PRS - Umbral de contraste
HISTORY_MSG_RAWCACORR_AUTOIT;Raw CA Corrección - Iteraciones
HISTORY_MSG_RAWCACORR_COLORSHIFT;Raw Corrección de CA bruta - Evite el cambio de color
HISTORY_MSG_RAW_BORDER;Raw margen/borde 
HISTORY_MSG_RESIZE_ALLOWUPSCALING;Redimensionar - Permitir escalado
HISTORY_MSG_SHARPENING_CONTRAST;Enfoque - Umbral de contraste
HISTORY_MSG_SH_COLORSPACE;S/H - Espacio de color
HISTORY_MSG_SOFTLIGHT_ENABLED;Luz tenue
HISTORY_MSG_SOFTLIGHT_STRENGTH;Luz tenue - Fuerza
HISTORY_MSG_TM_FATTAL_ANCHOR;HDR TM - Ancla
HISTORY_NEWSNAPSHOT;Agregar
HISTORY_NEWSNAPSHOT_TOOLTIP;Tecla de Atajo: <b>Alt-s</b>
HISTORY_SNAPSHOT;Instantánea
HISTORY_SNAPSHOTS;Instantáneas
ICCPROFCREATOR_COPYRIGHT;Copyright:
ICCPROFCREATOR_COPYRIGHT_RESET_TOOLTIP;Restablecer los derechos de autor predeterminados, otorgados a "RawTherapee, CC0"
ICCPROFCREATOR_CUSTOM;Personalizado
ICCPROFCREATOR_DESCRIPTION;Descripción:
ICCPROFCREATOR_DESCRIPTION_ADDPARAM;Anexar los valores de gamma y pendiente a la descripción.
ICCPROFCREATOR_DESCRIPTION_TOOLTIP;Deje vacío para establecer la descripción por defecto.
ICCPROFCREATOR_GAMMA;Gamma (curva)
ICCPROFCREATOR_ICCVERSION;ICC versión:
ICCPROFCREATOR_ILL;Illuminante:
ICCPROFCREATOR_ILL_41;D41
ICCPROFCREATOR_ILL_50;D50
ICCPROFCREATOR_ILL_55;D55
ICCPROFCREATOR_ILL_60;D60
ICCPROFCREATOR_ILL_65;D65
ICCPROFCREATOR_ILL_80;D80
ICCPROFCREATOR_ILL_DEF;Valor por defecto
ICCPROFCREATOR_ILL_INC;StdA 2856K
ICCPROFCREATOR_ILL_TOOLTIP;Solo se puede configurar el iluminante para los perfiles ICC v4.
ICCPROFCREATOR_PRIMARIES;Primarios:
ICCPROFCREATOR_PRIM_ACESP0;ACES AP0
ICCPROFCREATOR_PRIM_ACESP1;ACES AP1
ICCPROFCREATOR_PRIM_ADOBE;Adobe RGB (1998)
ICCPROFCREATOR_PRIM_BEST;MejorRGB
ICCPROFCREATOR_PRIM_BETA;BetaRGB
ICCPROFCREATOR_PRIM_BLUX;Azul X
ICCPROFCREATOR_PRIM_BLUY;Azul Y
ICCPROFCREATOR_PRIM_BRUCE;BruceRGB
ICCPROFCREATOR_PRIM_GREX;Verde X
ICCPROFCREATOR_PRIM_GREY;Verde Y
ICCPROFCREATOR_PRIM_PROPH;Prophoto
ICCPROFCREATOR_PRIM_REC2020;Rec2020
ICCPROFCREATOR_PRIM_REDX;Rojo X
ICCPROFCREATOR_PRIM_REDY;Rojo Y
ICCPROFCREATOR_PRIM_SRGB;sRGB
ICCPROFCREATOR_PRIM_TOOLTIP;Solo puede establecer (colores) primarios personalizados para los perfiles ICC v4.
ICCPROFCREATOR_PRIM_WIDEG;Gamma Amplia
ICCPROFCREATOR_PROF_V2;ICC v2
ICCPROFCREATOR_PROF_V4;ICC v4
ICCPROFCREATOR_SAVEDIALOG_TITLE;Guardar el perfil ICC como ...
ICCPROFCREATOR_SLOPE;Pendiente de la curva gamma
ICCPROFCREATOR_TRC_PRESET;Curva de respuesta de tono:
IPTCPANEL_CATEGORY;Categoría
IPTCPANEL_CATEGORYHINT;Identifica el tema de la imagen en la opinión del proveedor.
IPTCPANEL_CITY;Ciudad
IPTCPANEL_CITYHINT;Ingrese el nombre de la ciudad representada en esta imagen.
IPTCPANEL_COPYHINT;Copiar ajustes IPTC al portapapeles
IPTCPANEL_COPYRIGHT;aviso de copyright
IPTCPANEL_COPYRIGHTHINT;Ingrese un Aviso sobre el propietario actual de los derechos de autor de esta imagen, como © 2008 Jane Doe.
IPTCPANEL_COUNTRY;País
IPTCPANEL_COUNTRYHINT;Ingrese el nombre del país representado en esta imagen.
IPTCPANEL_CREATOR;Creador
IPTCPANEL_CREATORHINT;Ingrese el nombre de la persona que creó esta imagen.
IPTCPANEL_CREATORJOBTITLE;Título del trabajo del creador
IPTCPANEL_CREATORJOBTITLEHINT;Ingrese el título de trabajo de la persona que aparece en el campo Creador.
IPTCPANEL_CREDIT;Créditos
IPTCPANEL_CREDITHINT;Identifica el proveedor de la imagen, que no necesariamente el dueño o creador.
IPTCPANEL_DATECREATED;Fecha de creación
IPTCPANEL_DATECREATEDHINT;Ingrese la fecha en que se tomó la imagen.
IPTCPANEL_DESCRIPTION;Descripción
IPTCPANEL_DESCRIPTIONHINT;Ingrese una "leyenda" que describa quién, qué y por qué de lo que está sucediendo en esta imagen, esto podría incluir nombres de personas y / o su rol en la acción que se lleva a cabo dentro de la imagen.
IPTCPANEL_DESCRIPTIONWRITER;Descripción del escritor
IPTCPANEL_DESCRIPTIONWRITERHINT;Ingrese el nombre de la persona involucrada en escribir, editar o corregir la descripción de la imagen.
IPTCPANEL_EMBEDDED;Incrustado
IPTCPANEL_EMBEDDEDHINT;Restablecer a los datos IPTC incrustados en el archivo de la imagen
IPTCPANEL_HEADLINE;Encabezado
IPTCPANEL_HEADLINEHINT;Ingrese un breve resumen publicable o resumen de los contenidos de la imagen.
IPTCPANEL_INSTRUCTIONS;Instrucciones
IPTCPANEL_INSTRUCTIONSHINT;Ingrese información sobre embargos u otras restricciones no cubiertas por el campo de Copyright.
IPTCPANEL_KEYWORDS;Palabras clave
IPTCPANEL_KEYWORDSHINT;Ingrese cualquier número de palabras clave, términos o frases utilizadas para expresar el tema en la imagen.
IPTCPANEL_PASTEHINT;Pegar ajustes IPTC desde el portapapeles
IPTCPANEL_PROVINCE;Provincia o Estado
IPTCPANEL_PROVINCEHINT;Ingrese el nombre de la provincia o estado que se muestra en esta imagen.
IPTCPANEL_RESET;Restablecer
IPTCPANEL_RESETHINT;Restablecer a los ajustes predeterminados del perfil.
IPTCPANEL_SOURCE;Fuente
IPTCPANEL_SOURCEHINT;Ingrese o edite el nombre de una persona o parte que tiene un rol en la cadena de suministro de contenido, como una persona o entidad de la que recibió esta imagen.
IPTCPANEL_SUPPCATEGORIES;Categorias suplementarias
IPTCPANEL_SUPPCATEGORIESHINT;Además purifica el tema de la imagen.
IPTCPANEL_TITLE;Título
IPTCPANEL_TITLEHINT;Ingrese un nombre corto legible y humano para la imagen, este puede ser el nombre del archivo.
IPTCPANEL_TRANSREFERENCE;Identificación del trabajo
IPTCPANEL_TRANSREFERENCEHINT;Ingrese un número o identificador necesario para el control o seguimiento del flujo de trabajo.
MAIN_BUTTON_FULLSCREEN;Pantalla completa
MAIN_BUTTON_ICCPROFCREATOR;Creador de perfiles ICC
MAIN_BUTTON_NAVNEXT_TOOLTIP;Navegar hasta la imagen Siguiente a la que está abierta en el editor:\n<b>Shift-F4</b>\n\nPara navegar hasta la imagen Siguiente a aquella cuya miniatura está seleccionada en el Explorador de Archivos:\n<b>F4</b>
MAIN_BUTTON_NAVPREV_TOOLTIP;Navegar hasta la imagen Anterior a la que está abierta en el editor:\n<b>Shift-F3</b>\n\nPara navegar hasta la imagen Anterior a aquella cuya miniatura está seleccionada en el Explorador de Archivos:\n<b>F3</b>
MAIN_BUTTON_NAVSYNC_TOOLTIP;Sincronizar el Navegador de Archivos con el Editor para mostrar la miniatura de la imagen actualmente abierta y quitar los filtros en el Navegador de Archivos:\n<b>x</b>\n\nPara hacer lo dicho anteriormente, pero sin quitar los filtros en el Navegador de Archivos:\n<b>y</b>\n(Note que la miniatura del archivo abierto no será mostrada si los filtros la excluyen).
MAIN_BUTTON_PREFERENCES;Preferencias
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Añadir imagen actual a la cola de procesamiento.\nTecla de Atajo:  <b>Ctrl+B</b>
MAIN_BUTTON_SAVE_TOOLTIP;Guardar imagen actual.\nTecla de Atajo: <b>Ctrl+S</b>
MAIN_BUTTON_SENDTOEDITOR;Abrir con editor
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Editar imagen actual en editor externo.\nTecla de Atajo: <b>Ctrl+E</b>
MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Mostrar/ocultar todos los paneles laterales.\nTecla de Atajo: <b>m</b>
MAIN_BUTTON_UNFULLSCREEN;Salir de Pantalla completa
MAIN_FRAME_EDITOR;Editor
MAIN_FRAME_EDITOR_TOOLTIP; Editor.\nTecla de Atajo: <b>Ctrl-F4</b>
MAIN_FRAME_FILEBROWSER;Explorador de archivos
MAIN_FRAME_FILEBROWSER_TOOLTIP; Explorador de archivos.\nTecla de Atajo: <b>Ctrl-F2</b>
MAIN_FRAME_PLACES;Ubicaciones
MAIN_FRAME_PLACES_ADD;Añadir
MAIN_FRAME_QUEUE;Cola de lotes
MAIN_FRAME_QUEUE_TOOLTIP; Cola de lotes.\nTecla de Atajo: <b>Ctrl-F3</b>
MAIN_FRAME_RECENT;Carpetas recientes
MAIN_MSG_ALREADYEXISTS;Este archivo ya existe.
MAIN_MSG_CANNOTLOAD;No se puede abrir imagen
MAIN_MSG_CANNOTSAVE;Error al guardar archivo
MAIN_MSG_CANNOTSTARTEDITOR;Problema abriendo editor.
MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Por favor ajuste la ruta correcta en las "Preferencias".
MAIN_MSG_EMPTYFILENAME;Nombre de archivo no especificado
MAIN_MSG_IMAGEUNPROCESSED;Este comando requiere primero que todas las imágenes seleccionadas sean procesadas en cola.
MAIN_MSG_NAVIGATOR;Navegador
MAIN_MSG_OPERATIONCANCELLED;Operación cancelada
MAIN_MSG_PATHDOESNTEXIST;La ruta\n\n<b>%1</b>\n\nno existe. Por favor, establezca una ruta correcta en la ventana de Preferencias.
MAIN_MSG_QOVERWRITE;¿Quiere sobre-escribirlo?
MAIN_MSG_SETPATHFIRST;Para poder usar esta función, primero tiene que establecer una \nruta objetivo en la ventana de Preferencias!
MAIN_MSG_TOOMANYOPENEDITORS;Demasiados editores abiertos.\n<b>Por favor cierre un editor para continuar.</b>
MAIN_MSG_WRITEFAILED;Falla al escribir\n\n<b>"%1"</b>\n\nAsegurese de que el folder exista y que usted tenga permiso de escritura sobre él.
MAIN_TAB_ADVANCED;Avanzado
MAIN_TAB_ADVANCED_TOOLTIP;Tecla de Atajo: <b>Alt</b>-<b>a</b>
MAIN_TAB_COLOR;Color
MAIN_TAB_COLOR_TOOLTIP;Tecla de Atajo: <b>Alt-C</b>
MAIN_TAB_DETAIL;Detalle
MAIN_TAB_DETAIL_TOOLTIP;Tecla de Atajo: <b>Alt-D</b>
MAIN_TAB_DEVELOP;Revelar
MAIN_TAB_EXIF;Exif
MAIN_TAB_EXPORT; Exportación Rápida
MAIN_TAB_EXPOSURE;Exposición
MAIN_TAB_EXPOSURE_TOOLTIP;Tecla de Atajo: <b>Alt-E</b>
MAIN_TAB_FILTER;Filtro
MAIN_TAB_INSPECT; Inspeccionar
MAIN_TAB_IPTC;IPTC
MAIN_TAB_METADATA;Metadatos
MAIN_TAB_METADATA_TOOLTIP;Tecla de Atajo: <b>Alt-M</b>
MAIN_TAB_RAW;Raw
MAIN_TAB_RAW_TOOLTIP;Tecla de Atajo: <b>Alt-R</b>
MAIN_TAB_TRANSFORM;Transformar
MAIN_TAB_TRANSFORM_TOOLTIP;Tecla de Atajo: <b>Alt-T</b>
MAIN_TOOLTIP_BACKCOLOR0;Color de fondo de la previsualización: <b>Color del tema</b>\nTecla de Atajo: <b>8</b>
MAIN_TOOLTIP_BACKCOLOR1;Color de fondo de la previsualización: <b>Negro</b>\nTecla de Atajo: <b>9</b>
MAIN_TOOLTIP_BACKCOLOR2;Color de fondo de la previsualización: <b>Blanco</b>\nTecla de Atajo: <b>0</b>
MAIN_TOOLTIP_BACKCOLOR3;Color de fondo de la vista previa: <b> Medio gris </b> \nMétodo rápido: <b> 9 </b>
MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Bloquear</b> / <b>Desbloquear</b> la vista <b>Antes</b>\n\n<b>Bloquear</b>: la vista <b>Antes</b> permanece inalterada - \nútil para evaluar el efecto acumulativo de varias herramientas.\nAdemás, se puede hacer una comparación con cualquier estado en el Historial\n\n<b>Desbloquear</b>: la vista <b>Antes</b> seguirá a la vista <b>Después</b> un paso por detrás, mostrando la imagen antes del efecto de la herramienta que se está usando
MAIN_TOOLTIP_HIDEHP;Mostrar/Ocultar panel izquierdo (incluyendo historial).\nTecla de Atajo: <b>i</b>
MAIN_TOOLTIP_INDCLIPPEDH;Indicación de luces altas recortadas.\nTecla de Atajo: <b>&gt;</b>
MAIN_TOOLTIP_INDCLIPPEDS;Indicación de sombras recortadas.\nTecla de Atajo: <b>&lt;</b>
MAIN_TOOLTIP_PREVIEWB;Previsualización <b>Canal azul</b>.\nTecla de Atajo: <b>b</b>
MAIN_TOOLTIP_PREVIEWFOCUSMASK;Previsualización <b>Máscara de Foco</b>.\nTecla de Atajo: <b>Shift-F</b>\n\nMás preciso en imágenes con poca profundidad de campo, bajo ruido y a mayores niveles de aumento\n\nPara mejorar la precisión en imágenes con ruido evalúe usando menor aumento (10%-30%)\n\nLa vista previa es realizada más lentamente cuando la Máscara de Foco esta activa.
MAIN_TOOLTIP_PREVIEWG;Previsualización <b>Canal verde</b>.\nTecla de Atajo: <b>g</b>
MAIN_TOOLTIP_PREVIEWL;Previsualización <b>Luminosidad</b>.\Tecla de Atajo: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
MAIN_TOOLTIP_PREVIEWR;Previsualización <b>Canal rojo</b>.\nTecla de Atajo: <b>r</b>
MAIN_TOOLTIP_PREVIEWSHARPMASK;Obtenga una vista previa de la <b> máscara de contraste de nitidez </b>. \n Tecla de atajo: <b> p </b> \n\nSólo funciona cuando la nitidez está activada y el zoom> = 100%.
MAIN_TOOLTIP_QINFO; Información breve de la imagen.\nTecla de Atajo : <b>i</b>
MAIN_TOOLTIP_SHOWHIDELP1;Mostrar/ocultar el panel izquierdo.\nTecla de Atajo: <b>l</b>
MAIN_TOOLTIP_SHOWHIDERP1;Mostrar/ocultar el panel derecho.\nTecla de Atajo: <b>Alt-L</b>
MAIN_TOOLTIP_SHOWHIDETP1;Mostrar/ocultar el panel superior.\nTecla de Atajo: <b>Shift-L</b>
MAIN_TOOLTIP_THRESHOLD;Umbral
MAIN_TOOLTIP_TOGGLE;Cambiar vista antes/después.\nTecla de Atajo: <b>Shift-B</b>
MONITOR_PROFILE_SYSTEM;Sistema por defecto
NAVIGATOR_B;B:
NAVIGATOR_G;G:
NAVIGATOR_H;H:
NAVIGATOR_LAB_A;a*:
NAVIGATOR_LAB_B;b*:
NAVIGATOR_LAB_L;L*:
NAVIGATOR_NA; --
NAVIGATOR_R;R:
NAVIGATOR_S;S:
NAVIGATOR_V;V:
NAVIGATOR_XY_FULL;Ancho = %1, Alto = %2
NAVIGATOR_XY_NA;x = n/a, y = n/a
OPTIONS_BUNDLED_MISSING;No se pudo encontrar el perfil "<b>% 1 </b>" incluido. \nSe podría dañar su instalación. \nnLos valores internos predeterminados se usarán en su lugar.
OPTIONS_DEFIMG_MISSING;No se pudo encontrar el perfil predeterminado para <b> fotos sin formato </b> o no está establecido. \nPor favor, compruebe el directorio de sus perfiles, puede que falte o esté dañado. \n "<b>% 1 </b> "se utilizará en su lugar
OPTIONS_DEFRAW_MISSING;No se pudo encontrar el perfil predeterminado para <b> fotos sin procesar </b> o no está configurado. \nPor favor, compruebe el directorio de sus perfiles, puede que falte o esté dañado. \n "<b>% 1 < / b> "será usado en su lugar.
PARTIALPASTE_ADVANCEDGROUP;Ajustes avanzados
PARTIALPASTE_BASICGROUP;Ajustes básicos
PARTIALPASTE_CACORRECTION;Corrección de aberraciones cromáticas
PARTIALPASTE_CHANNELMIXER;Mezclador de canales
PARTIALPASTE_CHANNELMIXERBW;Blanco y Negro
PARTIALPASTE_COARSETRANS;Rotar 90°/ voltear
PARTIALPASTE_COLORAPP;Modelo CIE 2002 de apariencia de color
PARTIALPASTE_COLORGROUP;Ajustes de color
PARTIALPASTE_COLORTONING;Tonificación de Color
PARTIALPASTE_COMMONTRANSFORMPARAMS;Auto relleno
PARTIALPASTE_COMPOSITIONGROUP;Ajustes de composición
PARTIALPASTE_CROP;Recortar
PARTIALPASTE_DARKFRAMEAUTOSELECT;Auto Selección de la Toma Negra
PARTIALPASTE_DARKFRAMEFILE;Archivo con Toma negra
PARTIALPASTE_DEFRINGE;Eliminar borde púrpura
PARTIALPASTE_DEHAZE;Remoción de neblina
PARTIALPASTE_DETAILGROUP;Ajustes de detalle
PARTIALPASTE_DIALOGLABEL;Pegar parcialmente perfil de procesamiento
PARTIALPASTE_DIRPYRDENOISE;Reducción de ruido
PARTIALPASTE_DIRPYREQUALIZER;Contraste por niveles de detalle
PARTIALPASTE_DISTORTION;Corrección de Distorsión
PARTIALPASTE_EPD;Mapeo tonal
PARTIALPASTE_EQUALIZER;Niveles Wavelet 
PARTIALPASTE_EVERYTHING;Todo
PARTIALPASTE_EXIFCHANGES;Cambio en datos Exif
PARTIALPASTE_EXPOSURE;Exposición
PARTIALPASTE_FILMSIMULATION;Simulación de Fílmico
PARTIALPASTE_FLATFIELDAUTOSELECT;Auto Selección de campo plano
PARTIALPASTE_FLATFIELDBLURRADIUS;Radio de difuminado de campo plano
PARTIALPASTE_FLATFIELDBLURTYPE;Tipo de difuminado de campo plano
PARTIALPASTE_FLATFIELDCLIPCONTROL;Control de recorte de Campo Plano
PARTIALPASTE_FLATFIELDFILE;Archivo de campo plano
PARTIALPASTE_GRADIENT;Graduar filtro
PARTIALPASTE_HSVEQUALIZER;Ecualizador HSV
PARTIALPASTE_ICMSETTINGS;Ajustes de Gestión de Color
PARTIALPASTE_IMPULSEDENOISE;Impulsar Reducción de ruido
PARTIALPASTE_IPTCINFO;Información IPTC
PARTIALPASTE_LABCURVE;Ajustes Lab
PARTIALPASTE_LENSGROUP;Ajustes relativos al lente
PARTIALPASTE_LENSPROFILE;Perfil de corrección de lente
PARTIALPASTE_LOCALCONTRAST;Contraste local
PARTIALPASTE_METADATA;Modo de metadatos
PARTIALPASTE_METAGROUP;Ajustes de metadatos
PARTIALPASTE_PCVIGNETTE;Filtro quitar viñeteado
PARTIALPASTE_PERSPECTIVE;Perspectiva
PARTIALPASTE_PREPROCESS_DEADPIXFILT;Aplicar filtro Pixel Muerto
PARTIALPASTE_PREPROCESS_GREENEQUIL;Equilibrio del verde
PARTIALPASTE_PREPROCESS_HOTPIXFILT;Aplicar filtro Pixel Caliente
PARTIALPASTE_PREPROCESS_LINEDENOISE;Filtro de ruido de línea
PARTIALPASTE_PREPROCESS_PDAFLINESFILTER;PDAF filtro de líneas
PARTIALPASTE_PRSHARPENING;Enfocar después del cambio de tamaño
PARTIALPASTE_RAWCACORR_AUTO;Auto corrección de Aberración Cromática
PARTIALPASTE_RAWCACORR_AVOIDCOLORSHIFT;CA evitar el cambio de color
PARTIALPASTE_RAWCACORR_CAREDBLUE;CA Rojo & Azul
PARTIALPASTE_RAWEXPOS_BLACK;Nivel de negro
PARTIALPASTE_RAWEXPOS_LINEAR;Corrección de punto blanco
PARTIALPASTE_RAWGROUP;Ajustes Raw
PARTIALPASTE_RAW_BORDER;Raw margen/borde
PARTIALPASTE_RAW_DCBENHANCE;Aplicar paso de mejora DCB
PARTIALPASTE_RAW_DCBITERATIONS;Número de iteraciones DCB
PARTIALPASTE_RAW_DMETHOD;Método de interpolado
PARTIALPASTE_RAW_FALSECOLOR;Pasos de supresión de falso color de interpolado
PARTIALPASTE_RAW_IMAGENUM;Sub-imagen
PARTIALPASTE_RAW_LMMSEITERATIONS;Pasos de mejora LMMSE
PARTIALPASTE_RAW_PIXELSHIFT;Cambio de píxel
PARTIALPASTE_RESIZE;Cambiar tamaño
PARTIALPASTE_RETINEX;Retinex
PARTIALPASTE_RGBCURVES;Curvas RGB
PARTIALPASTE_ROTATION;Rotar
PARTIALPASTE_SHADOWSHIGHLIGHTS;Sombras/Luces altas
PARTIALPASTE_SHARPENEDGE;Bordes
PARTIALPASTE_SHARPENING;Enfoque
PARTIALPASTE_SHARPENMICRO;Micro-contraste
PARTIALPASTE_SOFTLIGHT;Luz tenue
PARTIALPASTE_TM_FATTAL;Mapeo de tonos HDR
PARTIALPASTE_VIBRANCE;Vibranza
PARTIALPASTE_VIGNETTING;Corrección de viñeteo
PARTIALPASTE_WHITEBALANCE;Equilibrio de blancos
PREFERENCES_ADD;Añadir
PREFERENCES_APPEARANCE;Apariencia
PREFERENCES_APPEARANCE_COLORPICKERFONT;Selector del color de la fuente 
PREFERENCES_APPEARANCE_CROPMASKCOLOR;Recortar la máscara de color
PREFERENCES_APPEARANCE_MAINFONT;Fuente principal
PREFERENCES_APPEARANCE_NAVGUIDECOLOR;Color de la guía del navegador
PREFERENCES_APPEARANCE_THEME;Tema
PREFERENCES_APPLNEXTSTARTUP;requiere reinicio
PREFERENCES_AUTOMONPROFILE;Usar perfil de color del monitor principal en el sistema operativo 
PREFERENCES_AUTOSAVE_TP_OPEN;Guardar automáticamente las herramientas contraídas/expandidas \nEstado antes de salir
PREFERENCES_BATCH_PROCESSING;Procesamiento por lotes
PREFERENCES_BEHADDALL;Todo para 'Agregar'
PREFERENCES_BEHADDALLHINT;Establezca todos los parámetros del modo <b>Agregar</b>.\nLos ajustes de parámetros en el panel de la herramienta de lotes serán <b>deltas</b> de los valores guardados
PREFERENCES_BEHAVIOR;Comportamiento
PREFERENCES_BEHSETALL;Todo para 'Establecer'
PREFERENCES_BEHSETALLHINT;Todos los parámetros para el modo <b>Establecer</b>.\nLos ajustes de parámetros en el panel de la herramienta de lotes serán serán <b>absolutos</b>, se mostrarán los valores vigentes
PREFERENCES_CACHECLEAR;Borrar
PREFERENCES_CACHECLEAR_ALL;Borrar todos los archivos en caché:
PREFERENCES_CACHECLEAR_ALLBUTPROFILES;Borre todos los archivos en caché excepto los perfiles de procesamiento en caché:
PREFERENCES_CACHECLEAR_ONLYPROFILES;Borrar solo los perfiles de procesamiento en caché:
PREFERENCES_CACHECLEAR_SAFETY;Sólo se borran los archivos en el caché. Los perfiles de procesamiento almacenados junto con las imágenes de origen no se tocan.
PREFERENCES_CACHEMAXENTRIES;Cantidad máxima de entradas en la memoria intermedia
PREFERENCES_CACHEOPTS;Opciones de memoria intermedia
PREFERENCES_CACHETHUMBHEIGHT;Altura máxima de las miniaturas
PREFERENCES_CLIPPINGIND;Indicación de recortes
PREFERENCES_CLUTSCACHE;HaldCLUT Cache
PREFERENCES_CLUTSCACHE_LABEL;Número máximo de CLUTs en caché
PREFERENCES_CLUTSDIR;Directorio HaldCLUT
PREFERENCES_CMMBPC;Compensación de punto negro
PREFERENCES_CROP;Edición del corte
PREFERENCES_CROP_AUTO_FIT;Zoom automático para adaptarse al área de recorte
PREFERENCES_CROP_GUIDES;Guías mostradas al no editar el recorte.
PREFERENCES_CROP_GUIDES_FRAME;Cuadro
PREFERENCES_CROP_GUIDES_FULL;Original
PREFERENCES_CROP_GUIDES_NONE;Ninguno
PREFERENCES_CURVEBBOXPOS;Posición de la curva copiar y pegar nodos
PREFERENCES_CURVEBBOXPOS_ABOVE;Encima
PREFERENCES_CURVEBBOXPOS_BELOW;Abajo
PREFERENCES_CURVEBBOXPOS_LEFT;Izquierda
PREFERENCES_CURVEBBOXPOS_RIGHT;Derecha
PREFERENCES_CUSTPROFBUILD;Programa generador de perfiles de procesamiento de imagen del usuario
PREFERENCES_CUSTPROFBUILDHINT;Archivo ejecutable (o script) invocado un nuevo perfil de procesamiento inicial debe ser generado para una imagen.\n\nLa ruta del archivo de comunicación (estilo .ini) es agregado como parámetro de comando en línea. Éste contiene diversos parámetros requeridos y metadatos Exif de la imagen para permitir la generación de perfiles de procesamientos basados en reglas.\n\n<b>ADVERTENCIA:</b>Usted es responsable de colocar comillas donde se requieren cuando se usan rutas conteniendo espacios en blanco.
PREFERENCES_CUSTPROFBUILDKEYFORMAT;Clave de formato
PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Nombre
PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;ID Etiqueta
PREFERENCES_CUSTPROFBUILDPATH;Ruta al programa ejecutable
PREFERENCES_DARKFRAMEFOUND;Encontrado
PREFERENCES_DARKFRAMESHOTS;disparos
PREFERENCES_DARKFRAMETEMPLATES;plantillas
PREFERENCES_DATEFORMAT;Formato de fecha
PREFERENCES_DATEFORMATHINT;<i>Puede usar las siguientes variables :</i>\n<b>%y</b><i> : año</i>\n<b>%m</b><i> : mes</i>\n<b>%d</b><i> : dia</i>\n<i>\nPor ejemplo, la fecha en formato Húngaro es: </i>\n<b>%y/%m/%d</b>
PREFERENCES_DIRDARKFRAMES;Carpeta con las Tomas Negras
PREFERENCES_DIRECTORIES;Directorios
PREFERENCES_DIRHOME;Carpeta de usuario
PREFERENCES_DIRLAST;Última carpeta visitada
PREFERENCES_DIROTHER;Otro
PREFERENCES_DIRSELECTDLG;Seleccionar carpeta de imágenes en el arranque...
PREFERENCES_DIRSOFTWARE;Carpeta de instalación
PREFERENCES_EDITORCMDLINE;Línea de comando personalizada
PREFERENCES_EDITORLAYOUT;Disposición del editor
PREFERENCES_EXTERNALEDITOR;Editor externo
PREFERENCES_FBROWSEROPTS;Opciones del explorador de archivos/Miniaturas
PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Barra de herramientas del explorador en una sola fila (deseleccionar para pantallas de baja resolución)
PREFERENCES_FLATFIELDFOUND;Encontrado
PREFERENCES_FLATFIELDSDIR;Carpeta de archivos de campo plano
PREFERENCES_FLATFIELDSHOTS;disparos
PREFERENCES_FLATFIELDTEMPLATES;plantillas
PREFERENCES_FORIMAGE;Para fotos de tipo diferente a raw
PREFERENCES_FORRAW;Para fotos Raw
PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;La misma altura en miniatura entre la tira de película y el explorador de archivos
PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Tener un tamaño separado,en las miniaturas, requerirá más tiempo de procesamiento cada vez que alterne entre la única pestaña Editor y el Explorador de archivos.
PREFERENCES_GIMPPATH;Carpeta de instalación de GIMP
PREFERENCES_HISTOGRAMPOSITIONLEFT;Histograma en panel izquierdo
PREFERENCES_HISTOGRAM_TOOLTIP;Si está activado, el perfil de trabajo se utiliza para renderizar el histograma principal y el panel navegador, de lo contrario se utiliza el perfil de Gamma de la Corrección de salida.
PREFERENCES_HLTHRESHOLD;Umbral de luces altas cortadas
PREFERENCES_ICCDIR;Carpeta con perfiles de color ICC
PREFERENCES_IMPROCPARAMS;Parámetros de procesamiento de imágenes predeterminados
PREFERENCES_INSPECT_LABEL;Inspeccionar
PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Número máximo de imágenes en caché
PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Establezca el número máximo de imágenes almacenadas en la memoria caché cuando se desplaza sobre ellas en el explorador de archivos;\nLos sistemas con poca RAM (2 GB) deben mantener este valor establecido en 1 o 2.
PREFERENCES_INTENT_ABSOLUTE;Colorimétrico absoluto
PREFERENCES_INTENT_PERCEPTUAL;Perceptual
PREFERENCES_INTENT_RELATIVE;Colorimétrico relativo
PREFERENCES_INTENT_SATURATION;Saturación
PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Mostrar miniatura JPEG incrustada si foto Raw no se ha editado
PREFERENCES_LANG;Idioma
PREFERENCES_LANGAUTODETECT;Usar idioma del sistema
PREFERENCES_MAXRECENTFOLDERS;Número máximo de carpetas recientes
PREFERENCES_MENUGROUPEXTPROGS;Grupo "Abrir con"
PREFERENCES_MENUGROUPFILEOPERATIONS;Grupo "Operaciones de archivo"
PREFERENCES_MENUGROUPLABEL;Grupo "Etiquetado con color"
PREFERENCES_MENUGROUPPROFILEOPERATIONS;Grupo "Operaciones de Perfil de Procesamiento"
PREFERENCES_MENUGROUPRANK;Grupo "Asignar Rango"
PREFERENCES_MENUOPTIONS;Opciones de menú de contexto
PREFERENCES_MONINTENT;Intento de representación predeterminado
PREFERENCES_MONITOR;Monitor
PREFERENCES_MONPROFILE;Perfil de color predeterminado
PREFERENCES_MONPROFILE_WARNOSX;Debido a las limitaciones de MacOS, solo se admite sRGB.
PREFERENCES_MULTITAB;Modo Editor de varias pestañas
PREFERENCES_MULTITABDUALMON;Modo Editor de varias pestañas, si está disponible en segundo monitor
PREFERENCES_NAVIGATIONFRAME;Navegación
PREFERENCES_OVERLAY_FILENAMES;Superponer nombres de archivo en miniaturas
PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Superponer los nombres de archivo en las miniaturas en el panel del editor
PREFERENCES_OVERWRITEOUTPUTFILE;Sobreescribir archivos de salida existentes
PREFERENCES_PANFACTORLABEL;Factor
PREFERENCES_PARSEDEXT;Extensiones analizadas
PREFERENCES_PARSEDEXTADD;Agregar extensión
PREFERENCES_PARSEDEXTADDHINT;Ingrese una extensión y pulse este botón para agregarla a la lista
PREFERENCES_PARSEDEXTDELHINT;Borrar de la lista las extensiones seleccionadas
PREFERENCES_PARSEDEXTDOWNHINT;Mueve la extensión seleccionada hacia abajo en la lista.
PREFERENCES_PARSEDEXTUPHINT;Mueve la extensión seleccionada hacia arriba en la lista.
PREFERENCES_PERFORMANCE_THREADS;Hilos(Procesos)
PREFERENCES_PERFORMANCE_THREADS_LABEL;Número máximo de subprocesos para reducción de ruido y niveles de wavelet (0 = automático)
PREFERENCES_PREVDEMO;Vista previa del método Desmosaicado
PREFERENCES_PREVDEMO_FAST;Rápido
PREFERENCES_PREVDEMO_LABEL;Método de desmosaicado utilizado para la vista previa al <100% de zoom:
PREFERENCES_PREVDEMO_SIDECAR;Como en PP3
PREFERENCES_PRINTER;Impresora(tenue-corregir)
PREFERENCES_PROFILEHANDLING;Tratamiento de perfiles de procesamiento
PREFERENCES_PROFILELOADPR;Prioridad de perfiles cuando se abre imagen
PREFERENCES_PROFILEPRCACHE;Perfil en memoria intermedia
PREFERENCES_PROFILEPRFILE;Perfil junto a imagen de entrada
PREFERENCES_PROFILESAVEBOTH;Guarda el perfil de procesamiento tanto en la memoria caché como junto al archivo de entrada
PREFERENCES_PROFILESAVECACHE;Guardar perfiles de procesamiento en memoria intermedia
PREFERENCES_PROFILESAVEINPUT;Guardar perfiles de procesamiento junto con imagen de entrada
PREFERENCES_PROFILESAVELOCATION;Ubicación del lugar donde se guardo el perfil de procesamiento 
PREFERENCES_PROFILE_NONE;Ninguno
PREFERENCES_PROPERTY;Propiedad
PREFERENCES_PRTINTENT;Intento de representación
PREFERENCES_PRTPROFILE;Perfil de color
PREFERENCES_PSPATH;Carpeta de instalación de Adobe Photoshop
PREFERENCES_REMEMBERZOOMPAN;Recuerde el % de zoom y el desplazamiento del paneo
PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Recuerde que el% de zoom y el desplazamiento de la panorámica de la imagen actual al abrir una nueva imagen. \nEsta opción solo funciona en el "Modo de pestaña Editor único" y cuando el "Método de demostración utilizado para la vista previa a <100% de zoom" está configurado en " Como en PP3 "
PREFERENCES_SAVE_TP_OPEN_NOW;Guardar herramientas colapsadas/expandidas ahora
PREFERENCES_SELECTLANG;Seleccionar idioma
PREFERENCES_SERIALIZE_TIFF_READ;Configuración de lectura Tiff
PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serializar la lectura de archivos tiff
PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;Cuando trabaje con carpetas llenas de archivos tiff sin comprimir, habilitar esta opción puede aumentar el rendimiento en la generación de la miniatura.
PREFERENCES_SET;Establecer
PREFERENCES_SHOWBASICEXIF;Mostrar datos Exif básicos
PREFERENCES_SHOWDATETIME;Mostrar fecha y hora
PREFERENCES_SHOWEXPOSURECOMPENSATION;Mostrar compensación de exposición
PREFERENCES_SHOWFILMSTRIPTOOLBAR;Mostrar barra de herramientas estilo tira de película
PREFERENCES_SHTHRESHOLD;Umbral de sombras cortadas
PREFERENCES_SINGLETAB;Modo Editor de pestaña única
PREFERENCES_SINGLETABVERTAB;Modo Editor de pestaña única, pestañas verticales
PREFERENCES_SND_HELP;Introducir el path o dejar en blanco (sin sonido). En Windows, usar "SystemDefault", "SystemAsterisk" etc. para los sonidos del sistema\nEn Linux use "complete", "window-attention" etc. para los sonidos del sistema.
PREFERENCES_SND_LNGEDITPROCDONE;Procesado del editor terminado
PREFERENCES_SND_QUEUEDONE;Trabajos en cola finalizados
PREFERENCES_SND_THRESHOLDSECS;Despues de segundos
PREFERENCES_STARTUPIMDIR;Carpeta de imágenes en el arranque
PREFERENCES_TAB_BROWSER;Explorador de archivos
PREFERENCES_TAB_COLORMGR;Gestión del color
PREFERENCES_TAB_DYNAMICPROFILE;Reglas de perfil dinámico
PREFERENCES_TAB_GENERAL;General
PREFERENCES_TAB_IMPROC;Procesamiento de imágenes
PREFERENCES_TAB_PERFORMANCE;Rendimiento
PREFERENCES_TAB_SOUND;Sonidos
PREFERENCES_THUMBNAIL_INSPECTOR_JPEG;Vista previa de JPEG incrustado
PREFERENCES_THUMBNAIL_INSPECTOR_MODE;Imagen para mostrar
PREFERENCES_THUMBNAIL_INSPECTOR_RAW;Representación (Render) Raw neutral
PREFERENCES_THUMBNAIL_INSPECTOR_RAW_IF_NO_JPEG_FULLSIZE;JPEG incrustado si es de tamaño completo, de lo contrario es neutral sin formato 
PREFERENCES_TP_LABEL;Panel de herramientas:
PREFERENCES_TP_VSCROLLBAR;Ocultar barra de desplazamiento vertical del panel de herramientas
PREFERENCES_USEBUNDLEDPROFILES;Usar perfiles empaquetados
PREFERENCES_WORKFLOW;Disposición
PROFILEPANEL_COPYPPASTE;Parámetros a copiar
PROFILEPANEL_GLOBALPROFILES;Perfiles empaquetados
PROFILEPANEL_LABEL;Perfiles de procesamiento
PROFILEPANEL_LOADDLGLABEL;Cargar parámetros de procesamiento...
PROFILEPANEL_LOADPPASTE;Parámetros a cargar
PROFILEPANEL_MODE_TOOLTIP;Modo de procesamiento de perfiles.\n\nBotón Presionado: los perfiles parciales son completados; Los valores faltantes son llenados usando valores predeterminados de fábrica.\n\nBotón Liberado: Los perfiles son aplicados tal como están, alterando solo los valores que contienen; los parámetros sin valores en el perfil se dejan en la imagen tal como están.
PROFILEPANEL_MYPROFILES;Mis perfiles
PROFILEPANEL_PASTEPPASTE;Parámetros
PROFILEPANEL_PCUSTOM;A medida
PROFILEPANEL_PDYNAMIC;Dinámico
PROFILEPANEL_PFILE;Desde archivo
PROFILEPANEL_PINTERNAL;Neutro
PROFILEPANEL_PLASTSAVED;Último guardado
PROFILEPANEL_SAVEDLGLABEL;Guardar parámetros de procesamiento...
PROFILEPANEL_SAVEPPASTE;Parámetros a guardar
PROFILEPANEL_TOOLTIPCOPY;Copiar parámetros de procesamiento al portapapeles.\n<b>Ctrl-click</b> para seleccionar los parámetros a copiar
PROFILEPANEL_TOOLTIPLOAD;Cargar perfil de un archivo.\n<b>Ctrl-click</b> para seleccionar los parámetros a cargar
PROFILEPANEL_TOOLTIPPASTE; Pegar perfil del portapapeles.\n<b>Ctrl-click</b> para seleccionar los parámetros a pegar
PROFILEPANEL_TOOLTIPSAVE;Guardar perfil actual.\n<b>Ctrl-click</b> para seleccionar los parámetros a guardar
PROGRESSBAR_LOADING;Abriendo imagen...
PROGRESSBAR_LOADINGTHUMBS;Cargando miniaturas...
PROGRESSBAR_LOADJPEG;Abriendo archivo JPEG...
PROGRESSBAR_LOADJXL;Abriendo archivo JXL...
PROGRESSBAR_LOADPNG;Abriendo archivo PNG...
PROGRESSBAR_LOADTIFF;Abriendo archivo TIFF...
PROGRESSBAR_NOIMAGES;No se han encontrado imágenes
PROGRESSBAR_PROCESSING;Procesando la imagen...
PROGRESSBAR_PROCESSING_PROFILESAVED;Se guardó el perfil de procesamiento
PROGRESSBAR_READY;Listo
PROGRESSBAR_SAVEJPEG;Guardando archivo JPEG...
PROGRESSBAR_SAVEPNG;Guardando archivo PNG...
PROGRESSBAR_SAVETIFF;Guardando archivo TIFF...
PROGRESSBAR_SNAPSHOT_ADDED;Se añadió instantánea
PROGRESSDLG_PROFILECHANGEDINBROWSER;Perfil de procesamiento cambiado en explorador
QINFO_FRAMECOUNT;%2 cuadro
QINFO_HDR;HDR / %2 cuadro(s)
QINFO_ISO;ISO
QINFO_NOEXIF;No hay datos EXIF.
QINFO_PIXELSHIFT;Pixel variación /% 2 cuadro(s)
QUEUE_AUTOSTART;Inicio automático
QUEUE_AUTOSTART_TOOLTIP;Iniciar automáticamente el procesamiento en cuanto llega un nuevo trabajo
QUEUE_DESTFILENAME;Ruta y nombre del archivo
QUEUE_FORMAT_TITLE;Formato de archivo
QUEUE_LOCATION_FOLDER;Guardar en carpeta
QUEUE_LOCATION_TEMPLATE;Usar plantilla
QUEUE_LOCATION_TEMPLATE_TOOLTIP;<i>Se pueden usar las variables siguientes:</i>\n<b>%f, %d1, %d2, ..., %p1, %p2, ...</b>\n<i>\nEstas variables son referencias a las carpetas y subrutas de las rutas del lugar donde se encuentra la imagen raw.\n\nPor ejemplo, si abres </i> <b>/home/tom/image/02-09-2006/dsc0012.nef</b><i>, los valores de las variables son:\n</i><b>%f=dsc0012, %d1=02-09-2006, %d2=image, ...\n%p1=/home/tom/image/02-09-2006, %p2=/home/tom/image, p3=/home/tom, ...\n</b><i>\nSi quieres guardar la imagen de salida en el lugar original, usa:\n</i><b>%p1/%f\n</b><i>\nSi quieres guardar la imagen de salida en una carpeta 'convertida' dentro de la carpeta original, usa:\n</i><b>%p1/convertida/%f\n</b><i>\nSi quieres guardar la imagen de salida en la carpeta '/home/tom/convertida' conservando la misma subcarpeta de fechas, usa:\n</i><b>%p2/convertida/%d1/%f</b>
QUEUE_STARTSTOP_TOOLTIP;Iniciar o detener el procesamiento de las imágenes en la cola.\nTecla de Atajo: <b> Ctrl </b> + <b> s </b>
SAMPLEFORMAT_0;Formato de datos desconocido
SAMPLEFORMAT_1;Sin firma 8 bits
SAMPLEFORMAT_2;Sin firma 16 bits
SAMPLEFORMAT_4;24-bit LogLuv
SAMPLEFORMAT_8;32-bit LogLuv
SAMPLEFORMAT_16;Punto flotante de 32 bits
SAMPLEFORMAT_32;24-bit punto flotante
SAMPLEFORMAT_64;32-bit punto flotante
SAVEDLG_AUTOSUFFIX;Automáticamente añade un sufijo cuando el archivo ya existe
SAVEDLG_FILEFORMAT;Formato de archivo
SAVEDLG_FILEFORMAT_FLOAT; punto flotante
SAVEDLG_FORCEFORMATOPTS;Opciones de guardar forzado
SAVEDLG_JPEGQUAL;Calidad JPEG
SAVEDLG_PUTTOQUEUE;Poner en la cola de procesamiento
SAVEDLG_PUTTOQUEUEHEAD;Poner al principio de la cola de procesamiento
SAVEDLG_PUTTOQUEUETAIL;Poner al final de la cola de procesamiento
SAVEDLG_SAVEIMMEDIATELY;Guardar inmediatamente
SAVEDLG_SAVESPP;Guardar parámetros de procesamiento con la imagen
SAVEDLG_SUBSAMP;Submuestreo
SAVEDLG_SUBSAMP_1;Máxima compresión
SAVEDLG_SUBSAMP_2;Balanceado
SAVEDLG_SUBSAMP_3;Máxima calidad
SAVEDLG_SUBSAMP_TOOLTIP;Mejor compresión: \nJ: a: b 4: 2: 0 \nh / v 2/2 \nColor reducido a la mitad horizontal y verticalmente. \n Equilibrado: \nJ: a: b 4: 2: 2 \nh / v 2 / 1 \nColor dividido a la mitad horizontalmente. \nMejor calidad: \ nJ: a: b 4: 4: 4 \nh / v 1/1 \nNo hay submuestreo del color.
SAVEDLG_TIFFUNCOMPRESSED;TIFF sin compresión
SAVEDLG_WARNFILENAME;Se asignará nombre al archivo
SHCSELECTOR_TOOLTIP;Pulsar el botón derecho del ratón para restablecer la posición de los tres controles deslizantes
SOFTPROOF_GAMUTCHECK_TOOLTIP;Resalta los píxeles con colores fuera de gamma con respecto a: \n-El perfil de la impresora, si se establece uno y la prueba evaluacion de la correspondencia con el perfil está habilitada, \n-El perfil de salida, si el perfil de la impresora no está configurado y la prueba de la evaluacion de la saturación del perfil está habilitada \n-El perfil del monitor, si la prueba de evaluacion de la correspondencia con el perfil está deshabilitada.
SOFTPROOF_TOOLTIP;La prueba evaluacion de la correspondencia con el perfil simula la apariencia de la imagen: \n-Cuando se imprime, si un perfil de impresora está configurado en Preferencias-> Administración de color, \n-Cuando se ve en una pantalla que usa el perfil de salida actual, si no se configura un perfil de impresora .
THRESHOLDSELECTOR_B;Inferior
THRESHOLDSELECTOR_BL;Inferior izquierdo
THRESHOLDSELECTOR_BR;Inferior derecho
THRESHOLDSELECTOR_HINT;Mantenga la tecla <b>Mayús</b> presionada para mover puntos de control individuales.
THRESHOLDSELECTOR_T;Superior
THRESHOLDSELECTOR_TL;Superior izquierdo
THRESHOLDSELECTOR_TR;Superior derecho
TOOLBAR_TOOLTIP_COLORPICKER;Selector de color bloqueable \nCuando esté habilitado: \nHaga clic en la vista previa con el botón izquierdo del ratón para agregar un selector de color \nArrastre alrededor mientras presiona el botón izquierdo del mouse \nElimine el selector de color con el botón derecho del mouse haga clic en \nEliminar todos los selectores de color con Mayús + clic con el botón derecho del mouse \nHaz clic derecho para alejarse de cualquier selector de color y volver a la herramienta Mano
TOOLBAR_TOOLTIP_CROP;Selección de <b>recorte</b>.\nTecla de Atajo: <b>c</b>
TOOLBAR_TOOLTIP_HAND;Herramienta mano.\nTecla de Atajo: <b>h</b>
TOOLBAR_TOOLTIP_STRAIGHTEN;<b>Enderezado</b> / <b>Rotación Fina</b>.\nTecla de Atajo: <b>s</b>\n\nIndique la vertical u horizontal trazando una línea guía sobre la vista previa de la imagen. El ángulo de rotación será mostrado al continuación de la línea guía. El centro de la imagen es el centro de rotación.
TOOLBAR_TOOLTIP_WB;Muestrea equilibrio de blancos.\nTecla de Atajo: <b>w</b>
TP_BWMIX_ALGO;Algoritmo OYCPM
TP_BWMIX_ALGO_LI;Lineal
TP_BWMIX_ALGO_SP;Efectos especiales
TP_BWMIX_ALGO_TOOLTIP;Lineal: producirá una respuesta <b>lineal</b> normal.\nEfectos especiales: producirá efectos especiales por mezclar <b>no linealmente</b> los canales.
TP_BWMIX_AUTOCH;Auto
TP_BWMIX_CC_ENABLED;Ajustar color complementario
TP_BWMIX_CC_TOOLTIP;Permite el ajuste automático de colores complementarios en modo RNAmVCAzPM
TP_BWMIX_CHANNEL;Ecualizador de luminancia
TP_BWMIX_CURVEEDITOR1;Curva 'Antes'
TP_BWMIX_CURVEEDITOR2;Curva 'Después'
TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Curva tonal, luego de conversión a B&N, aplicada al final del tratamiento
TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Curva tonal, aplicada antes de conversión a B&N\nPuede ser afectada por los colores de los componentes
TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Modifica luminancia en función del matiz (hue)\nTenga en cuenta que valores extremos pueden introducir elementos artificiales.
TP_BWMIX_FILTER;Filtro de color
TP_BWMIX_FILTER_BLUE;Azul
TP_BWMIX_FILTER_BLUEGREEN;Azul-Verde
TP_BWMIX_FILTER_GREEN;Verde
TP_BWMIX_FILTER_GREENYELLOW;Verde-Amarillo
TP_BWMIX_FILTER_NONE;Ninguno
TP_BWMIX_FILTER_PURPLE;Púrpura
TP_BWMIX_FILTER_RED;Rojo
TP_BWMIX_FILTER_REDYELLOW;Rojo-Amarillo
TP_BWMIX_FILTER_TOOLTIP;El filtro de color simula fotos tomadas con un filtro de color colocado frente a la lente de la cámara. Los filtros de colores reducen el paso de un rango específico de colores, afectando correspondientemente su claridad. Por ejemplo, un filtro rojo oscurece cielos azules.
TP_BWMIX_FILTER_YELLOW;Amarillo
TP_BWMIX_GAMMA;Corrección de Gamma
TP_BWMIX_GAM_TOOLTIP;Corrige la <i>Gamma</i> de cada canal RGB
TP_BWMIX_LABEL;Blanco y Negro
TP_BWMIX_MET;Método
TP_BWMIX_MET_CHANMIX;Mezclador de canales
TP_BWMIX_MET_DESAT;Des-saturación
TP_BWMIX_MET_LUMEQUAL;Ecualizador de Luminancia
TP_BWMIX_MIXC;Mezclador
TP_BWMIX_NEUTRAL;Restablece el mezclador
TP_BWMIX_RGBLABEL;R: %1%%   V: %2%%   A: %3%%   Total: %4%%
TP_BWMIX_RGBLABEL_HINT;Factores finales RGB tomando en cuenta todas las opciones del mezclador\n<b>Total</b> muestra la suma de los valores RGB actualmente aplicados:\n- <b>En modo relativo</b> Siempre 100% \n- <b>En modo absoluto</b> mayor (más claro) o menor (más oscuro) que 100%
TP_BWMIX_RGB_TOOLTIP;Mezcla de canales RGB. Use como guía valores pre-establecidos.\nTenga en cuenta que valores negativos pueden introducir elementos extraños (artifacts) o resultados erráticos.
TP_BWMIX_SETTING;Predeterminados
TP_BWMIX_SETTING_TOOLTIP;Diversos pre-establecidos (película, paisaje, ...) o ajustes manuales del mezclador de canales
TP_BWMIX_SET_HIGHCONTAST;Alto Contraste
TP_BWMIX_SET_HIGHSENSIT;Alta sensibilidad
TP_BWMIX_SET_HYPERPANCHRO;Hiper Pancromático
TP_BWMIX_SET_INFRARED;Infrarrojo
TP_BWMIX_SET_LANDSCAPE;Paisaje
TP_BWMIX_SET_LOWSENSIT;Baja Sensibilidad
TP_BWMIX_SET_LUMINANCE;Luminancia
TP_BWMIX_SET_NORMCONTAST;Contraste Normal
TP_BWMIX_SET_ORTHOCHRO;Orto-cromático
TP_BWMIX_SET_PANCHRO;Pancromático
TP_BWMIX_SET_PORTRAIT;Retrato
TP_BWMIX_SET_RGBABS;RGB Absoluto
TP_BWMIX_SET_RGBREL;RGB Relativo
TP_BWMIX_SET_ROYGCBPMABS;RNAmVCAzPM Absoluto
TP_BWMIX_SET_ROYGCBPMREL;RNAmVCAzPM Relativo
TP_BWMIX_TCMODE_FILMLIKE;B&N simulando película
TP_BWMIX_TCMODE_SATANDVALBLENDING;Saturación y combinación de Valores B&N
TP_BWMIX_TCMODE_STANDARD;B&N Estándar
TP_BWMIX_TCMODE_WEIGHTEDSTD;B&N Estándar Ponderado
TP_BWMIX_VAL;L
TP_CACORRECTION_BLUE;Azul
TP_CACORRECTION_LABEL;Corrección de aberraciones cromáticas
TP_CACORRECTION_RED;Rojo
TP_CBDL_AFT;Después de blanco y negro
TP_CBDL_BEF;Antes de blanco y negro
TP_CBDL_METHOD;Proceso localizado
TP_CBDL_METHOD_TOOLTIP;Elija si la herramienta Contraste por niveles de detalle se colocará después de la herramienta Blanco y negro, que la hace funcionar en el espacio L * a * b *, o antes, que la hace funcionar en el espacio RGB.
TP_CHMIXER_BLUE;Canal Azul
TP_CHMIXER_GREEN;Canal Verde
TP_CHMIXER_LABEL;Mezclador de canales
TP_CHMIXER_RED;Canal Rojo
TP_COARSETRAF_TOOLTIP_HFLIP;Voltear horizontalmente.\nTecla de Atajo: '['
TP_COARSETRAF_TOOLTIP_ROTLEFT;Rotar a la izquierda.\nTecla de Atajo: ']'
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Rotar a la derecha
TP_COARSETRAF_TOOLTIP_VFLIP;Voltear verticalmente
TP_COLORAPP_ABSOLUTELUMINANCE;Luminancia absoluta
TP_COLORAPP_ALGO;Algoritmo
TP_COLORAPP_ALGO_ALL;Todo
TP_COLORAPP_ALGO_JC;Claridad + Crominancia (JC)
TP_COLORAPP_ALGO_JS;Claridad + Saturación (JS)
TP_COLORAPP_ALGO_QM;Brillo + Colorido (QM)
TP_COLORAPP_ALGO_TOOLTIP;Le permite elegir entre subconjuntos de parámetros o todos los parámetros
TP_COLORAPP_BADPIXSL;Filtro de píxeles calientes/muertos
TP_COLORAPP_BADPIXSL_TOOLTIP;Supresión de píxeles calientes/muertos (con coloreado brillante).\n 0 = Sin efecto \n 1 = Mediana \n 2 = Gaussiano.\n\nEstos elementos extraños son causados por limitaciones de CIECAM02. Como alternativa, ajuste la imagen para evitar sombras muy oscuras.
TP_COLORAPP_BRIGHT;Brillo (Q)
TP_COLORAPP_BRIGHT_TOOLTIP;En CIECAM02 el Brillo tiene en cuenta la luminosidad de los blancos y es diferente al de Lab y al de RGB
TP_COLORAPP_CAT02ADAPTATION_TOOLTIP;Cuando se configura manualmente, se recomiendan valores por encima de 65.
TP_COLORAPP_CHROMA;Crominancia (C)
TP_COLORAPP_CHROMA_M;Colorido (M)
TP_COLORAPP_CHROMA_M_TOOLTIP;El Colorido CIECAM02 es diferente al de Lab y al de RGB
TP_COLORAPP_CHROMA_S;Saturación (S)
TP_COLORAPP_CHROMA_S_TOOLTIP;La Saturación CIECAM02 es diferente a la de Lab y a la de RGB
TP_COLORAPP_CHROMA_TOOLTIP;Crominancia en CIECAM02 es diferente a la de Lab y a la de RGB
TP_COLORAPP_CIECAT_DEGREE;CAT02 adaptación
TP_COLORAPP_CONTRAST;Contraste (J)
TP_COLORAPP_CONTRAST_Q;Contraste (Q)
TP_COLORAPP_CONTRAST_Q_TOOLTIP;Contraste en CIECAM02 para el control deslizante Q; es diferente al contraste en Lab y en RGB
TP_COLORAPP_CONTRAST_TOOLTIP;Contraste en CIECAM02 para el control deslizante J; es diferente al contraste en Lab y en RGB
TP_COLORAPP_CURVEEDITOR1;Curva tonal 1
TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Muestra el <b>histograma L (de Lab) antes</b> de CIECAM02.\nSi la casilla "Muestra en las curvas histogramas de salida CIECAM02" está seleccionada, muestra <b>los histogramas de J o Q después</b> de CIECAM02.\n\nJ y Q no se muestran en el histograma del panel principal.\n\nVea el histograma de salida final en el panel principal
TP_COLORAPP_CURVEEDITOR2;Curva tonal 2
TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Por favor, consulte RawPedia para aprender cómo obtener mejores resultados usando dos curvas tonales
TP_COLORAPP_CURVEEDITOR3;Curva de color
TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Ajusta Crominancia, Saturación o Colorido.\n\nMuestra el <b>histograma de Cromaticidad (Lab) antes</b> de los ajustes CIECAM02.\nSi la casilla "Muestra en las curvas histogramas de salida CIECAM02" está seleccionada, muestra el <b>histograma de C, s o M después</b> de CIECAM02.\n\nC, s y M no se muestran en el histograma del panel principal.\n\nVea el histograma de salida final en el panel principal
TP_COLORAPP_DATACIE;Curvas con histogramas de salida CIECAM02
TP_COLORAPP_DATACIE_TOOLTIP;Si está seleccionada, los histogramas en las curvas CIECAM02 muestran aproximadamente <b>valores/rangos de J o Q, y C, s o M después</b> de los ajustes CIECAM02.\nEsta selección no influye en el histograma del panel principal.\n\nCuando no está seleccionada, los histogramas en las curvas CIECAM02 muestran <b>valores Lab antes</b> de los ajustes CIECAM02
TP_COLORAPP_FREE;Libre tempera+verde + CAT02 + [output]
TP_COLORAPP_GAMUT;Control de Gamut (Lab)
TP_COLORAPP_HUE;Matiz (h)
TP_COLORAPP_HUE_TOOLTIP;Matiz (h) - ángulo entre 0° y 360°
TP_COLORAPP_LABEL;CIE Modelo de Apariencia de Color 2002
TP_COLORAPP_LABEL_CAM02;Ajustes de imagen
TP_COLORAPP_LABEL_SCENE;Condiciones de la escena
TP_COLORAPP_LABEL_VIEWING;Condiciones de visualización
TP_COLORAPP_LIGHT;Claridad (J)
TP_COLORAPP_LIGHT_TOOLTIP;Claridad en CIECAM02 es diferente a la de Lab y a la de RGB
TP_COLORAPP_MEANLUMINANCE;Luminancia media (Yb%)
TP_COLORAPP_MODEL;Modelo de Punto Blanco
TP_COLORAPP_MODEL_TOOLTIP;Modelo de Punto Blanco\n\n<b>WB [RT] + [salida]:</b>\nEl Balance de Blancos de RT es usado para la escena, CIECAM02 es establecido a D50, y el Balance de Blancos del dispositivo de salida es el establecido en <i>Preferencias > Gestión de Color</i>\n\n<b>WB [RT+CAT02] + [salida]:</b>\nEl Balance de Blancos de RT es usado por CAT02 y el del dispositivo de salida es el establecido en preferencias
TP_COLORAPP_NEUTRAL;Restablecer
TP_COLORAPP_NEUTRAL_TOOLTIP;Restablecer todos los controles deslizantes y las curvas a sus valores predeterminados
TP_COLORAPP_RSTPRO; Protección de tonos rojos y color piel
TP_COLORAPP_RSTPRO_TOOLTIP;Intensidad de protección de tonos rojos y color piel (en curvas y en controles deslizantes)
TP_COLORAPP_SURROUND;Entorno
TP_COLORAPP_SURROUND_AVER;Promedio
TP_COLORAPP_SURROUND_DARK;Oscuro
TP_COLORAPP_SURROUND_DIM;Luz Tenue
TP_COLORAPP_SURROUND_EXDARK;Muy oscuro
TP_COLORAPP_SURROUND_TOOLTIP;Cambia la tonalidad y color de la imagen teniendo en cuenta las condiciones de visualización en el dispositivo de salida\n\n<b>Promedio:</b>\nEntorno con iluminación media(estándar)\nLa imagen no cambiará\n\n<b>\n\n<b>Luz Tenue:</b>\nAmbiente a media luz (TV)\nLa imagen se pondrá ligeramente oscura\n\n<b>Oscuro:</b>\nEntorno oscuro (proyector)\nLa imagen se pondrá más oscura\n\n<b>Muy Oscuro:</b>\nEntorno extremadamente oscuro\nLa imagen se podrá bien oscura
TP_COLORAPP_TCMODE_BRIGHTNESS;Brillo
TP_COLORAPP_TCMODE_CHROMA;Crominancia
TP_COLORAPP_TCMODE_COLORF;Colorido
TP_COLORAPP_TCMODE_LABEL1;Curva modo 1
TP_COLORAPP_TCMODE_LABEL2;Curve modo 2
TP_COLORAPP_TCMODE_LABEL3;Curva en modo crominancia
TP_COLORAPP_TCMODE_LIGHTNESS;Claridad
TP_COLORAPP_TCMODE_SATUR;Saturación
TP_COLORAPP_TEMP_TOOLTIP;Para seleccionar un iluminante, configure siempre Tinte = 1. \nA temperatura = 2856 \nD50 temperatura = 5003 \nD55 temperatura = 5503 \nD65 temperatura = 6504 \nD75 temperatura = 7504
TP_COLORAPP_TONECIE;Mapeo tonal usando Brillo (Q) CIECAM02.
TP_COLORAPP_TONECIE_TOOLTIP;Si esta opción no está seleccionada, el mapeo tonal se hace usando el espacio de color Lab.\nSi esta opción está seleccionada, el mapeo tonal se hace usando CIECAM02.\nLa herramienta de mapeo tonal debe de estar habilitada para que esta selección tenga efecto
TP_COLORAPP_VIEWING_ABSOLUTELUMINANCE_TOOLTIP;Luminancia absoluta del entorno de visualización \ n (normalmente 16 cd / m²).
TP_COLORAPP_WBCAM;BalBlanco [RT+CAT02] + [salida]
TP_COLORAPP_WBRT;BalBlanco [RT] + [salida]
TP_COLORTONING_AB;o C/L
TP_COLORTONING_AUTOSAT;Automático
TP_COLORTONING_BALANCE;Balance
TP_COLORTONING_BY;o C/L
TP_COLORTONING_CHROMAC;Opacidad
TP_COLORTONING_COLOR;Color
TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Opacidad de la Crominancia en función de la Luminancia: C=f(L)
TP_COLORTONING_HIGHLIGHT;Luces Altas
TP_COLORTONING_HUE;Matiz
TP_COLORTONING_LAB;Mezcla Lab
TP_COLORTONING_LABEL;Tonificación de Color
TP_COLORTONING_LABGRID;L*a*b* cuadrícula de corrección del color
TP_COLORTONING_LABGRID_VALUES;HL: a=%1 b=%2\nS: a=%3 b=%4
TP_COLORTONING_LABREGIONS;Regiones de corrección de color
TP_COLORTONING_LABREGION_ABVALUES;a=%1 b=%2
TP_COLORTONING_LABREGION_CHANNEL;Canal
TP_COLORTONING_LABREGION_CHANNEL_ALL;Todos
TP_COLORTONING_LABREGION_CHANNEL_B;Azul
TP_COLORTONING_LABREGION_CHANNEL_G;Verde
TP_COLORTONING_LABREGION_CHANNEL_R;Rojo
TP_COLORTONING_LABREGION_CHROMATICITYMASK;C
TP_COLORTONING_LABREGION_HUEMASK;H
TP_COLORTONING_LABREGION_LIGHTNESS;Luminosidad
TP_COLORTONING_LABREGION_LIGHTNESSMASK;L
TP_COLORTONING_LABREGION_LIST_TITLE;Corrección
TP_COLORTONING_LABREGION_MASK;Máscara
TP_COLORTONING_LABREGION_MASKBLUR;Desenfoque de la máscara
TP_COLORTONING_LABREGION_OFFSET;Compensar
TP_COLORTONING_LABREGION_POWER;Potencia
TP_COLORTONING_LABREGION_SATURATION;Saturación
TP_COLORTONING_LABREGION_SHOWMASK;Mostrar máscara
TP_COLORTONING_LABREGION_SLOPE;Bajar
TP_COLORTONING_LUMA;Luminancia
TP_COLORTONING_LUMAMODE;Preservar luminancia
TP_COLORTONING_LUMAMODE_TOOLTIP;Si está activado, cuando se cambia el color(rojo, verde, cian, azul, etc.) la luminancia de cada pixel es preservada.
TP_COLORTONING_METHOD;Método
TP_COLORTONING_METHOD_TOOLTIP;"Mezcla Lab", "Controles deslizantes RGB" y "Curvas RGB" utilizan mezcla de color interpolada.\n"Balance de Color (Sombras/Tonos Medios/Luces Altas)" y "Saturación 2 colores" utilizan colores directos.\n\nCualquier método de tonificación de color puede ser aplicado aún estando la herramienta Blanco y Negro activada.
TP_COLORTONING_MIDTONES;Tonos Medios
TP_COLORTONING_NEUTRAL;Restablecer controles deslizantes
TP_COLORTONING_NEUTRAL_TOOLTIP;Restablecer todos los valores predeterminados(Sombras, Tonos Medios, Luces Altas).
TP_COLORTONING_OPACITY;Opacidad
TP_COLORTONING_RGBCURVES;RGB - Curvas
TP_COLORTONING_RGBSLIDERS;RGB - Controles deslizantes
TP_COLORTONING_SA;Protección de saturación
TP_COLORTONING_SATURATEDOPACITY;Intensidad
TP_COLORTONING_SATURATIONTHRESHOLD;Umbral
TP_COLORTONING_SHADOWS;Sombras
TP_COLORTONING_SPLITCO;Sombras/Tonos Medios/Luces Altas
TP_COLORTONING_SPLITCOCO;Balance de Color Sombras/Tonos Medios/Luces Altas
TP_COLORTONING_SPLITLR;Saturación 2 colores
TP_COLORTONING_STR;Intensidad
TP_COLORTONING_STRENGTH;Intensidad
TP_COLORTONING_TWO2;Crominancia especial '2 colores'
TP_COLORTONING_TWOALL;Crominancia especial
TP_COLORTONING_TWOBY;Especial 'a' y 'b'
TP_COLORTONING_TWOCOLOR_TOOLTIP;Crominancia estándar:\nRespuesta lineal, a* = b*.\n\nCrominancia especial:\nRespuesta lineal, a* = b*, pero no unidas - intentar debajo de la diagonal.\n\nEspecial a* and b*:\nRespuesta lineal no unida con curvas separadas para a* y b*. Previsto para efectos especiales.\nCrominancia especial 2 colores:\nMás predecible.
TP_COLORTONING_TWOSTD;Crominancia estándar
TP_CROP_FIXRATIO;Fijar proporciones:
TP_CROP_GTDIAGONALS;Regla de las diagonales
TP_CROP_GTEPASSPORT;Pasaporte biométrico
TP_CROP_GTFRAME;Marco
TP_CROP_GTGRID;Rejilla
TP_CROP_GTHARMMEANS;Proporciones Armónicas
TP_CROP_GTNONE;Ninguna
TP_CROP_GTRULETHIRDS;Regla de los tercios
TP_CROP_GTTRIANGLE1;Triángulos de oro(áureo)1
TP_CROP_GTTRIANGLE2;Triángulos de oro(áureo)2
TP_CROP_GUIDETYPE;Clase de guía:
TP_CROP_H;Al
TP_CROP_LABEL;Recortar
TP_CROP_RESETCROP;Reiniciar
TP_CROP_SELECTCROP;Seleccionar recorte
TP_CROP_W;Ancho
TP_CROP_X;x
TP_CROP_Y;y
TP_DARKFRAME_AUTOSELECT;Auto selección
TP_DARKFRAME_LABEL;Toma Negra
TP_DEFRINGE_LABEL;Quitar borde púrpura
TP_DEFRINGE_RADIUS;Radio
TP_DEFRINGE_THRESHOLD;Umbral
TP_DEHAZE_DEPTH;Profundidad
TP_DEHAZE_LABEL;Eliminación de neblina
TP_DEHAZE_SHOW_DEPTH_MAP;Mostrar mapa de profundidad
TP_DEHAZE_STRENGTH;Fuerza
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Control automático de  multi-zonas 
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Control automático global
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominancia: Azul-Amarillo
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Curva de Crominancia
TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Aumente (multiplique) el valor de todos los controles deslizantes de crominancia. \nEsta curva le permite ajustar la intensidad de la reducción de ruido cromático en función de la cromaticidad, por ejemplo, para aumentar la acción en áreas de baja saturación y para disminuirla en aquellas de alta saturación.
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Crominancia
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominancia: Maestra
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Método
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual \nActos en la imagen completa. \nUsted controla la configuración de reducción de ruido manualmente. \nAutomático global \ nAcciones en la imagen completa. \n9 zonas se utilizan para calcular una configuración de reducción de ruido de crominancia global. \nVista previa \nAcciones activadas en la totalidad de la imagen. \ nLa parte de la imagen visible en la vista previa se utiliza para calcular la configuración global de reducción de ruido de crominancia.
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual \nAcciones en la imagen completa. \nUsted controla las configuraciones de reducción de ruido manualmente. \nAutomático global \nAcciones en la imagen completa. \n9 zonas se utilizan para calcular una configuración global de reducción de ruido de crominancia. \nMúltiples zonas automáticas \ nNo hay vista previa: funciona solo durante el guardado, pero al usar el método de "Vista previa" al hacer coincidir el tamaño y centro del mosaico con el centro y el tamaño de la vista previa, puede obtener una idea de los resultados esperados. \ nLa imagen se divide en mosaicos (aproximadamente 10 a 70 dependiendo del tamaño de la imagen) y cada ficha recibe su propia configuración de reducción de ruido de crominancia. \nPrevisión \nAcciones en toda la imagen. \nLa parte de la imagen visible en la vista previa se utiliza para calcular la configuración global de reducción de ruido de crominancia.
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Vista previa de múltiples zonas
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Vista previa
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Muestra los niveles de ruido restantes de la parte de la imagen visible en la vista previa después de wavelet. \n> 300 Muy ruidoso \n100-300 Ruidoso \n50-100 Un poco ruidoso \n <50 Muy bajo ruido \n Cuidado, los valores diferirán entre los modos RGB y L * a * b *. Los valores RGB son menos precisos porque el modo RGB no separa completamente la luminancia y la crominancia.
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Tamaño de la vista previa =% 1, Centro: Px =% 2 Py =% 3
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Previsualización de ruido: Media =% 1 Alta =% 2
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Previsualización del ruido: Media = - Alta = -
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tamaño del mosaico =% 1, Centro: Tx =% 2 Ty =% 3
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominancia: Rojo-Verde
TP_DIRPYRDENOISE_LABEL;Reducción del ruido
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Control de luminancia
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Curva de Luminancia
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detalle en luminancia
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminancia
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminancia
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Método
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado.
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma hace variar la fuerza de reducción del ruido a lo largo del rango tonal.\n\n Valores pequeños dirigen la reducción hacia las sombras, mientras que valores grandes extienden el efecto hasta los tonos brillantes
TP_DIRPYRDENOISE_MAIN_MODE;Calidad
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Alto
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Estándar
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;La Calidad puede ser adaptada a un patrón de ruido. Al seleccionar "Alto" se incrementa el efecto de reducción de ruido a costa de prolongar el tiempo de procesamiento.
TP_DIRPYRDENOISE_MEDIAN_METHOD;Método Median
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Solo croma(color)
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Sólo luminancia
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Cuando se utiliza "Sólo Luminancia" y los métodos "Lab", el filtro Median será aplicado inmediatamente después de cada proceso de toda la cadena de reducción de ruido.\nCuando se utiliza el modo "RGB", el filtro Median se aplicará al final de toda la cadena de procesos de reducción de ruido.
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Ponderado L * (pequeño) + a * b * (normal)
TP_DIRPYRDENOISE_MEDIAN_PASSES;Iteracciones Median
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;La aplicación de tres iteraciones de filtro de mediana con un tamaño de ventana de 3 × 3 a menudo conduce a mejores resultados que el uso de una iteración de filtro de mediana con un tamaño de ventana de 7 × 7.
TP_DIRPYRDENOISE_MEDIAN_TYPE;Tipo Median
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Aplica un filtro de mediana para el tamaño de la ventana deseada. Cuanto mayor sea el tamaño de la ventana, más tiempo tardará. \n3 × 3 soft: trata 5 píxeles en una ventana de 3 × 3 píxeles. \n3 × 3: trata 9 píxeles en una ventana de 3 × 3 píxeles. \n5 × 5 suave: trata 13 píxeles en una ventana de 5 × 5 píxeles. \n5 × 5: trata 25 píxeles en una ventana de 5 × 5 píxeles. \n7 × 7: trata 49 píxeles en una ventana de 7 × 7 píxeles. \n9 × 9: trata 81 píxeles en una ventana de 9 × 9 píxeles. \nA veces es posible lograr una mayor calidad ejecutando varias iteraciones con un tamaño de ventana más pequeño que una iteración con una más grande.
TP_DIRPYRDENOISE_TYPE_3X3;3×3
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 suavisado
TP_DIRPYRDENOISE_TYPE_5X5;5×5
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 suavisado
TP_DIRPYRDENOISE_TYPE_7X7;7×7
TP_DIRPYRDENOISE_TYPE_9X9;9×9
TP_DIRPYREQUALIZER_ALGO;Rango de Color de Piel
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fino: cercano a los colores de la piel, minimizando la acción en otros colores\nAmplio: evita más elementos extraños.
TP_DIRPYREQUALIZER_ARTIF;Reduce elementos extraños
TP_DIRPYREQUALIZER_HUESKIN;Matiz de la piel
TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;En la parte superior se selecciona la zona con los valores máximos.\nEn la parte inferior se ajusta la transición.\nSi necesita para mover el área de manera significativa a la izquierda o a la derecha - o si hay elementos extraños:.. El <b>balance de blancos es incorrecto </b>\nPuedes reducir ligeramente la zona para evitar que el resto de la imagen se vea afectada.
TP_DIRPYREQUALIZER_LABEL;Contraste por niveles de detalle
TP_DIRPYREQUALIZER_LUMACOARSEST;Más grueso
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;-Contraste
TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;+Contraste
TP_DIRPYREQUALIZER_LUMAFINEST;Más fino
TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutro
TP_DIRPYREQUALIZER_SKIN;Tonos de Piel focalización/protección
TP_DIRPYREQUALIZER_SKIN_TOOLTIP;A -100 se focalizan los tonos de piel.\nA 0 todos los tonos son afectados de la misma manera.\nA 100 los tonos de piel son protegidos mientras otros tonos son afectados.
TP_DIRPYREQUALIZER_THRESHOLD;Umbral
TP_DIRPYREQUALIZER_TOOLTIP;Reduce los elementos extraños producidos en la transición entre los colores de piel (matiz, crominancia, luminancia) y el resto de la imagen.
TP_DISTORTION_AMOUNT;Cantidad
TP_DISTORTION_AUTO_TOOLTIP;Corrige automáticamente la distorsión de la lente en archivos sin procesar al compararla con la imagen JPEG incrustada, si existe, y la cámara ha corregido automáticamente la distorsión de la lente.
TP_DISTORTION_LABEL;Corrección de Distorsión
TP_EPD_EDGESTOPPING;Parada en los bordes
TP_EPD_GAMMA;Gamma
TP_EPD_LABEL;Mapeo tonal
TP_EPD_REWEIGHTINGITERATES;Iteraciones de reponderación
TP_EPD_SCALE;Escala
TP_EPD_STRENGTH;Intensidad
TP_EXPOSURE_AUTOLEVELS;Niveles automáticos
TP_EXPOSURE_AUTOLEVELS_TOOLTIP;Ejecuta Niveles Automáticos. Establece automáticamente los valores de los parámetros basándose en el análisis de la imagen.\nHabilita la reconstrucción de luces altas si es necesario
TP_EXPOSURE_BLACKLEVEL;Nivel de Negro
TP_EXPOSURE_BRIGHTNESS;Brillo
TP_EXPOSURE_CLAMPOOG;Corte fuera de la gama de colores
TP_EXPOSURE_CLIP;Recorte %
TP_EXPOSURE_CLIP_TOOLTIP;Fracción de los píxeles que se recortará en una operación de Niveles Automáticos
TP_EXPOSURE_COMPRHIGHLIGHTS;Compresión de luces altas
TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Umbral de recuperación de luces altas
TP_EXPOSURE_COMPRSHADOWS;Compresión de sombras
TP_EXPOSURE_CONTRAST;Contraste
TP_EXPOSURE_CURVEEDITOR1;Curva tonal 1
TP_EXPOSURE_CURVEEDITOR2;Curva tonal 2
TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Por favor, consulte RawPedia para aprender cómo obtener mejores resultados usando dos curvas tonales
TP_EXPOSURE_EXPCOMP;Compensación de exposición
TP_EXPOSURE_HISTMATCHING;Curva de tono auto-balanceada
TP_EXPOSURE_HISTMATCHING_TOOLTIP;Ajuste automáticamente los controles deslizantes y las curvas (excepto la compensación de exposición) para que coincidan con el aspecto de la miniatura JPEG incrustada.
TP_EXPOSURE_LABEL;Exposición
TP_EXPOSURE_SATURATION;Saturación
TP_EXPOSURE_TCMODE_FILMLIKE;Similar a película
TP_EXPOSURE_TCMODE_LABEL1;Curva modo 1
TP_EXPOSURE_TCMODE_LABEL2;Curva modo 2
TP_EXPOSURE_TCMODE_LUMINANCE;Luminancia
TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptual
TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Mezcla de saturación y valor
TP_EXPOSURE_TCMODE_STANDARD;Estándar
TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Estándar ponderado
TP_EXPOS_BLACKPOINT_LABEL;Raw - Puntos Negros
TP_EXPOS_WHITEPOINT_LABEL;Raw - Puntos Blancos
TP_FILMSIMULATION_LABEL;Simulación de Fílmico
TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee está configurado para buscar imágenes Hald CLUT, que se usan para la herramienta Simulación de película, en una carpeta que tarda demasiado en cargarse. \nVaya a Preferencias> Procesamiento de imagen> Simulación de película \npara ver qué carpeta se está utilizando. Debería apuntar RawTherapee a una carpeta que contenga solo imágenes de Hald CLUT y nada más, o a una carpeta vacía si no desea usar la herramienta Simulación de película. \nLea el artículo de Simulación de película en RawPedia para obtener más información. \n¿Desea cancelar el escaneo ahora?
TP_FILMSIMULATION_STRENGTH;Intensidad
TP_FILMSIMULATION_ZEROCLUTSFOUND;Seleccionar el directorio HaldCLUT en Preferencias
TP_FLATFIELD_AUTOSELECT;Auto selección
TP_FLATFIELD_BLURRADIUS;Radio de difuminado
TP_FLATFIELD_BLURTYPE;Tipo de difuminado
TP_FLATFIELD_BT_AREA;Área
TP_FLATFIELD_BT_HORIZONTAL;Horizontal
TP_FLATFIELD_BT_VERTHORIZ;Vert. + Horiz.
TP_FLATFIELD_BT_VERTICAL;Vertical
TP_FLATFIELD_CLIPCONTROL;Control de Recorte
TP_FLATFIELD_CLIPCONTROL_TOOLTIP;El Control de Recorte evita la perdida de detalle en las luces altas causadas por la aplicación del Campo Plano. Si ya hubiera perdida de detalle en las altas luces antes de aplicar el Campo Plano, el Control de Recorte puede conducir a una dominante de color.
TP_FLATFIELD_LABEL;Campo plano
TP_GENERAL_11SCALE_TOOLTIP;El efecto de esta herramienta o el de alguno de sus componentes solo es apreciable en escala de vista previa 1:1
TP_GRADIENT_CENTER;Centro
TP_GRADIENT_CENTER_X;Centro X
TP_GRADIENT_CENTER_X_TOOLTIP;Ancla X del punto de rotación:\n-100 = borde izquierdo\n   0 = centro\n+100 = borde derecho
TP_GRADIENT_CENTER_Y;Centro Y
TP_GRADIENT_CENTER_Y_TOOLTIP;Ancla Y del punto de rotación:\n-100=borde superior\n0=centro\n+100=borde inferior
TP_GRADIENT_DEGREE;Ángulo
TP_GRADIENT_DEGREE_TOOLTIP;Ángulo de rotación en grados
TP_GRADIENT_FEATHER;Difuminado
TP_GRADIENT_FEATHER_TOOLTIP;Ancho del gradiente expresado como porcentaje de la diagonal de la imagen
TP_GRADIENT_LABEL;Filtro gradiente
TP_GRADIENT_STRENGTH;Intensidad
TP_GRADIENT_STRENGTH_TOOLTIP;Fuerza del filtro en pasos de exposición
TP_HLREC_BLEND;Mezcla
TP_HLREC_CIELAB;Mezclado CIELab
TP_HLREC_COLOR;Propagación de color
TP_HLREC_ENA_TOOLTIP;Puede activarse mediante exposición automática
TP_HLREC_LABEL;Recuperación de luces altas
TP_HLREC_LUMINANCE;Recuperación de luminancia
TP_HLREC_METHOD;Método:
TP_HSVEQUALIZER_CHANNEL;Canal
TP_HSVEQUALIZER_HUE;H
TP_HSVEQUALIZER_LABEL;Ecualizador HSV
TP_HSVEQUALIZER_SAT;S
TP_HSVEQUALIZER_VAL;V
TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Exposición, punto de partida
TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Emplear el desplazamiento de la línea de base de DCP incrustado. La configuración solo está disponible si el DCP seleccionado tiene uno.
TP_ICM_APPLYHUESATMAP;Tabla base
TP_ICM_APPLYHUESATMAP_TOOLTIP;Emplear la tabla base DCP incrustada (Mapa Hue Sat). La configuración solo está disponible si el DCP seleccionado tiene unoloy the embedded DCP base table (HueSatMap). The setting is only available if the selected DCP has one.
TP_ICM_APPLYLOOKTABLE;Revisar tabla
TP_ICM_APPLYLOOKTABLE_TOOLTIP;Emplear la tabla de apariencia DCP incrustada. La configuración solo está disponible si el DCP seleccionado tiene uno.
TP_ICM_BPC;Compensación de punto negro
TP_ICM_DCPILLUMINANT;Iluminante
TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolado
TP_ICM_DCPILLUMINANT_TOOLTIP;Seleccione el Iluminante a emplear. El valor predeterminado es "interpolado", que es una mezcla entre dos basados en el Balance de Blancos. Este ajuste es posible solo si un Iluminante dual DCP con soporte de interpolación es seleccionado.
TP_ICM_INPUTCAMERA;Cámara estándar
TP_ICM_INPUTCAMERAICC;Perfil de la cámara (auto elegida)
TP_ICM_INPUTCAMERAICC_TOOLTIP;Usa perfil de color de entrada específico de la cámara en RawTherapee. Estos perfiles son más precisos que los de matriz de color simple. No están disponibles para todas las cámaras. Estos perfiles son guardados en las carpetas /iccprofiles/input y /dcpprofiles instaladas con RT. Son automáticamente elegidas buscando coincidencia entre el nombre del archivo con la marca y el modelo exacto de la cámara.
TP_ICM_INPUTCAMERA_TOOLTIP;Usa una versión de la matriz de color simple de dcraw mejorada por RT (cualquiera que esté disponible basándose en el modelo de la cámara) o incrustada en DNG
TP_ICM_INPUTCUSTOM;A medida
TP_ICM_INPUTCUSTOM_TOOLTIP;Seleccione su propio perfil de color DCP/ICC para la cámara
TP_ICM_INPUTDLGLABEL;Seleccionar perfil DCP/ICC de entrada...
TP_ICM_INPUTEMBEDDED;Usar incrustado, si es posible
TP_ICM_INPUTEMBEDDED_TOOLTIP;Usar el perfil de color incrustado en archivos no raw
TP_ICM_INPUTNONE;Sin perfil de color
TP_ICM_INPUTNONE_TOOLTIP;No usar ningún perfil de color. Utilizar sólo en casos especiales.
TP_ICM_INPUTPROFILE;Perfil de entrada
TP_ICM_LABEL;Gestión de color
TP_ICM_NOICM;Sin ICM: Salida sRGB
TP_ICM_OUTPUTPROFILE;Perfil de salida
TP_ICM_PROFILEINTENT;Iintento de interpretación.
TP_ICM_SAVEREFERENCE;Guardar imagen de referencia
TP_ICM_SAVEREFERENCE_APPLYWB;Aplicar balance de blancos
TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;En general, aplique el balance de blancos cuando guarde imágenes para crear perfiles ICC, y no aplique el balance de blancos para crear perfiles DCP.
TP_ICM_SAVEREFERENCE_TOOLTIP;Guardar la imagen TIFF lineal antes de aplicar el perfil de entrada. El resultado puede ser utilizado para fines de calibración y la generación de un perfil de cámara.
TP_ICM_TONECURVE;Usar la curva tonal en DCP
TP_ICM_TONECURVE_TOOLTIP;Activa el uso de las curvas de tono que pueden contener los perfiles DCP. Este ajuste es posible solo si el DCP seleccionado contiene una curva tonal.
TP_ICM_WORKINGPROFILE;Perfil de trabajo
TP_ICM_WORKING_TRC;Curva de respuesta de tono:
TP_ICM_WORKING_TRC_CUSTOM;Personalizado
TP_ICM_WORKING_TRC_GAMMA;Gamma
TP_ICM_WORKING_TRC_NONE;Ninguna/o
TP_ICM_WORKING_TRC_SLOPE;Bajar
TP_ICM_WORKING_TRC_TOOLTIP;Solo para perfiles incorporados.
TP_IMPULSEDENOISE_LABEL;Impulsar Reducc. ruido
TP_IMPULSEDENOISE_THRESH;Umbral
TP_LABCURVE_BRIGHTNESS;Brillo
TP_LABCURVE_CHROMATICITY;Cromaticidad (Saturación)
TP_LABCURVE_CHROMA_TOOLTIP;Para aplicar mapeo tonal en blanco y negro, establezca la Cromaticidad a -100
TP_LABCURVE_CONTRAST;Contraste
TP_LABCURVE_CURVEEDITOR;Curva de luminancia
TP_LABCURVE_CURVEEDITOR_A_RANGE1;Verde saturado
TP_LABCURVE_CURVEEDITOR_A_RANGE2;Verde pastel
TP_LABCURVE_CURVEEDITOR_A_RANGE3;Rojo pastel
TP_LABCURVE_CURVEEDITOR_A_RANGE4;Rojo saturado
TP_LABCURVE_CURVEEDITOR_B_RANGE1;Azul saturado
TP_LABCURVE_CURVEEDITOR_B_RANGE2;Azul pastel
TP_LABCURVE_CURVEEDITOR_B_RANGE3;Amarillo pastel
TP_LABCURVE_CURVEEDITOR_B_RANGE4;Amarillo saturado
TP_LABCURVE_CURVEEDITOR_CC;CC
TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutros
TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Mates
TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastel
TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturados
TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Cromaticidad en función de la Cromaticidad C=f(C)
TP_LABCURVE_CURVEEDITOR_CH;CM
TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Cromaticidad en función del Matiz C=f(M)
TP_LABCURVE_CURVEEDITOR_CL;CL
TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Cromaticidad en función de la Luminancia C=f(L)
TP_LABCURVE_CURVEEDITOR_HH;MM
TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Matiz en función del Matiz M=f(M)
TP_LABCURVE_CURVEEDITOR_LC;LC
TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminancia en función de la Cromaticidad L=f(C)
TP_LABCURVE_CURVEEDITOR_LH;LM
TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminancia en función del Matiz L=f(M)
TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminancia en función de la Luminancia L=f(L)
TP_LABCURVE_LABEL;Ajustes Lab
TP_LABCURVE_LCREDSK;Restringe LC a tonos rojos y piel
TP_LABCURVE_LCREDSK_TOOLTIP;Si se activa, la 'Curva LC' afecta solo a los tonos rojos y piel\nSi se desactiva, se aplica a todos los colores
TP_LABCURVE_RSTPROTECTION;Protección de rojos y tonos piel
TP_LABCURVE_RSTPRO_TOOLTIP;Puede usarse con el deslizador Cromaticidad y con la curva CC.
TP_LENSGEOM_AUTOCROP;Auto recorte
TP_LENSGEOM_FILL;Auto relleno
TP_LENSGEOM_LABEL;Lente / Geometría
TP_LENSPROFILE_CORRECTION_AUTOMATCH;Parámetros de corrección auto-emparejados
TP_LENSPROFILE_CORRECTION_LCPFILE;LCP archivo
TP_LENSPROFILE_CORRECTION_MANUAL;Parámetros de corrección manual
TP_LENSPROFILE_LABEL;Perfil de corrección de lente
TP_LENSPROFILE_LENS_WARNING;Advertencia: el factor de recorte utilizado para el perfilado de la lente es mayor que el factor de recorte de la cámara, los resultados pueden ser incorrectos.
TP_LENSPROFILE_USE_CA;Aberración cromática
TP_LENSPROFILE_USE_VIGNETTING;Viñeteado
TP_LOCALCONTRAST_AMOUNT;Cantidad
TP_LOCALCONTRAST_DARKNESS;Nivel de sombras
TP_LOCALCONTRAST_LABEL;Contraste local
TP_LOCALCONTRAST_LIGHTNESS;Nivel de luminosidad
TP_LOCALCONTRAST_RADIUS;Radio
TP_METADATA_EDIT;Aplicar modificaciones
TP_METADATA_MODE;Modo de copia de metadatos
TP_METADATA_STRIP;Eliminar todos los metadatos
TP_METADATA_TUNNEL;Copiar sin cambios
TP_NEUTRAL;Reiniciar
TP_NEUTRAL_TOOLTIP;Restablecer controles de exposición a valores neutros\nAplica a los mismos controles que son afectados por Niveles Automáticos, sin importar si usa o no Niveles Automáticos
TP_PCVIGNETTE_FEATHER;Difuminado
TP_PCVIGNETTE_FEATHER_TOOLTIP;Difuminación: \n0=Solo Esquinas\n50=Hasta medio camino al centro\n100=Hasta el Centro
TP_PCVIGNETTE_LABEL;Filtro quitar Viñeteado
TP_PCVIGNETTE_ROUNDNESS;Redondez
TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Redondez:\n0=Rectangular\n50=Elíptica\n100=Circular
TP_PCVIGNETTE_STRENGTH;Intensidad
TP_PCVIGNETTE_STRENGTH_TOOLTIP;Intensidad del filtro en pasos de exposición (alcanzada en las esquinas)
TP_PERSPECTIVE_HORIZONTAL;Horizontal
TP_PERSPECTIVE_LABEL;Perspectiva
TP_PERSPECTIVE_VERTICAL;Vertical
TP_PFCURVE_CURVEEDITOR_CH;Matiz
TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controla la fuerza de reducción de bordes coloridos (AC):\n\n Alto = más\nbajo = menos.
TP_PREPROCESS_DEADPIXFILT;Filtro Pixel Muerto
TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Trata de eliminar los píxeles muertos.
TP_PREPROCESS_GREENEQUIL;Equilibrado de verdes
TP_PREPROCESS_HOTPIXFILT;Filtro Pixel Caliente
TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Trata de eliminar los píxeles calientes.
TP_PREPROCESS_LABEL;Preprocesado
TP_PREPROCESS_LINEDENOISE;Filtro de ruido de línea
TP_PREPROCESS_LINEDENOISE_DIRECTION;Dirección
TP_PREPROCESS_LINEDENOISE_DIRECTION_BOTH;Ambos
TP_PREPROCESS_LINEDENOISE_DIRECTION_HORIZONTAL;Horizontal
TP_PREPROCESS_LINEDENOISE_DIRECTION_PDAF_LINES;Horizontal solo en filas PDAF
TP_PREPROCESS_LINEDENOISE_DIRECTION_VERTICAL;Vertical
TP_PREPROCESS_NO_FOUND;No encontrado
TP_PREPROCESS_PDAFLINESFILTER;PDAF filtro de líneas
TP_PRSHARPENING_LABEL;Enfocar después del cambio de tamaño
TP_PRSHARPENING_TOOLTIP;Enfoca la imagen después de cambiar el tamaño. Solo funciona cuando se utiliza el método de cambio de tamaño "Lanczos". Es imposible previsualizar los efectos de esta herramienta. Ver RawPedia para instrucciones de uso.
TP_RAWCACORR_AUTO;Auto corrección
TP_RAWCACORR_AUTOIT;Iterations
TP_RAWCACORR_AUTOIT_TOOLTIP;Esta configuración está disponible si se marca "Corrección automática". \nLa autocorrección es conservadora, lo que significa que a menudo no corrige toda la aberración cromática. \nPara corregir la aberración cromática restante, puede usar hasta cinco iteraciones de aberración cromática automática. corrección. \nCada iteración reducirá la aberración cromática restante de la última iteración al costo de un tiempo de procesamiento adicional.
TP_RAWCACORR_AVOIDCOLORSHIFT;Evitar el cambio de color
TP_RAWCACORR_CABLUE;Azul
TP_RAWCACORR_CARED;Rojo
TP_RAWCACORR_LABEL;Corrección de aberraciones cromáticas
TP_RAWEXPOS_BLACK_0;Verde 1 (principal)
TP_RAWEXPOS_BLACK_1;Rojo
TP_RAWEXPOS_BLACK_2;Azul
TP_RAWEXPOS_BLACK_3;Verde 2
TP_RAWEXPOS_BLACK_BLUE;Azul
TP_RAWEXPOS_BLACK_GREEN;Verde
TP_RAWEXPOS_BLACK_RED;Rojo
TP_RAWEXPOS_LINEAR;Corrección de punto blanco
TP_RAWEXPOS_RGB;Rojo, Verde, Azul
TP_RAWEXPOS_TWOGREEN;Vincular verdes
TP_RAW_1PASSMEDIUM;1-pasaje (medio)
TP_RAW_2PASS;1-paso+rápido
TP_RAW_3PASSBEST;3-Pasaje (Mejor)
TP_RAW_4PASS;3-paso+rápido
TP_RAW_AHD;AHD
TP_RAW_AMAZE;AMaZE
TP_RAW_AMAZEVNG4;AMaZE+VNG4
TP_RAW_BORDER;Borde
TP_RAW_DCB;DCB
TP_RAW_DCBENHANCE;Aplicar paso de mejora DCB
TP_RAW_DCBITERATIONS;Número de iteraciones DCB
TP_RAW_DCBVNG4;DCB+VNG4
TP_RAW_DMETHOD;Método
TP_RAW_DMETHOD_PROGRESSBAR;%1 interpolando mosaico...
TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Refinando la interpolación del mosaico...
TP_RAW_DMETHOD_TOOLTIP;Nota: IGV y LMMSE están dedicados a imágenes tomadas con grandes velocidades ISO
TP_RAW_DUALDEMOSAICAUTOCONTRAST;Umbral automático
TP_RAW_DUALDEMOSAICAUTOCONTRAST_TOOLTIP;Si la casilla está marcada (recomendado), RawTherapee calcula un valor óptimo según las regiones planas de la imagen. \nSi no hay una región plana en la imagen o la imagen es demasiado ruidosa, el valor se establecerá en 0. \nPara establecer manualmente el valor, desmarque la casilla de verificación primero (los valores razonables dependen de la imagen).
TP_RAW_DUALDEMOSAICCONTRAST;Umbral de contraste
TP_RAW_EAHD;EAHD
TP_RAW_FALSECOLOR;Pasos de supresión de color falso
TP_RAW_FAST;Fast
TP_RAW_HD;Límite
TP_RAW_HD_TOOLTIP;Los valores más bajos hacen que la detección de píxeles muertos/vivos sea más agresiva, pero los falsos positivos pueden llevar a producir elementos extraños. Si observa que aparecen elementos extraños al habilitar los filtros de píxeles calientes/muertos, aumente gradualmente el valor del umbral hasta que desaparezcan.
TP_RAW_HPHD;HPHD
TP_RAW_IGV;IGV
TP_RAW_IMAGENUM;Sub-imagen
TP_RAW_IMAGENUM_TOOLTIP;Algunos archivos en bruto constan de varias sub-imágenes (Pentax / Sony Pixel Shift, Pentax 3-en-1 HDR, Canon Dual Pixel). \nAl usar cualquier método de demostración que no sea Pixel Shift, esto selecciona qué sub-imagen se usa . \nCuando se usa el método de demostración Pixel Shift en un Pixel Shift sin procesar, se usan todas las subimágenes, y esto selecciona qué subimagen se debe usar para mover partes.
TP_RAW_LABEL;Desmosaicado
TP_RAW_LMMSE;LMMSE
TP_RAW_LMMSEITERATIONS;Pasos de mejora LMMSE
TP_RAW_LMMSE_TOOLTIP;Agregar gamma (paso 1)\n Agregar mediana (pasos 2,3,4)\nAgregar refinamientos (pasos 5,6) para reducir objetos espurios y mejorar la relación señal a ruido
TP_RAW_MONO;Mono
TP_RAW_NONE;Ninguno (muestra el patrón del sensor)
TP_RAW_PIXELSHIFT;Cambio de píxel
TP_RAW_PIXELSHIFTBLUR;Máscara de movimiento de desenfoque
TP_RAW_PIXELSHIFTDMETHOD;Demosaicado, método para el movimiento
TP_RAW_PIXELSHIFTEPERISO;ISO adaptación
TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;El valor predeterminado de 0 debería funcionar bien para la base ISO. \nAumente el valor para mejorar la detección del movimiento para una ISO más alta. \nAumente en pequeños pasos y observe la máscara de movimiento mientras aumenta.
TP_RAW_PIXELSHIFTEQUALBRIGHT;Ecualiza el brillo de los cuadros.
TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Igualar por canal
TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Activado: ecualice los canales RGB individualmente. \nDeshabilitado: use el mismo factor de ecualización para todos los canales.
TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Ecualice el brillo de los cuadros con el brillo del cuadro seleccionado. \nSi hay áreas sobreexpuestas en los cuadros, seleccione el cuadro más brillante para evitar la aparición de colores magenta en áreas sobreexpuestas o habilite la corrección de movimiento.
TP_RAW_PIXELSHIFTGREEN;Compruebe el canal verde para el movimiento
TP_RAW_PIXELSHIFTHOLEFILL;Rellene los fallos en la máscara de movimiento
TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Rellene los fallos en la máscara de movimiento
TP_RAW_PIXELSHIFTMEDIAN;Usa la mediana pa3x3 nuevo umbral parara las regiones móviles.
TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use la mediana de todos los cuadros en lugar del cuadro seleccionado para las regiones con movimiento. \nElimina los objetos que se encuentran en diferentes lugares en todos los cuadros. \nBrinda efecto de movimiento en objetos de movimiento lento (superpuestos).
TP_RAW_PIXELSHIFTMM_AUTO;Automático
TP_RAW_PIXELSHIFTMM_CUSTOM;Personalizado
TP_RAW_PIXELSHIFTMM_OFF;Apagado
TP_RAW_PIXELSHIFTMOTIONMETHOD;Corrección del movimiento
TP_RAW_PIXELSHIFTNONGREENCROSS;Compruebe los canales rojos/azules para el movimiento
TP_RAW_PIXELSHIFTSHOWMOTION;Mostrar máscara de movimiento
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Mostrar solo máscara de movimiento
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Muestra la máscara de movimiento sin la imagen.
TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Superpone la imagen con una máscara que muestra las regiones con movimiento.
TP_RAW_PIXELSHIFTSIGMA;Radio de desenfoque
TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;El radio predeterminado de 1.0 por lo general se ajusta bien a la base ISO. \nAumente el valor para tomas con ISO alto, 5.0 es un buen punto de partida. \nMire la máscara de movimiento mientras cambia el valor.
TP_RAW_PIXELSHIFTSMOOTH;Smooth transitions
TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Transiciones suaves entre áreas con movimiento y áreas sin movimiento. \nConfigure en 0 para deshabilitar el suavizado en la transición. \nConfigure en 1 para obtener el resultado AMaZE / LMMSE del marco seleccionado (dependiendo de si se selecciona "Usar LMMSE") o la mediana de los cuatro cuadros si se selecciona "Usar mediana".
TP_RAW_RCD;RCD
TP_RAW_RCDVNG4;RCD+VNG4
TP_RAW_SENSOR_BAYER_LABEL;Sensor con matriz Bayer
TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pases da mejores resultados (recomendado para imágenes de ISO bajo).\n1-pase es más rápido y es casi indistinguible del modo 3-pases para imágenes de ISO altas.
TP_RAW_SENSOR_XTRANS_LABEL;Sensor con matriz X-Trans
TP_RAW_VNG4;VNG4
TP_RESIZE_ALLOW_UPSCALING;Permitir escalado
TP_RESIZE_APPLIESTO;Aplica a:
TP_RESIZE_CROPPEDAREA;Área recortada
TP_RESIZE_FITBOX;Rectángulo límite
TP_RESIZE_FULLIMAGE;Imagen completa
TP_RESIZE_H;Al:
TP_RESIZE_HEIGHT;Altura
TP_RESIZE_LABEL;Cambiar tamaño
TP_RESIZE_LANCZOS;Lanczos
TP_RESIZE_METHOD;Método:
TP_RESIZE_NEAREST;Más cercano
TP_RESIZE_SCALE;Escala
TP_RESIZE_SPECIFY;Especificar:
TP_RESIZE_W;An:
TP_RESIZE_WIDTH;Anchura
TP_RETINEX_CONTEDIT_HSL;Ecualizador HSL del histograma 
TP_RETINEX_CONTEDIT_LAB;Ecualizador L * a * b * del histograma 
TP_RETINEX_CONTEDIT_LH;Ecualizador de tono
TP_RETINEX_CONTEDIT_MAP;Ecualizador de máscara
TP_RETINEX_CURVEEDITOR_CD;L=f(L)
TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminancia según luminancia L = f (L) \nCorregir datos sin procesar para reducir halos y elementos extraños.
TP_RETINEX_CURVEEDITOR_LH;Fuerza=f(H)
TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Fuerza según el tono Fuerza = f (H) \nEsta curva también actúa sobre el croma cuando se usa el método 'Resaltar' retinex.
TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;Esta curva se puede aplicar sola o con una máscara gaussiana o una máscara wavelet. \n¡Cuidado con los elementos extraños!
TP_RETINEX_EQUAL;Equalizador
TP_RETINEX_FREEGAMMA;Gamma libre
TP_RETINEX_GAIN;Aumentar
TP_RETINEX_GAINOFFS;Aumentar y Offset (brillo)
TP_RETINEX_GAINTRANSMISSION;Aumentar transmisión
TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Amplifique o reduzca el mapa de transmisión para lograr la luminancia. \nAbscisa: transmisión -min desde 0, media y valores (máx.). \nOrdena: ganancia.
TP_RETINEX_GAMMA;Gamma
TP_RETINEX_GAMMA_FREE;Libre
TP_RETINEX_GAMMA_HIGH;Alta
TP_RETINEX_GAMMA_LOW;Baja
TP_RETINEX_GAMMA_MID;Media
TP_RETINEX_GAMMA_NONE;Ninguna
TP_RETINEX_GAMMA_TOOLTIP;Restaura los tonos aplicando gamma antes y después de Retinex. Diferente de las curvas de Retinex u otras curvas (Lab, Exposición, etc.).
TP_RETINEX_GRAD;Gradiente de transmisión
TP_RETINEX_GRADS;Fuerza del Gradiente
TP_RETINEX_GRADS_TOOLTIP;Si el control deslizante está en 0, todas las iteraciones son idénticas. \nSi es mayor a 0, la fuerza se reduce cuando las iteraciones aumentan, y viceversa.
TP_RETINEX_GRAD_TOOLTIP;Si el control deslizante está en 0, todas las iteraciones son idénticas. \nSi es mayor a 0, la variación y el umbral se reducen cuando las iteraciones aumentan, y viceversa.
TP_RETINEX_HIGH;Alto
TP_RETINEX_HIGHLIG;Luces Altas
TP_RETINEX_HIGHLIGHT;Umbral de resaltado
TP_RETINEX_HIGHLIGHT_TOOLTIP;Aumente la acción del algoritmo alto. \nPuede requerir que vuelva a ajustar "Píxeles adyacentes" y aumentar la "Corrección de punto blanco" en la pestaña Sin formato -> Herramienta Puntos blancos sin procesar.
TP_RETINEX_HSLSPACE_LIN;HSL-Lineal
TP_RETINEX_HSLSPACE_LOG;HSL-Logarítmica
TP_RETINEX_ITER;Iteracciones (mapeo-tonos)
TP_RETINEX_ITERF;Mapeo de tonos
TP_RETINEX_ITER_TOOLTIP;Simule un operador de mapeo de tonos. \nLos valores altos aumentan el tiempo de procesamiento.
TP_RETINEX_LABEL;Retinex
TP_RETINEX_LABEL_MASK;Máscara
TP_RETINEX_LABSPACE;L*a*b*
TP_RETINEX_LOW;Bajo
TP_RETINEX_MAP;Método de máscara 
TP_RETINEX_MAP_GAUS;Máscara Gaussian 
TP_RETINEX_MAP_MAPP;Máscara de enfoque (wavelet partial)
TP_RETINEX_MAP_MAPT;Máscara de enfoque(wavelet total)
TP_RETINEX_MAP_METHOD_TOOLTIP;Use la máscara generada por la función gaussiana anterior (Radio, Método) para reducir los halos y los elementos extraños. \nCortar solo: aplique una curva de contraste diagonal en la máscara. \n¡Cuidado con los elementos extraños! \nMáscara gaussiana: genere y use un Desenfoque gaussiano de la máscara original. \nRápido. \nMáscara de corte: genere y use un wavelet en la máscara original. \nBajo.
TP_RETINEX_MAP_NONE;Ninguno
TP_RETINEX_MEDIAN;filtro de transmision mediana 
TP_RETINEX_METHOD;Método
TP_RETINEX_METHOD_TOOLTIP;Baja = Reforzar la luz baja. \nUniforme = Ecualizar la acción. \nAlta = Reforzar la luz alta. \nLuces Altas = Eliminar magenta en las partes altas
TP_RETINEX_MLABEL;Restaurado sin turbidez Min. =% 1 Max =% 2.
TP_RETINEX_MLABEL_TOOLTIP;Debe estar cerca del mín = 0 máx = 32768 \nImagen restaurada sin mezcla.
TP_RETINEX_NEIGHBOR;Radio
TP_RETINEX_NEUTRAL;Restablecer
TP_RETINEX_NEUTRAL_TOOLTIP;Restablecer todos los controles deslizantes y curvas a sus valores predeterminados.
TP_RETINEX_OFFSET;compensar(brillo)
TP_RETINEX_SCALES;Gradiente gaussiano
TP_RETINEX_SCALES_TOOLTIP;Si el control deslizante está en 0, todas las iteraciones son idénticas. \nSi es mayor a 0 la escala y el radio se reducen cuando aumentan las iteraciones, y viceversa.
TP_RETINEX_SETTINGS;Ajustes
TP_RETINEX_SKAL;Escala
TP_RETINEX_SLOPE;Gamma Libre al bajarla
TP_RETINEX_STRENGTH;Fuerza
TP_RETINEX_THRESHOLD;Límite
TP_RETINEX_THRESHOLD_TOOLTIP; Límites de entrada/salida. \nEn = fuente de imagen,\nhacia afuera = imagen gauss.
TP_RETINEX_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sigma=%4
TP_RETINEX_TLABEL2;TM Tm=%1 TM=%2
TP_RETINEX_TLABEL_TOOLTIP;Resultado del mapa de transmisión. \nMin y Max son utilizados por diferencia.\nMean y Sigma. \nTm = Min TM = Max de mapa de transmisión.
TP_RETINEX_TRANF;transmisión
TP_RETINEX_TRANSMISSION;Mapa de transmisión
TP_RETINEX_TRANSMISSION_TOOLTIP;Transmisión según la transmisión. \nAbscisa: transmisión desde valores negativos (mín.), Media y valores positivos (máx.). \nDerecha: amplificación o reducción.
TP_RETINEX_UNIFORM;Uniforme
TP_RETINEX_VARIANCE;Contraste
TP_RETINEX_VARIANCE_TOOLTIP;La varianza baja aumenta el contraste y la saturación locales, pero puede producir elementos extraños.
TP_RETINEX_VIEW;Proceso
TP_RETINEX_VIEW_MASK;Máscara
TP_RETINEX_VIEW_METHOD_TOOLTIP;Estándar - Visualización normal. \nMascara - Muestra la máscara. \nUna máscara de enfoque - Muestra la imagen con una máscara de desenfoque de radio alto. \nTransmisión - Automática \nFija - Muestra el mapa de transmisión del archivo, antes de cualquier acción sobre contraste y brillo. \nAtención: la máscara no corresponde a la realidad, pero se amplifica para hacerla más visible.
TP_RETINEX_VIEW_NONE;Estandard
TP_RETINEX_VIEW_TRAN;Transmisión - Auto
TP_RETINEX_VIEW_TRAN2;Transmisión - Fija
TP_RETINEX_VIEW_UNSHARP;Máscara de enfoque
TP_RGBCURVES_BLUE;B
TP_RGBCURVES_CHANNEL;Canal
TP_RGBCURVES_GREEN;G
TP_RGBCURVES_LABEL;Curvas RGB
TP_RGBCURVES_LUMAMODE;Modo Luminosidad
TP_RGBCURVES_LUMAMODE_TOOLTIP;<b>Modo Luminosidad</b> permite variar el aporte de los canales <b>R</b>ojo, <b>V</b>erde y <b>A</b>zul a la luminosidad de la imagen, sin modificar el color de la misma.
TP_RGBCURVES_RED;R
TP_ROTATE_DEGREE;Grados
TP_ROTATE_LABEL;Rotar
TP_ROTATE_SELECTLINE;Seleccionar línea recta
TP_SAVEDIALOG_OK_TOOLTIP;Tecla de Atajo <b>Ctrl-Enter</b>
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Luces altas
TP_SHADOWSHLIGHTS_HLTONALW;Ancho tonal de Luces Altas
TP_SHADOWSHLIGHTS_LABEL;Sombras/Luces altas
TP_SHADOWSHLIGHTS_RADIUS;Radio
TP_SHADOWSHLIGHTS_SHADOWS;Sombras
TP_SHADOWSHLIGHTS_SHTONALW;Ancho tonal de Sombras
TP_SHARPENEDGE_AMOUNT;Cantidad
TP_SHARPENEDGE_LABEL;Bordes
TP_SHARPENEDGE_PASSES;Iteraciones
TP_SHARPENEDGE_THREE;Sólo luminancia
TP_SHARPENING_AMOUNT;Cantidad
TP_SHARPENING_CONTRAST;Umbral de contraste
TP_SHARPENING_EDRADIUS;Radio
TP_SHARPENING_EDTOLERANCE;Tolerancia de bordes
TP_SHARPENING_HALOCONTROL;Control de halo
TP_SHARPENING_HCAMOUNT;Cantidad
TP_SHARPENING_LABEL;Enfoque
TP_SHARPENING_METHOD;Método
TP_SHARPENING_ONLYEDGES;Enfocar solo bordes
TP_SHARPENING_RADIUS;Radio
TP_SHARPENING_RLD;Deconvolución RL
TP_SHARPENING_RLD_AMOUNT;Cantidad
TP_SHARPENING_RLD_DAMPING;Amortiguación
TP_SHARPENING_RLD_ITERATIONS;Iteraciones
TP_SHARPENING_THRESHOLD;Umbral
TP_SHARPENING_USM;Máscara de enfoque
TP_SHARPENMICRO_AMOUNT;Cantidad
TP_SHARPENMICRO_CONTRAST;Umbral de contraste
TP_SHARPENMICRO_LABEL;Microcontraste
TP_SHARPENMICRO_MATRIX;Matriz 3×3 en lugar de 5×5
TP_SHARPENMICRO_UNIFORMITY;Uniformidad
TP_SOFTLIGHT_LABEL;Luz tenue
TP_SOFTLIGHT_STRENGTH;Fuerza
TP_TM_FATTAL_AMOUNT;Cantidad
TP_TM_FATTAL_ANCHOR;Ancla
TP_TM_FATTAL_LABEL;HDR Mapeo de tonos
TP_TM_FATTAL_THRESHOLD;Límite
TP_VIBRANCE_AVOIDCOLORSHIFT;Evitar desplazamiento de color
TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Tonos de piel
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Rojo/Púrpura
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Rojo
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Rojo/Amarillo
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Amarillo
TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Matiz en función de Matiz M=f(M)
TP_VIBRANCE_LABEL;Vibranza
TP_VIBRANCE_PASTELS;Tonos pastel
TP_VIBRANCE_PASTSATTOG;Enlazar tonos pastel y saturados
TP_VIBRANCE_PROTECTSKINS;Proteger tonos de piel
TP_VIBRANCE_PSTHRESHOLD;Umbral de tono pastel/saturado
TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Umbral de saturación
TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;El eje vertical representa los tonos pastel en la parte inferior y los tonos saturados en la parte superior.\nEl eje horizontal representa el rango de saturación.
TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Ponderación de la transición pastel/saturado
TP_VIBRANCE_SATURATED;Tonos saturados
TP_VIGNETTING_AMOUNT;Cantidad
TP_VIGNETTING_CENTER;Centro
TP_VIGNETTING_CENTER_X;Centro X
TP_VIGNETTING_CENTER_Y;Centro Y
TP_VIGNETTING_LABEL;Corrección de viñeteo
TP_VIGNETTING_RADIUS;Radio
TP_VIGNETTING_STRENGTH;Intensidad
TP_WAVELET_1;Nivel 1
TP_WAVELET_2;Nivel 2
TP_WAVELET_3;Nivel 3
TP_WAVELET_4;Nivel 4
TP_WAVELET_5;Nivel 5
TP_WAVELET_6;Nivel 6
TP_WAVELET_7;Nivel 7
TP_WAVELET_8;Nivel 8
TP_WAVELET_9;Nivel 9
TP_WAVELET_APPLYTO;Aplicar para
TP_WAVELET_AVOID;Evitar el cambio de color
TP_WAVELET_B0;negro
TP_WAVELET_B1;Gris
TP_WAVELET_B2;Residual
TP_WAVELET_BACKGROUND;Fondo
TP_WAVELET_BACUR;Curva
TP_WAVELET_BALANCE;Balance de contraste d/v-h
TP_WAVELET_BALANCE_TOOLTIP;Altera el balance entre las direcciones wavelet: vertical-horizontal y diagonal. \nSi se activa el contraste, en el color o el mapeo de tonos residuales, el efecto debido al balance se amplifica.
TP_WAVELET_BALCHRO;Balance del color
TP_WAVELET_BALCHRO_TOOLTIP;Si está habilitado, la curva o el control deslizante 'Balance de contraste' también modifica el balance del color.
TP_WAVELET_BANONE;Ninguno
TP_WAVELET_BASLI;Deslizador
TP_WAVELET_BATYPE;Método de balance de contraste
TP_WAVELET_CBENAB;Tonificación y balance de color
TP_WAVELET_CB_TOOLTIP;Para valores fuertes, el tono del color del producto se combina o no con la descomposición de niveles 'tonificación' \nPara valores bajos, puede cambiar el balance de blancos del fondo (cielo, ...) sin cambiar el del plano frontal, generalmente más contrastado
TP_WAVELET_CCURVE;Contraste local
TP_WAVELET_CH1;gamma completa del color
TP_WAVELET_CH2;Saturado/pastel
TP_WAVELET_CH3;Enlazar con los niveles de contraste
TP_WAVELET_CHCU;Curva
TP_WAVELET_CHR;Fuerza de enlace con el  contraste del color
TP_WAVELET_CHRO;Umbral saturado/pastel
TP_WAVELET_CHRO_TOOLTIP;Establece el nivel de wavelet que será el umbral entre los colores saturados y pastel. \n1-x: saturado \nx-9: pastel \nSi el valor supera la cantidad de niveles de wavelet que está utilizando, se ignorará.
TP_WAVELET_CHR_TOOLTIP;Ajusta el color en función de los "niveles de contraste" y la "fuerza de enlace del contraste de croma"
TP_WAVELET_CHSL;Deslizadores
TP_WAVELET_CHTYPE;Método de crominancia
TP_WAVELET_COLORT;Opacidad rojo-verde
TP_WAVELET_COMPCONT;Contraste
TP_WAVELET_COMPGAMMA;Gamma de compresión
TP_WAVELET_COMPGAMMA_TOOLTIP;Ajustar la gamma de la imagen residual le permite equilibrar los datos y el histograma.
TP_WAVELET_COMPTM;Mapeo de tonos
TP_WAVELET_CONTEDIT;'Después',Curva de contraste 
TP_WAVELET_CONTR;Gamma
TP_WAVELET_CONTRA;Contraste
TP_WAVELET_CONTRAST_MINUS;Contraste -
TP_WAVELET_CONTRAST_PLUS;Contraste +
TP_WAVELET_CONTRA_TOOLTIP;Cambia el contraste de la imagen residual.
TP_WAVELET_CTYPE;Control de crominancia
TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifica el contraste local como una función del contraste local original (abscisa). \nLos valores bajos de abscisa representan un contraste local pequeño (valores reales aproximadamente 10 ... 20). \n50% de abscisa representa el contraste local promedio (valor real aproximadamente 100..300) . \n66% de abscisas representa la desviación estándar del contraste local (valor real de aproximadamente 300 ... 800). \n100% de abscisa representa el máximo contraste local (valor real de aproximadamente 3000 ... 8000).
TP_WAVELET_CURVEEDITOR_CH;Niveles de contrate=f(Matiz)
TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifica el contraste de cada nivel en función del tono. \nTenga cuidado de no sobrescribir los cambios realizados con los controles de tono de la subherramienta Gamut. \nLa curva solo tendrá efecto cuando los controles deslizantes del nivel de contraste de wavelets no sean cero.
TP_WAVELET_CURVEEDITOR_CL;L
TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Aplica una curva de luminancia de contraste definitiva al final del tratamiento con wavelets.
TP_WAVELET_CURVEEDITOR_HH;HH
TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifica el matiz de la imagen residual en función del matiz.
TP_WAVELET_DALL;Todas las direcciones
TP_WAVELET_DAUB;Cualidad del borde
TP_WAVELET_DAUB2;D2 - bajo
TP_WAVELET_DAUB4;D4 - estandar
TP_WAVELET_DAUB6;D6 - estándar mayor
TP_WAVELET_DAUB10;D10 - medio
TP_WAVELET_DAUB14;D14 - alto
TP_WAVELET_DAUB_TOOLTIP;Cambios en los coeficientes de Daubechies: \nD4 = Estándar, \nD14 = A menudo, el mejor rendimiento, un 10% más de tiempo. \nAfecta la detección de bordes, así como la calidad general de los primeros niveles. Sin embargo, la calidad no está estrictamente relacionada con este coeficiente y puede variar con las imágenes y los usos.
TP_WAVELET_DONE;Vertical
TP_WAVELET_DTHR;Diagonal
TP_WAVELET_DTWO;Horizontal
TP_WAVELET_EDCU;Curva
TP_WAVELET_EDGCONT;Contraste local
TP_WAVELET_EDGCONT_TOOLTIP;El ajuste de los puntos a la izquierda disminuye el contraste, y a la derecha lo aumenta. \nAbajo-izquierda, Arriba-Izquierda, Arriba-Derecha, Abajo-derecha \nRepresenta respectivamente el contraste local para valores bajos, media, mean + stdev, máxima
TP_WAVELET_EDGE;Nitidez del borde
TP_WAVELET_EDGEAMPLI;Amplificación de base
TP_WAVELET_EDGEDETECT;Sensibilidad de gradiente
TP_WAVELET_EDGEDETECTTHR;Umbral bajo (ruido)
TP_WAVELET_EDGEDETECTTHR2;Umbral alto (detección)
TP_WAVELET_EDGEDETECTTHR_TOOLTIP;Este ajustador le permite trabajar la detección de bordes, por ejemplo, para evitar aplicar la nitidez de los bordes a detalles finos, como el ruido en el cielo.
TP_WAVELET_EDGEDETECT_TOOLTIP;Al mover el control deslizante hacia la derecha aumenta la sensibilidad del borde. Esto afecta el contraste local, la configuración de borde y el ruido.
TP_WAVELET_EDGESENSI;Sensibilidad del borde
TP_WAVELET_EDGREINF_TOOLTIP;Refuerza o reduce la acción del primer nivel, hace lo contrario con el segundo nivel y deja el resto sin cambios.
TP_WAVELET_EDGTHRESH;Detalle
TP_WAVELET_EDGTHRESH_TOOLTIP;Cambiar el reparto entre los primeros niveles y los demás. Cuanto más alto sea el umbral, más se centrará la acción en los primeros niveles. Tenga cuidado con los valores negativos, aumentan la acción de los niveles altos y pueden producir elementos extraños
TP_WAVELET_EDRAD;Radio
TP_WAVELET_EDRAD_TOOLTIP;Este ajuste de radio es muy diferente de aquellos en otras herramientas de enfoque. Su valor se compara con cada nivel a través de una función compleja. En este sentido, un valor de cero todavía tiene un efecto
TP_WAVELET_EDSL;Deslizadores de umbral
TP_WAVELET_EDTYPE;Método de contraste local
TP_WAVELET_EDVAL;Fuerza
TP_WAVELET_FINAL;Retoque final
TP_WAVELET_FINEST;Mejor
TP_WAVELET_HIGHLIGHT;Rango de luminancia
TP_WAVELET_HS1;Rango de luminancia total
TP_WAVELET_HS2;Sombras/Luces altas
TP_WAVELET_HUESKIN;Tono de piel
TP_WAVELET_HUESKIN_TOOLTIP;Los puntos inferiores establecen el comienzo de la zona de transición, y los puntos superiores el final de la misma, donde el efecto es máximo.\nSi necesita mover el área significativamente, o si hay elementos extraños, es porque <b > el balance de blancos es incorrecto </b>
TP_WAVELET_HUESKY;Tono del cielo
TP_WAVELET_HUESKY_TOOLTIP;Los puntos inferiores establecen el comienzo de la zona de transición, y los puntos superiores el final de la misma, donde el efecto es máximo. \nSi necesita mover el área significativamente, o si hay elementos extraños, entonces <b > el balance de blancos es incorrecto </b>.
TP_WAVELET_ITER;Niveles de equilibrio delta
TP_WAVELET_ITER_TOOLTIP;Izquierda: aumenta los niveles bajos y reduce los niveles altos, \nDerecha: reduce los niveles bajos y aumenta los niveles altos.
TP_WAVELET_LABEL;Niveles wavelet 
TP_WAVELET_LARGEST;Más grueso
TP_WAVELET_LEVCH;Cromaticidad(Color): saturación ó pureza
TP_WAVELET_LEVDIR_ALL;Todos los nivels en todas las direcciones.
TP_WAVELET_LEVDIR_INF;Por debajo o igual al nivel
TP_WAVELET_LEVDIR_ONE;Un solo nivel
TP_WAVELET_LEVDIR_SUP;Por encima del nivel
TP_WAVELET_LEVELS;Niveles wavelet
TP_WAVELET_LEVELS_TOOLTIP;Elija la cantidad de niveles de detalle en que se descompondrá la imagen. Más niveles requieren más RAM y más tiempo de procesamiento.
TP_WAVELET_LEVF;Contraste
TP_WAVELET_LEVLABEL;Vista previa de los niveles máximos posibles = %1
TP_WAVELET_LEVONE;Nivel 2
TP_WAVELET_LEVTHRE;Nivel 4
TP_WAVELET_LEVTWO;Nivel 3
TP_WAVELET_LEVZERO;Nivel 1
TP_WAVELET_LINKEDG;Enlaza con la fuerza de la nitidez de los bordes
TP_WAVELET_LIPST;Algoritmo mejorado
TP_WAVELET_LOWLIGHT;Rango de luminancia de la sombra
TP_WAVELET_MEDGREINF;Primer nivel
TP_WAVELET_MEDI;Reduce los elementos extraños en el cielo azul 
TP_WAVELET_MEDILEV;Detección de bordes
TP_WAVELET_MEDILEV_TOOLTIP;Cuando habilita la detección de bordes, se recomienda: \nTener los niveles de bajo contraste deshabilitados para evitar elementos extraños, \nusar para valores altos de sensibilidad de gradiente. \nPuede modular la fuerza con 'enfocar' desde quitar ruido y enfocar.
TP_WAVELET_NEUTRAL;Neutral
TP_WAVELET_NOIS;Quitar ruido
TP_WAVELET_NOISE;Quitar ruido y clarificar
TP_WAVELET_NPHIGH;Alto
TP_WAVELET_NPLOW;Bajo
TP_WAVELET_NPNONE;Ninguno
TP_WAVELET_NPTYPE;Píxeles vecinos
TP_WAVELET_NPTYPE_TOOLTIP;Este algoritmo utiliza la proximidad de un píxel y ocho de sus vecinos. Si hay una diferencia menor, los bordes se refuerzan.
TP_WAVELET_OPACITY;Opacidad Azul-Amarillo
TP_WAVELET_OPACITYW; Curva de balance d/v-h para contrast
TP_WAVELET_OPACITYWL;Contraste local final
TP_WAVELET_OPACITYWL_TOOLTIP;Modifica el contraste local definitivo al final del tratamiento wavelet \ nEl lado izquierdo representa el contraste local más pequeño, avanzando hacia la derecha el contraste local más grande
TP_WAVELET_PASTEL;Cromaticidad(colores) pastel
TP_WAVELET_PROC;Proceso
TP_WAVELET_RE1;Reforzado
TP_WAVELET_RE2;Sin alterar
TP_WAVELET_RE3;Reducir
TP_WAVELET_RESCHRO;Cromaticidad(aquí saturación)
TP_WAVELET_RESCON;Sombras
TP_WAVELET_RESCONH;Luces altas(Reflejos)
TP_WAVELET_RESID;Imagen residual
TP_WAVELET_SAT;Saturar la cromaticidad(color)
TP_WAVELET_SETTINGS;Configuraciones Wavelet
TP_WAVELET_SKIN;Enfocar piel/proteción
TP_WAVELET_SKIN_TOOLTIP;A (menos)-100 los tonos de piel están afectados. \nA 0 todos los tonos se tratan por igual. \nA +100 los tonos de piel están protegidos, mientras que todos los demás tonos están afectados.
TP_WAVELET_SKY;protección del cielo al enfocar
TP_WAVELET_SKY_TOOLTIP;A -100 se apuntan los tonos del cielo. \nEn 0 todos los tonos se tratan por igual. \nEn +100 los tonos del cielo están protegidos, mientras que todos los demás tonos están afectados.
TP_WAVELET_STREN;Fuerza
TP_WAVELET_STRENGTH;Fuerza
TP_WAVELET_SUPE;Extra
TP_WAVELET_THR;Límite de la sombra
TP_WAVELET_THRESHOLD;Niveles de luces altas
TP_WAVELET_THRESHOLD2;Niveles de sombra
TP_WAVELET_THRESHOLD2_TOOLTIP;Solo los niveles entre 9 y 9 menos el valor se verán afectados por el rango de luminancia de la sombra. Otros niveles serán tratados completamente. El nivel más alto posible está limitado por el valor del nivel de resaltado (9 menos el valor del nivel de resaltado)
TP_WAVELET_THRESHOLD_TOOLTIP;Solo los niveles más allá del valor elegido se verán afectados por el rango de luminancia de resaltado. Otros niveles serán tratados completamente. El valor elegido aquí limita el valor más alto posible de la sombra.niveles
TP_WAVELET_THRH;Umbral de luces altas
TP_WAVELET_TILESBIG;Mosaicos grandes
TP_WAVELET_TILESFULL;Imagen completa
TP_WAVELET_TILESIZE;Método de mosaico
TP_WAVELET_TILES_TOOLTIP;El procesamiento de la imagen completa conduce a una mejor calidad y es la opción recomendada, mientras que el uso de mosaicos es una solución alternativa para los usuarios con poca memoria RAM. Consulte RawPedia para los requisitos de memoria.
TP_WAVELET_TMSTRENGTH;Fuerza comprensiva
TP_WAVELET_TMSTRENGTH_TOOLTIP;Controle la intensidad del mapeo de tonos o la compresión de contraste de la imagen residual. Cuando el valor es diferente de <b> 0 </b>, los controles deslizantes Fuerza y ​​Gamma de la herramienta de asignación de tonos en la pestaña Exposición se atenuarán.
TP_WAVELET_TMTYPE;Método de compresión
TP_WAVELET_TON;Viraje
TP_WBALANCE_AUTO;Auto
TP_WBALANCE_CAMERA;Cámara
TP_WBALANCE_CLOUDY;Nublado
TP_WBALANCE_CUSTOM;A medida
TP_WBALANCE_DAYLIGHT;Luz de día (soleado)
TP_WBALANCE_EQBLUERED;Ecualizador Azul/Rojo
TP_WBALANCE_EQBLUERED_TOOLTIP;Permite desviarse del comportamiento normal del Balance de Blancos regulando el balance azul/rojo.\nEsto puede ser útil para fotografía en condiciones que:\na) Están lejos de tener una iluminación estándar (p. ej. Subacuático)\nb) Están lejos de las condiciones para las que se hizo la calibración de la cámara\nc) Donde las matrices o perfiles ICC disponibles son inadecuados
TP_WBALANCE_FLASH55;Leica
TP_WBALANCE_FLASH60;Estándar, Canon, Pentax, Olympus
TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
TP_WBALANCE_FLASH_HEADER;Flash
TP_WBALANCE_FLUO1;F1 - Luz de día
TP_WBALANCE_FLUO2;F2 - Blanco frío
TP_WBALANCE_FLUO3;F3 - Blanco
TP_WBALANCE_FLUO4;F4 - Blanco cálido
TP_WBALANCE_FLUO5;F5 - Luz de día
TP_WBALANCE_FLUO6;F6 - Blanco ligero
TP_WBALANCE_FLUO7;F7 - D65 Simulador luz de día
TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
TP_WBALANCE_FLUO9;F9 - Blanco frío deluxe
TP_WBALANCE_FLUO10;F10 - Philips TL85
TP_WBALANCE_FLUO11;F11 - Philips TL84
TP_WBALANCE_FLUO12;F12 - Philips TL83
TP_WBALANCE_FLUO_HEADER;Fluorescente
TP_WBALANCE_GREEN;Tinte
TP_WBALANCE_GTI;GTI
TP_WBALANCE_HMI;HMI
TP_WBALANCE_JUDGEIII;JudgeIII
TP_WBALANCE_LABEL;Balance de blancos
TP_WBALANCE_LAMP_HEADER;Lámpara
TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
TP_WBALANCE_LED_HEADER;LED
TP_WBALANCE_LED_LSI;LSI Lumelex 2040
TP_WBALANCE_METHOD;Método
TP_WBALANCE_PICKER;Seleccionar
TP_WBALANCE_SHADE;Sombra
TP_WBALANCE_SIZE;Tamaño:
TP_WBALANCE_SOLUX35;Solux 3500K
TP_WBALANCE_SOLUX41;Solux 4100K
TP_WBALANCE_SOLUX47;Solux 4700K (proveedor)
TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
TP_WBALANCE_SPOTWB;Muestra bal. blancos
TP_WBALANCE_TEMPBIAS;Sesgo de temperatura AWB
TP_WBALANCE_TEMPBIAS_TOOLTIP;Permite alterar el cálculo del "balance de blancos automático" \ndirigiéndolo hacia temperaturas más cálidas o más bajas. \nEl sesgo se expresa como un porcentaje de la temperatura calculada, por lo que el resultado viene dado por "computedTemp + computedTemp * bias".
TP_WBALANCE_TEMPERATURE;Temperatura
TP_WBALANCE_TUNGSTEN;Tungsteno
TP_WBALANCE_WATER1;Subacuático 1
TP_WBALANCE_WATER2;Subacuático 2
TP_WBALANCE_WATER_HEADER;Subacuático
ZOOMPANEL_100;(100%)
ZOOMPANEL_NEWCROPWINDOW;Abrir (nueva) ventana de detalle
ZOOMPANEL_ZOOM100;Zoom al 100%\nTecla de Atajo: <b>z</b>
ZOOMPANEL_ZOOMFITCROPSCREEN;Ajustar el recorte a la pantalla \nCorte corto: <b> f </b>
ZOOMPANEL_ZOOMFITSCREEN;Ajustar a pantalla\nTecla de Atajo: <b>Alt</b>-<b>f</b>
ZOOMPANEL_ZOOMIN;Aumentar Zoom\nTecla de Atajo: <b>+</b>
ZOOMPANEL_ZOOMOUT;Reducir Zoom\nTecla de Atajo: <b>-</b>

!!!!!!!!!!!!!!!!!!!!!!!!!
! Untranslated keys follow; remove the ! prefix after an entry is translated.
!!!!!!!!!!!!!!!!!!!!!!!!!

!CURVEEDITOR_CATMULLROM;Flexible
!ERROR_MSG_METADATA_VALUE;Metadata: error setting %1 to %2
!EXIFFILTER_PATH;File path
!EXIFPANEL_ACTIVATE_ALL_HINT;Select all tags
!EXIFPANEL_ACTIVATE_NONE_HINT;Unselect all tags
!EXIFPANEL_BASIC_GROUP;Basic
!EXIFPANEL_VALUE_NOT_SHOWN;Not shown
!FILEBROWSER_BROWSEPATHBUTTONHINT;Click to open specified path, reload folder and apply 'find' keywords.
!FILEBROWSER_DELETEDIALOG_ALL;Are you sure you want to <b>permanently</b> delete all <b>%1</b> files in trash?
!FILEBROWSER_DELETEDIALOG_SELECTED;Are you sure you want to <b>permanently</b> delete the selected <b>%1</b> files?
!FILEBROWSER_DELETEDIALOG_SELECTEDINCLPROC;Are you sure you want to <b>permanently</b> delete the selected <b>%1</b> files, <b>including</b> a queue-processed version?
!FILEBROWSER_EMPTYTRASHHINT;<b>Permanently</b> delete all files in trash.
!FILEBROWSER_POPUPINSPECT;Inspect
!FILEBROWSER_POPUPREMOVE;Delete permanently
!FILEBROWSER_POPUPREMOVEINCLPROC;Delete permanently, including queue-processed version
!FILEBROWSER_POPUPSORTBY;Sort Files
!FILEBROWSER_SHOWNOTTRASHHINT;Show only images not in trash.
!FILEBROWSER_SHOWRECURSIVE;Show images in sub-folders recursively.
!FILECHOOSER_FILTER_EXECUTABLE;Executable files
!GENERAL_DELETE_ALL;Delete all
!GENERAL_EDIT;Edit
!GENERAL_HELP;Help
!GENERAL_OTHER;Other
!HISTOGRAM_TOOLTIP_CROSSHAIR;Show/Hide indicator crosshair.
!HISTOGRAM_TOOLTIP_SHOW_OPTIONS;Toggle visibility of the scope option buttons.
!HISTOGRAM_TOOLTIP_TRACE_BRIGHTNESS;Adjust scope brightness.
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM;Histogram
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM_RAW;Raw Histogram
!HISTOGRAM_TOOLTIP_TYPE_PARADE;RGB Parade
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HC;Hue-Chroma Vectorscope
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HS;Hue-Saturation Vectorscope
!HISTOGRAM_TOOLTIP_TYPE_WAVEFORM;Waveform
!HISTORY_MSG_446;--unused--
!HISTORY_MSG_447;--unused--
!HISTORY_MSG_448;--unused--
!HISTORY_MSG_450;--unused--
!HISTORY_MSG_451;--unused--
!HISTORY_MSG_454;--unused--
!HISTORY_MSG_455;--unused--
!HISTORY_MSG_456;--unused--
!HISTORY_MSG_458;--unused--
!HISTORY_MSG_459;--unused--
!HISTORY_MSG_460;--unused--
!HISTORY_MSG_461;--unused--
!HISTORY_MSG_463;--unused--
!HISTORY_MSG_466;--unused--
!HISTORY_MSG_467;--unused--
!HISTORY_MSG_470;--unused--
!HISTORY_MSG_494;Capture Sharpening
!HISTORY_MSG_496;Local Spot deleted
!HISTORY_MSG_497;Local Spot selected
!HISTORY_MSG_498;Local - Spot name
!HISTORY_MSG_499;Local - Spot visibility
!HISTORY_MSG_500;Local - Spot shape
!HISTORY_MSG_501;Local - Spot method
!HISTORY_MSG_502;Local - SC - Shape method
!HISTORY_MSG_503;Local - Spot - Right
!HISTORY_MSG_504;Local - Spot - Left
!HISTORY_MSG_505;Local - Spot - Bottom
!HISTORY_MSG_506;Local - Spot - Top
!HISTORY_MSG_507;Local - Spot - Center
!HISTORY_MSG_508;Local - Spot - Size
!HISTORY_MSG_509;Local - Spot quality method
!HISTORY_MSG_510;Local - TG - Transition value
!HISTORY_MSG_511;Local - SD - ΔE scope threshold
!HISTORY_MSG_512;Local - SD - ΔE decay
!HISTORY_MSG_513;Local - Spot - Excluding - Scope
!HISTORY_MSG_514;Local - Spot structure
!HISTORY_MSG_515;Selective Editing
!HISTORY_MSG_516;Local - Color and light
!HISTORY_MSG_517;Local - Enable super
!HISTORY_MSG_518;Local - Lightness
!HISTORY_MSG_519;Local - Contrast
!HISTORY_MSG_520;Local - Chrominance
!HISTORY_MSG_521;Local - Scope
!HISTORY_MSG_522;Local - Curve method
!HISTORY_MSG_523;Local - LL Curve
!HISTORY_MSG_524;Local - CC curve
!HISTORY_MSG_525;Local - LH Curve
!HISTORY_MSG_526;Local - H curve
!HISTORY_MSG_527;Local - Color Inverse
!HISTORY_MSG_528;Local - Exposure
!HISTORY_MSG_529;Local - Exp Compensation
!HISTORY_MSG_530;Local - Exp Hlcompr
!HISTORY_MSG_531;Local - Exp hlcomprthresh
!HISTORY_MSG_532;Local - Exp black
!HISTORY_MSG_533;Local - Exp Shcompr
!HISTORY_MSG_534;Local - Warm Cool
!HISTORY_MSG_535;Local - Exp Scope
!HISTORY_MSG_536;Local - Exp Contrast curve
!HISTORY_MSG_537;Local - Vibrance
!HISTORY_MSG_538;Local - Vib Saturated
!HISTORY_MSG_539;Local - Vib Pastel
!HISTORY_MSG_540;Local - Vib Threshold
!HISTORY_MSG_541;Local - Vib Protect skin tones
!HISTORY_MSG_542;Local - Vib avoid colorshift
!HISTORY_MSG_543;Local - Vib link
!HISTORY_MSG_544;Local - Vib Scope
!HISTORY_MSG_545;Local - Vib H curve
!HISTORY_MSG_546;Local - Blur and noise
!HISTORY_MSG_547;Local - Radius
!HISTORY_MSG_548;Local - Noise
!HISTORY_MSG_549;Local - Blur scope
!HISTORY_MSG_550;Local - Blur method
!HISTORY_MSG_551;Local - Blur Luminance only
!HISTORY_MSG_552;Local - Tone mapping
!HISTORY_MSG_553;Local - TM compression strength
!HISTORY_MSG_554;Local - TM gamma
!HISTORY_MSG_555;Local - TM edge stopping
!HISTORY_MSG_556;Local - TM scale
!HISTORY_MSG_557;Local - TM Reweighting
!HISTORY_MSG_558;Local - TM scope
!HISTORY_MSG_559;Local - Retinex
!HISTORY_MSG_560;Local - Retinex method
!HISTORY_MSG_561;Local - Retinex strength
!HISTORY_MSG_562;Local - Retinex chroma
!HISTORY_MSG_563;Local - Retinex radius
!HISTORY_MSG_564;Local - Retinex contrast
!HISTORY_MSG_565;Local - scope
!HISTORY_MSG_566;Local - Retinex Gain curve
!HISTORY_MSG_567;Local - Retinex Inverse
!HISTORY_MSG_568;Local - Sharpening
!HISTORY_MSG_569;Local - Sh Radius
!HISTORY_MSG_570;Local - Sh Amount
!HISTORY_MSG_571;Local - Sh Damping
!HISTORY_MSG_572;Local - Sh Iterations
!HISTORY_MSG_573;Local - Sh Scope
!HISTORY_MSG_574;Local - Sh Inverse
!HISTORY_MSG_575;Local - CBDL
!HISTORY_MSG_576;Local - cbdl mult
!HISTORY_MSG_577;Local - cbdl chroma
!HISTORY_MSG_578;Local - cbdl threshold
!HISTORY_MSG_579;Local - cbdl scope
!HISTORY_MSG_580;--unused--
!HISTORY_MSG_581;Local - Denoise lum f 1
!HISTORY_MSG_582;Local - Denoise lum c
!HISTORY_MSG_583;Local - Denoise lum detail
!HISTORY_MSG_584;Local - Denoise equalizer White-Black
!HISTORY_MSG_585;Local - Denoise chro f
!HISTORY_MSG_586;Local - Denoise chro c
!HISTORY_MSG_587;Local - Denoise chro detail
!HISTORY_MSG_588;Local - Denoise equalizer Blue-Red
!HISTORY_MSG_589;Local - Denoise bilateral
!HISTORY_MSG_590;Local - Denoise Scope
!HISTORY_MSG_591;Local - Avoid color shift
!HISTORY_MSG_592;Local - Sh Contrast
!HISTORY_MSG_593;Local - Local contrast
!HISTORY_MSG_594;Local - Local contrast radius
!HISTORY_MSG_595;Local - Local contrast amount
!HISTORY_MSG_596;Local - Local contrast darkness
!HISTORY_MSG_597;Local - Local contrast lightness
!HISTORY_MSG_598;Local - Local contrast scope
!HISTORY_MSG_599;Local - Retinex dehaze
!HISTORY_MSG_600;Local - Soft Light enable
!HISTORY_MSG_601;Local - Soft Light strength
!HISTORY_MSG_602;Local - Soft Light scope
!HISTORY_MSG_603;Local - Sh Blur radius
!HISTORY_MSG_605;Local - Mask preview choice
!HISTORY_MSG_606;Local Spot selected
!HISTORY_MSG_607;Local - Color Mask C
!HISTORY_MSG_608;Local - Color Mask L
!HISTORY_MSG_609;Local - Exp Mask C
!HISTORY_MSG_610;Local - Exp Mask L
!HISTORY_MSG_611;Local - Color Mask H
!HISTORY_MSG_612;Local - Color Structure
!HISTORY_MSG_613;Local - Exp Structure
!HISTORY_MSG_614;Local - Exp Mask H
!HISTORY_MSG_615;Local - Blend color
!HISTORY_MSG_616;Local - Blend Exp
!HISTORY_MSG_617;Local - Blur Exp
!HISTORY_MSG_618;Local - Use Color Mask
!HISTORY_MSG_619;Local - Use Exp Mask
!HISTORY_MSG_620;Local - Blur col
!HISTORY_MSG_621;Local - Exp inverse
!HISTORY_MSG_622;Local - Spot - Excluding - Spot structure
!HISTORY_MSG_623;Local - Exp Chroma compensation
!HISTORY_MSG_624;Local - Color correction grid
!HISTORY_MSG_625;Local - Color correction strength
!HISTORY_MSG_626;Local - Color correction Method
!HISTORY_MSG_627;Local - Shadow Highlight
!HISTORY_MSG_628;Local - SH Highlight
!HISTORY_MSG_629;Local - SH H tonalwidth
!HISTORY_MSG_630;Local - SH Shadows
!HISTORY_MSG_631;Local - SH S tonalwidth
!HISTORY_MSG_632;Local - SH radius
!HISTORY_MSG_633;Local - SH Scope
!HISTORY_MSG_634;Local - radius color
!HISTORY_MSG_635;Local - radius Exp
!HISTORY_MSG_636;Local - Tool added
!HISTORY_MSG_637;Local - SH Mask C
!HISTORY_MSG_638;Local - SH Mask L
!HISTORY_MSG_639;Local - SH Mask H
!HISTORY_MSG_640;Local - SH blend
!HISTORY_MSG_641;Local - Use SH mask
!HISTORY_MSG_642;Local - radius SH
!HISTORY_MSG_643;Local - Blur SH
!HISTORY_MSG_644;Local - inverse SH
!HISTORY_MSG_645;Local - SD - ab-L balance
!HISTORY_MSG_646;Local - Exp mask chroma
!HISTORY_MSG_647;Local - Exp mask gamma
!HISTORY_MSG_648;Local - Exp mask slope
!HISTORY_MSG_649;Local - Exp soft radius
!HISTORY_MSG_650;Local - Color mask chroma
!HISTORY_MSG_651;Local - Color mask gamma
!HISTORY_MSG_652;Local - Color mask slope
!HISTORY_MSG_653;Local - SH mask chroma
!HISTORY_MSG_654;Local - SH mask gamma
!HISTORY_MSG_655;Local - SH mask slope
!HISTORY_MSG_656;Local - Color soft radius
!HISTORY_MSG_657;Local - Retinex Reduce artifacts
!HISTORY_MSG_658;Local - CBDL soft radius
!HISTORY_MSG_659;Local - TG - Transition decay
!HISTORY_MSG_660;Local - cbdl clarity
!HISTORY_MSG_661;Local - cbdl contrast residual
!HISTORY_MSG_662;Local - Denoise lum f 0
!HISTORY_MSG_663;Local - Denoise lum f 2
!HISTORY_MSG_664;--unused--
!HISTORY_MSG_665;Local - cbdl mask Blend
!HISTORY_MSG_666;Local - cbdl mask radius
!HISTORY_MSG_667;Local - cbdl mask chroma
!HISTORY_MSG_668;Local - cbdl mask gamma
!HISTORY_MSG_669;Local - cbdl mask slope
!HISTORY_MSG_670;Local - cbdl mask C
!HISTORY_MSG_671;Local - cbdl mask L
!HISTORY_MSG_672;Local - cbdl mask CL
!HISTORY_MSG_673;Local - Use cbdl mask
!HISTORY_MSG_674;Local - Tool removed
!HISTORY_MSG_675;Local - TM soft radius
!HISTORY_MSG_676;Local - TG - Transition differentiation
!HISTORY_MSG_677;Local - TM amount
!HISTORY_MSG_678;Local - TM saturation
!HISTORY_MSG_679;Local - Retinex mask C
!HISTORY_MSG_680;Local - Retinex mask L
!HISTORY_MSG_681;Local - Retinex mask CL
!HISTORY_MSG_682;Local - Retinex mask
!HISTORY_MSG_683;Local - Retinex mask Blend
!HISTORY_MSG_684;Local - Retinex mask radius
!HISTORY_MSG_685;Local - Retinex mask chroma
!HISTORY_MSG_686;Local - Retinex mask gamma
!HISTORY_MSG_687;Local - Retinex mask slope
!HISTORY_MSG_688;Local - Tool removed
!HISTORY_MSG_689;Local - Retinex mask transmission map
!HISTORY_MSG_690;Local - Retinex scale
!HISTORY_MSG_691;Local - Retinex darkness
!HISTORY_MSG_692;Local - Retinex lightness
!HISTORY_MSG_693;Local - Retinex threshold
!HISTORY_MSG_694;Local - Retinex Laplacian threshold
!HISTORY_MSG_695;Local - Soft method
!HISTORY_MSG_696;Local - Retinex Normalize
!HISTORY_MSG_697;Local - TM Normalize
!HISTORY_MSG_698;Local - Local contrast Fast Fourier
!HISTORY_MSG_699;Local - Retinex Fast Fourier
!HISTORY_MSG_701;Local - Exp Shadows
!HISTORY_MSG_702;Local - Exp Method
!HISTORY_MSG_703;Local - Exp Laplacian threshold
!HISTORY_MSG_704;Local - Exp PDE balance
!HISTORY_MSG_705;Local - Exp linearity
!HISTORY_MSG_706;Local - TM mask C
!HISTORY_MSG_707;Local - TM mask L
!HISTORY_MSG_708;Local - TM mask CL
!HISTORY_MSG_709;Local - use TM mask
!HISTORY_MSG_710;Local - TM mask Blend
!HISTORY_MSG_711;Local - TM mask radius
!HISTORY_MSG_712;Local - TM mask chroma
!HISTORY_MSG_713;Local - TM mask gamma
!HISTORY_MSG_714;Local - TM mask slope
!HISTORY_MSG_716;Local - Local method
!HISTORY_MSG_717;Local - Local contrast
!HISTORY_MSG_718;Local - Local contrast levels
!HISTORY_MSG_719;Local - Local contrast residual L
!HISTORY_MSG_720;Local - Blur mask C
!HISTORY_MSG_721;Local - Blur mask L
!HISTORY_MSG_722;Local - Blur mask CL
!HISTORY_MSG_723;Local - use Blur mask
!HISTORY_MSG_725;Local - Blur mask Blend
!HISTORY_MSG_726;Local - Blur mask radius
!HISTORY_MSG_727;Local - Blur mask chroma
!HISTORY_MSG_728;Local - Blur mask gamma
!HISTORY_MSG_729;Local - Blur mask slope
!HISTORY_MSG_730;Local - Blur method
!HISTORY_MSG_731;Local - median method
!HISTORY_MSG_732;Local - median iterations
!HISTORY_MSG_733;Local - soft radius
!HISTORY_MSG_734;Local - detail
!HISTORY_MSG_738;Local - Local contrast Merge L
!HISTORY_MSG_739;Local - Local contrast Soft radius
!HISTORY_MSG_740;Local - Local contrast Merge C
!HISTORY_MSG_741;Local - Local contrast Residual C
!HISTORY_MSG_742;Local - Exp Laplacian gamma
!HISTORY_MSG_743;Local - Exp Fattal Amount
!HISTORY_MSG_744;Local - Exp Fattal Detail
!HISTORY_MSG_745;Local - Exp Fattal Offset
!HISTORY_MSG_746;Local - Exp Fattal Sigma
!HISTORY_MSG_747;Local Spot created
!HISTORY_MSG_748;Local - Exp Denoise
!HISTORY_MSG_749;Local - Reti Depth
!HISTORY_MSG_750;Local - Reti Mode log - lin
!HISTORY_MSG_751;Local - Reti Dehaze saturation
!HISTORY_MSG_752;Local - Reti Offset
!HISTORY_MSG_753;Local - Reti Transmission map
!HISTORY_MSG_754;Local - Reti Clip
!HISTORY_MSG_755;Local - TM use tm mask
!HISTORY_MSG_756;Local - Exp use algo exposure mask
!HISTORY_MSG_757;Local - Exp Laplacian mask
!HISTORY_MSG_758;Local - Reti Laplacian mask
!HISTORY_MSG_759;Local - Exp Laplacian mask
!HISTORY_MSG_760;Local - Color Laplacian mask
!HISTORY_MSG_761;Local - SH Laplacian mask
!HISTORY_MSG_762;Local - cbdl Laplacian mask
!HISTORY_MSG_763;Local - Blur Laplacian mask
!HISTORY_MSG_764;Local - Solve PDE Laplacian mask
!HISTORY_MSG_765;Local - Denoise Detail threshold
!HISTORY_MSG_766;Local - Blur Fast Fourier
!HISTORY_MSG_767;Local - Grain Iso
!HISTORY_MSG_768;Local - Grain Strength
!HISTORY_MSG_769;Local - Grain Scale
!HISTORY_MSG_770;Local - Color Mask contrast curve
!HISTORY_MSG_771;Local - Exp Mask contrast curve
!HISTORY_MSG_772;Local - SH Mask contrast curve
!HISTORY_MSG_773;Local - TM Mask contrast curve
!HISTORY_MSG_774;Local - Reti Mask contrast curve
!HISTORY_MSG_775;Local - CBDL Mask contrast curve
!HISTORY_MSG_776;Local - Blur Denoise Mask contrast curve
!HISTORY_MSG_777;Local - Blur Mask local contrast curve
!HISTORY_MSG_778;Local - Mask highlights
!HISTORY_MSG_779;Local - Color Mask local contrast curve
!HISTORY_MSG_780;Local - Color Mask shadows
!HISTORY_MSG_781;Local - Contrast Mask Wavelet level
!HISTORY_MSG_782;Local - Blur Denoise Mask Wavelet levels
!HISTORY_MSG_783;Local - Color Wavelet levels
!HISTORY_MSG_784;Local - Mask - ΔE Image Mask
!HISTORY_MSG_785;Local - Mask - Scope
!HISTORY_MSG_786;Local - SH method
!HISTORY_MSG_787;Local - Equalizer multiplier
!HISTORY_MSG_788;Local - Equalizer detail
!HISTORY_MSG_789;Local - SH mask amount
!HISTORY_MSG_790;Local - SH mask anchor
!HISTORY_MSG_791;Local - Mask Short L curves
!HISTORY_MSG_792;Local - Mask - Background
!HISTORY_MSG_793;Local - SH TRC gamma
!HISTORY_MSG_794;Local - SH TRC slope
!HISTORY_MSG_795;Local - Mask save restore image
!HISTORY_MSG_796;Local - SC - Recursive references
!HISTORY_MSG_797;Local - Merge Original method
!HISTORY_MSG_798;Local - Opacity
!HISTORY_MSG_799;Local - Color RGB ToneCurve
!HISTORY_MSG_800;Local - Color ToneCurve Method
!HISTORY_MSG_801;Local - Color ToneCurve Special
!HISTORY_MSG_802;Local - Contrast threshold
!HISTORY_MSG_803;Local - Color Merge
!HISTORY_MSG_804;Local - Color mask Structure
!HISTORY_MSG_805;Local - Blur Noise mask Structure
!HISTORY_MSG_806;Local - Color mask Structure as tool
!HISTORY_MSG_807;Local - Blur Noise mask Structure as tool
!HISTORY_MSG_808;Local - Color mask curve H(H)
!HISTORY_MSG_809;Local - Vib mask curve C(C)
!HISTORY_MSG_810;Local - Vib mask curve L(L)
!HISTORY_MSG_811;Local - Vib mask curve LC(H)
!HISTORY_MSG_813;Local - Use Vib mask
!HISTORY_MSG_814;Local - Vib mask Blend
!HISTORY_MSG_815;Local - Vib mask radius
!HISTORY_MSG_816;Local - Vib mask chroma
!HISTORY_MSG_817;Local - Vib mask gamma
!HISTORY_MSG_818;Local - Vib mask slope
!HISTORY_MSG_819;Local - Vib mask laplacian
!HISTORY_MSG_820;Local - Vib mask contrast curve
!HISTORY_MSG_821;Local - color grid background
!HISTORY_MSG_822;Local - color background merge
!HISTORY_MSG_823;Local - color background luminance
!HISTORY_MSG_824;Local - Exp gradient mask strength
!HISTORY_MSG_825;Local - Exp gradient mask angle
!HISTORY_MSG_826;Local - Exp gradient strength
!HISTORY_MSG_827;Local - Exp gradient angle
!HISTORY_MSG_828;Local - SH gradient strength
!HISTORY_MSG_829;Local - SH gradient angle
!HISTORY_MSG_830;Local - Color gradient strength L
!HISTORY_MSG_831;Local - Color gradient angle
!HISTORY_MSG_832;Local - Color gradient strength C
!HISTORY_MSG_833;Local - Mask gradient feather
!HISTORY_MSG_834;Local - Color gradient strength H
!HISTORY_MSG_835;Local - Vib gradient strength L
!HISTORY_MSG_836;Local - Vib gradient angle
!HISTORY_MSG_837;Local - Vib gradient strength C
!HISTORY_MSG_838;Local - Vib gradient strength H
!HISTORY_MSG_839;Local - Software complexity
!HISTORY_MSG_840;Local - CL Curve
!HISTORY_MSG_841;Local - LC curve
!HISTORY_MSG_842;Local - Blur mask Radius
!HISTORY_MSG_843;Local - Blur mask Contrast Threshold
!HISTORY_MSG_844;Local - Blur mask FFTW
!HISTORY_MSG_845;Local - Log encoding
!HISTORY_MSG_846;Local - Log encoding auto
!HISTORY_MSG_847;Local - Log encoding Source
!HISTORY_MSG_849;Local - Log encoding Source auto
!HISTORY_MSG_850;Local - Log encoding B_Ev
!HISTORY_MSG_851;Local - Log encoding W_Ev
!HISTORY_MSG_852;Local - Log encoding Target
!HISTORY_MSG_853;Local - Log encodind loc contrast
!HISTORY_MSG_854;Local - Log encodind Scope
!HISTORY_MSG_855;Local - Log encoding Whole image
!HISTORY_MSG_856;Local - Log encoding Shadows range
!HISTORY_MSG_857;Local - Wavelet blur residual
!HISTORY_MSG_858;Local - Wavelet blur luminance only
!HISTORY_MSG_859;Local - Wavelet max blur
!HISTORY_MSG_860;Local - Wavelet blur levels
!HISTORY_MSG_861;Local - Wavelet contrast levels
!HISTORY_MSG_862;Local - Wavelet contrast attenuation
!HISTORY_MSG_863;Local - Wavelet merge original image
!HISTORY_MSG_864;Local - Wavelet dir contrast attenuation
!HISTORY_MSG_865;Local - Wavelet dir contrast delta
!HISTORY_MSG_866;Local - Wavelet dir compression
!HISTORY_MSG_868;Local - SD - C-H balance
!HISTORY_MSG_869;Local - Denoise by level
!HISTORY_MSG_870;Local - Wavelet mask curve H
!HISTORY_MSG_871;Local - Wavelet mask curve C
!HISTORY_MSG_872;Local - Wavelet mask curve L
!HISTORY_MSG_873;Local - Wavelet mask
!HISTORY_MSG_875;Local - Wavelet mask blend
!HISTORY_MSG_876;Local - Wavelet mask smooth
!HISTORY_MSG_877;Local - Wavelet mask chroma
!HISTORY_MSG_878;Local - Wavelet mask contrast curve
!HISTORY_MSG_879;Local - Wavelet contrast chroma
!HISTORY_MSG_880;Local - Wavelet blur chroma
!HISTORY_MSG_881;Local - Wavelet contrast offset
!HISTORY_MSG_882;Local - Wavelet blur
!HISTORY_MSG_883;Local - Wavelet contrast by level
!HISTORY_MSG_884;Local - Wavelet dir contrast
!HISTORY_MSG_885;Local - Wavelet tone mapping
!HISTORY_MSG_886;Local - Wavelet tone mapping compress
!HISTORY_MSG_887;Local - Wavelet tone mapping compress residual
!HISTORY_MSG_888;Local - Contrast Wavelet Balance Threshold
!HISTORY_MSG_889;Local - Contrast Wavelet Graduated Strength
!HISTORY_MSG_890;Local - Contrast Wavelet Graduated angle
!HISTORY_MSG_891;Local - Contrast Wavelet Graduated
!HISTORY_MSG_892;Local - Log Encoding Graduated Strength
!HISTORY_MSG_893;Local - Log Encoding Graduated angle
!HISTORY_MSG_894;Local - SD - ΔE preview color intensity
!HISTORY_MSG_897;Local - Contrast Wavelet ES strength
!HISTORY_MSG_898;Local - Contrast Wavelet ES radius
!HISTORY_MSG_899;Local - Contrast Wavelet ES detail
!HISTORY_MSG_900;Local - Contrast Wavelet ES gradient
!HISTORY_MSG_901;Local - Contrast Wavelet ES threshold low
!HISTORY_MSG_902;Local - Contrast Wavelet ES threshold high
!HISTORY_MSG_903;Local - Contrast Wavelet ES local contrast
!HISTORY_MSG_904;Local - Contrast Wavelet ES first level
!HISTORY_MSG_905;Local - Contrast Wavelet Edge Sharpness
!HISTORY_MSG_906;Local - Contrast Wavelet ES sensitivity
!HISTORY_MSG_907;Local - Contrast Wavelet ES amplification
!HISTORY_MSG_908;Local - Contrast Wavelet ES neighboring
!HISTORY_MSG_909;Local - Contrast Wavelet ES show
!HISTORY_MSG_910;Local - SC - Wavelet Edge performance
!HISTORY_MSG_911;Local - Blur Chroma Luma
!HISTORY_MSG_912;Local - Blur Guide filter strength
!HISTORY_MSG_913;Local - Contrast Wavelet Sigma DR
!HISTORY_MSG_914;Local - Blur Wavelet Sigma BL
!HISTORY_MSG_915;Local - Edge Wavelet Sigma ED
!HISTORY_MSG_916;Local - Residual wavelet shadows
!HISTORY_MSG_917;Local - Residual wavelet shadows threshold
!HISTORY_MSG_918;Local - Residual wavelet highlights
!HISTORY_MSG_919;Local - Residual wavelet highlights threshold
!HISTORY_MSG_920;Local - Wavelet sigma LC
!HISTORY_MSG_921;Local - Wavelet Graduated sigma LC2
!HISTORY_MSG_922;Local - SC - Changes in B/W
!HISTORY_MSG_923;Local - Tool complexity mode
!HISTORY_MSG_924;--unused--
!HISTORY_MSG_925;Local - Scope (color tools)
!HISTORY_MSG_926;Local - Show mask type
!HISTORY_MSG_927;Local - Shadow
!HISTORY_MSG_928;Local - Common color mask
!HISTORY_MSG_929;Local - Mask common scope
!HISTORY_MSG_930;Local - Mask Common blend luma
!HISTORY_MSG_931;Local - Mask Common enable
!HISTORY_MSG_932;Local - Mask Common radius soft
!HISTORY_MSG_933;Local - Mask Common laplacian
!HISTORY_MSG_934;Local - Mask Common chroma
!HISTORY_MSG_935;Local - Mask Common gamma
!HISTORY_MSG_936;Local - Mask Common slope
!HISTORY_MSG_937;Local - Mask Common curve C(C)
!HISTORY_MSG_938;Local - Mask Common curve L(L)
!HISTORY_MSG_939;Local - Mask Common curve LC(H)
!HISTORY_MSG_940;Local - Mask Common structure as tool
!HISTORY_MSG_941;Local - Mask Common structure strength
!HISTORY_MSG_942;Local - Mask Common H(H) curve
!HISTORY_MSG_943;Local - Mask Common FFT
!HISTORY_MSG_944;Local - Mask Common Blur radius
!HISTORY_MSG_945;Local - Mask Common contrast threshold
!HISTORY_MSG_946;Local - Mask Common shadows
!HISTORY_MSG_947;Local - Mask Common Contrast curve
!HISTORY_MSG_948;Local - Mask Common Wavelet curve
!HISTORY_MSG_949;Local - Mask Common Threshold levels
!HISTORY_MSG_950;Local - Mask Common GF strength
!HISTORY_MSG_951;Local - Mask Common GF angle
!HISTORY_MSG_952;Local - Mask Common soft radius
!HISTORY_MSG_953;Local - Mask Common blend chroma
!HISTORY_MSG_954;Local - Show-hide tools
!HISTORY_MSG_955;Local - Enable Spot
!HISTORY_MSG_956;Local - CH Curve
!HISTORY_MSG_957;Local - Denoise mode
!HISTORY_MSG_958;Local - Show/hide settings
!HISTORY_MSG_959;Local - Inverse blur
!HISTORY_MSG_960;Local - Log encoding - cat16
!HISTORY_MSG_961;Local - Log encoding Ciecam
!HISTORY_MSG_962;Local - Log encoding Absolute luminance source
!HISTORY_MSG_963;Local - Log encoding Absolute luminance target
!HISTORY_MSG_964;Local - Log encoding Surround
!HISTORY_MSG_965;Local - Log encoding Saturation s
!HISTORY_MSG_966;Local - Log encoding Contrast J
!HISTORY_MSG_967;Local - Log encoding Mask curve C
!HISTORY_MSG_968;Local - Log encoding Mask curve L
!HISTORY_MSG_969;Local - Log encoding Mask curve H
!HISTORY_MSG_970;Local - Log encoding Mask enable
!HISTORY_MSG_971;Local - Log encoding Mask blend
!HISTORY_MSG_972;Local - Log encoding Mask radius
!HISTORY_MSG_973;Local - Log encoding Mask chroma
!HISTORY_MSG_974;Local - Log encoding Mask contrast
!HISTORY_MSG_975;Local - Log encoding Lightness J
!HISTORY_MSG_977;Local - Log encoding Contrast Q
!HISTORY_MSG_978;Local - Log encoding Sursource
!HISTORY_MSG_979;Local - Log encoding Brightness Q
!HISTORY_MSG_980;Local - Log encoding Colorfulness M
!HISTORY_MSG_981;Local - Log encoding Strength
!HISTORY_MSG_982;Local - Equalizer hue
!HISTORY_MSG_983;Local - denoise threshold mask high
!HISTORY_MSG_984;Local - denoise threshold mask low
!HISTORY_MSG_985;Local - denoise Laplacian
!HISTORY_MSG_986;Local - denoise reinforce
!HISTORY_MSG_987;Local - GF recovery threshold
!HISTORY_MSG_988;Local - GF threshold mask low
!HISTORY_MSG_989;Local - GF threshold mask high
!HISTORY_MSG_990;Local - Denoise recovery threshold
!HISTORY_MSG_991;Local - Denoise threshold mask low
!HISTORY_MSG_992;Local - Denoise threshold mask high
!HISTORY_MSG_993;Local - Denoise Inverse algo
!HISTORY_MSG_994;Local - GF Inverse algo
!HISTORY_MSG_995;Local - Denoise decay
!HISTORY_MSG_996;Local - Color recovery threshold
!HISTORY_MSG_997;Local - Color threshold mask low
!HISTORY_MSG_998;Local - Color threshold mask high
!HISTORY_MSG_999;Local - Color decay
!HISTORY_MSG_1000;Local - Denoise luminance gray
!HISTORY_MSG_1001;Local - Log recovery threshold
!HISTORY_MSG_1002;Local - Log threshold mask low
!HISTORY_MSG_1003;Local - Log threshold mask high
!HISTORY_MSG_1004;Local - Log decay
!HISTORY_MSG_1005;Local - Exp recovery threshold
!HISTORY_MSG_1006;Local - Exp threshold mask low
!HISTORY_MSG_1007;Local - Exp threshold mask high
!HISTORY_MSG_1008;Local - Exp decay
!HISTORY_MSG_1009;Local - SH recovery threshold
!HISTORY_MSG_1010;Local - SH threshold mask low
!HISTORY_MSG_1011;Local - SH threshold mask high
!HISTORY_MSG_1012;Local - SH decay
!HISTORY_MSG_1013;Local - vib recovery threshold
!HISTORY_MSG_1014;Local - vib threshold mask low
!HISTORY_MSG_1015;Local - vib threshold mask high
!HISTORY_MSG_1016;Local - vib decay
!HISTORY_MSG_1017;Local - lc recovery threshold
!HISTORY_MSG_1018;Local - lc threshold mask low
!HISTORY_MSG_1019;Local - lc threshold mask high
!HISTORY_MSG_1020;Local - lc decay
!HISTORY_MSG_1021;Local - Denoise chrominance gray
!HISTORY_MSG_1022;Local - TM recovery threshold
!HISTORY_MSG_1023;Local - TM threshold mask low
!HISTORY_MSG_1024;Local - TM threshold mask high
!HISTORY_MSG_1025;Local - TM decay
!HISTORY_MSG_1026;Local - cbdl recovery threshold
!HISTORY_MSG_1027;Local - cbdl threshold mask low
!HISTORY_MSG_1028;Local - cbdl threshold mask high
!HISTORY_MSG_1029;Local - cbdl decay
!HISTORY_MSG_1030;Local - reti recovery threshold
!HISTORY_MSG_1031;Local - reti threshold mask low
!HISTORY_MSG_1032;Local - reti threshold mask high
!HISTORY_MSG_1033;Local - reti decay
!HISTORY_MSG_1034;Local - Nlmeans - strength
!HISTORY_MSG_1035;Local - Nlmeans - detail
!HISTORY_MSG_1036;Local - Nlmeans - patch
!HISTORY_MSG_1037;Local - Nlmeans - radius
!HISTORY_MSG_1038;Local - Nlmeans - gamma
!HISTORY_MSG_1039;Local - Grain - gamma
!HISTORY_MSG_1040;Local - SC - Soft radius
!HISTORY_MSG_1041;Local - Spot - Munsell
!HISTORY_MSG_1042;Local - Log encoding - threshold
!HISTORY_MSG_1043;Local - Exp - normalize
!HISTORY_MSG_1044;Local - Local contrast strength
!HISTORY_MSG_1045;Local - Color and Light strength
!HISTORY_MSG_1046;Local - Denoise strength
!HISTORY_MSG_1047;Local - SH and Tone Equalizer strength
!HISTORY_MSG_1048;Local - DR and Exposure strength
!HISTORY_MSG_1049;Local - TM strength
!HISTORY_MSG_1050;Local - Log encoding chroma
!HISTORY_MSG_1051;Local - Residual wavelet gamma
!HISTORY_MSG_1052;Local - Residual wavelet slope
!HISTORY_MSG_1053;Local - Denoise gamma
!HISTORY_MSG_1054;Local - Wavelet gamma
!HISTORY_MSG_1055;Local - Color and Light gamma
!HISTORY_MSG_1056;Local - DR and Exposure gamma
!HISTORY_MSG_1057;Local - CIECAM Enabled
!HISTORY_MSG_1058;Local - CIECAM Overall strength
!HISTORY_MSG_1059;Local - CIECAM Autogray
!HISTORY_MSG_1060;Local - CIECAM Mean luminance source
!HISTORY_MSG_1061;Local - CIECAM Source absolute
!HISTORY_MSG_1062;Local - CIECAM Surround Source
!HISTORY_MSG_1063;Local - CIECAM Saturation
!HISTORY_MSG_1064;Local - CIECAM Chroma
!HISTORY_MSG_1065;Local - CIECAM lightness J
!HISTORY_MSG_1066;Local - CIECAM brightness
!HISTORY_MSG_1067;Local - CIECAM Contrast J
!HISTORY_MSG_1068;Local - CIECAM threshold
!HISTORY_MSG_1069;Local - CIECAM contrast Q
!HISTORY_MSG_1070;Local - CIECAM colorfullness
!HISTORY_MSG_1071;Local - CIECAM Absolute luminance
!HISTORY_MSG_1072;Local - CIECAM Mean luminance
!HISTORY_MSG_1073;Local - CIECAM Cat16
!HISTORY_MSG_1074;Local - CIECAM Local contrast
!HISTORY_MSG_1075;Local - CIECAM Surround viewing
!HISTORY_MSG_1076;Local - CIECAM Scope
!HISTORY_MSG_1077;Local - CIECAM Mode
!HISTORY_MSG_1078;Local - Red and skin protection
!HISTORY_MSG_1079;Local - CIECAM Sigmoid strength J
!HISTORY_MSG_1080;Local - CIECAM Sigmoid threshold
!HISTORY_MSG_1081;Local - CIECAM Sigmoid blend
!HISTORY_MSG_1082;Local - CIECAM Auto threshold
!HISTORY_MSG_1083;Local - CIECAM Hue
!HISTORY_MSG_1084;Local - Uses Black Ev - White Ev
!HISTORY_MSG_1085;Local - Jz lightness
!HISTORY_MSG_1086;Local - Jz contrast
!HISTORY_MSG_1087;Local - Jz chroma
!HISTORY_MSG_1088;Local - Jz hue
!HISTORY_MSG_1089;Local - Jz Sigmoid strength
!HISTORY_MSG_1090;Local - Jz Sigmoid threshold
!HISTORY_MSG_1091;Local - Jz Sigmoid blend
!HISTORY_MSG_1092;Local - Jz adaptation
!HISTORY_MSG_1093;Local - CAM model
!HISTORY_MSG_1094;Local - Jz highligths
!HISTORY_MSG_1095;Local - Jz highligths thr
!HISTORY_MSG_1096;Local - Jz shadows
!HISTORY_MSG_1097;Local - Jz shadows thr
!HISTORY_MSG_1098;Local - Jz radius SH
!HISTORY_MSG_1099;Local - Cz(Hz) Curve
!HISTORY_MSG_1100;Local - Jz reference 100
!HISTORY_MSG_1101;Local - Jz PQ remap
!HISTORY_MSG_1102;Local - Jz(Hz) Curve
!HISTORY_MSG_1103;Local - Vibrance gamma
!HISTORY_MSG_1104;Local - Sharp gamma
!HISTORY_MSG_1105;Local - CIECAM Tone method
!HISTORY_MSG_1106;Local - CIECAM Tone curve
!HISTORY_MSG_1107;Local - CIECAM Color method
!HISTORY_MSG_1108;Local - CIECAM Color curve
!HISTORY_MSG_1109;Local - Jz(Jz) curve
!HISTORY_MSG_1110;Local - Cz(Cz) curve
!HISTORY_MSG_1111;Local - Cz(Jz) curve
!HISTORY_MSG_1112;Local - forcejz
!HISTORY_MSG_1113;Local - HDR PQ
!HISTORY_MSG_1114;Local - Cie mask enable
!HISTORY_MSG_1115;Local - Cie mask curve C
!HISTORY_MSG_1116;Local - Cie mask curve L
!HISTORY_MSG_1117;Local - Cie mask curve H
!HISTORY_MSG_1118;Local - Cie mask blend
!HISTORY_MSG_1119;Local - Cie mask radius
!HISTORY_MSG_1120;Local - Cie mask chroma
!HISTORY_MSG_1121;Local - Cie mask contrast curve
!HISTORY_MSG_1122;Local - Cie mask recovery threshold
!HISTORY_MSG_1123;Local - Cie mask recovery dark
!HISTORY_MSG_1124;Local - Cie mask recovery light
!HISTORY_MSG_1125;Local - Cie mask recovery decay
!HISTORY_MSG_1126;Local - Cie mask laplacian
!HISTORY_MSG_1127;Local - Cie mask gamma
!HISTORY_MSG_1128;Local - Cie mask slope
!HISTORY_MSG_1129;Local - Cie Relative luminance
!HISTORY_MSG_1130;Local - Cie Saturation Jz
!HISTORY_MSG_1131;Local - Mask - Denoise
!HISTORY_MSG_1132;Local - Cie Wav sigma Jz
!HISTORY_MSG_1133;Local - Cie Wav level Jz
!HISTORY_MSG_1134;Local - Cie Wav local contrast Jz
!HISTORY_MSG_1135;Local - Cie Wav clarity Jz
!HISTORY_MSG_1136;Local - Cie Wav clarity Cz
!HISTORY_MSG_1137;Local - Cie Wav clarity Soft
!HISTORY_MSG_1138;Local - Local - Hz(Hz) Curve
!HISTORY_MSG_1139;Local - Jz soft Curves H
!HISTORY_MSG_1140;Local - Jz Threshold chroma
!HISTORY_MSG_1141;Local - chroma curve Jz(Hz)
!HISTORY_MSG_1142;Local - strength soft
!HISTORY_MSG_1143;Local - Jz blackev
!HISTORY_MSG_1144;Local - Jz whiteev
!HISTORY_MSG_1145;Local - Jz Log encoding
!HISTORY_MSG_1146;Local - Jz Log encoding target gray
!HISTORY_MSG_1147;Local - Jz BlackEv WhiteEv
!HISTORY_MSG_1148;Local - Jz Sigmoid
!HISTORY_MSG_1149;Local - Q Sigmoid
!HISTORY_MSG_1150;Local - Log encoding Q instead Sigmoid Q
!HISTORY_MSG_BLSHAPE;Blur by level
!HISTORY_MSG_BLURCWAV;Blur chroma
!HISTORY_MSG_BLURWAV;Blur luminance
!HISTORY_MSG_BLUWAV;Attenuation response
!HISTORY_MSG_CATCAT;CAL - Settings - Mode
!HISTORY_MSG_CATCOMPLEX;CAL - Settings - Complexity
!HISTORY_MSG_CATMODEL;CAL - Settings - CAM
!HISTORY_MSG_COMPLEX;Wavelet complexity
!HISTORY_MSG_COMPLEXRETI;Retinex complexity
!HISTORY_MSG_DEHAZE_SATURATION;Dehaze - Saturation
!HISTORY_MSG_DIRPYRDENOISE_GAIN;NR - Compensate for lightness
!HISTORY_MSG_EDGEFFECT;Edge Attenuation response
!HISTORY_MSG_FF_FROMMETADATA;Flat-Field - From Metadata
!HISTORY_MSG_FILMNEGATIVE_BALANCE;FN - Reference output
!HISTORY_MSG_FILMNEGATIVE_COLORSPACE;Film negative color space
!HISTORY_MSG_FILMNEGATIVE_ENABLED;Film Negative
!HISTORY_MSG_FILMNEGATIVE_REF_SPOT;FN - Reference input
!HISTORY_MSG_FILMNEGATIVE_VALUES;Film negative values
!HISTORY_MSG_GAMUTMUNSEL;Gamut-Munsell
!HISTORY_MSG_HLBL;Color propagation - blur
!HISTORY_MSG_HLTH;Inpaint opposed - gain threshold
!HISTORY_MSG_ICL_LABGRIDCIEXY;Cie xy
!HISTORY_MSG_ICM_AINTENT;Abstract profile intent
!HISTORY_MSG_ICM_BLUX;Primaries Blue X
!HISTORY_MSG_ICM_BLUY;Primaries Blue Y
!HISTORY_MSG_ICM_CAT;Matrix adaptation
!HISTORY_MSG_ICM_FBW;Black and White
!HISTORY_MSG_ICM_GAMUT;Gamut control
!HISTORY_MSG_ICM_GREX;Primaries Green X
!HISTORY_MSG_ICM_GREY;Primaries Green Y
!HISTORY_MSG_ICM_MIDTCIE;Midtones
!HISTORY_MSG_ICM_PRESER;Preserve neutral
!HISTORY_MSG_ICM_REDX;Primaries Red X
!HISTORY_MSG_ICM_REDY;Primaries Red Y
!HISTORY_MSG_ICM_REFI;Refinement Colors
!HISTORY_MSG_ICM_SHIFTX;Refinement Colors - Shift x
!HISTORY_MSG_ICM_SHIFTY;Refinement Colors - Shift y
!HISTORY_MSG_ICM_SMOOTHCIE;Smooth highlights
!HISTORY_MSG_ICM_TRCEXP;Abstract Profile
!HISTORY_MSG_ICM_WORKING_ILLUM_METHOD;Illuminant method
!HISTORY_MSG_ICM_WORKING_PRIM_METHOD;Primaries method
!HISTORY_MSG_ILLUM;CAL - SC - Illuminant
!HISTORY_MSG_LOCALLAB_TE_PIVOT;Local - Equalizer pivot
!HISTORY_MSG_LOCAL_CIEMASK_BLURCONT;Local - CIECAM Mask blur contrast
!HISTORY_MSG_LOCAL_CIEMASK_BLURFFT;Local - CIECAM Mask blur FFTW
!HISTORY_MSG_LOCAL_CIEMASK_BLURRAD;Local - CIECAM Mask blur radius
!HISTORY_MSG_LOCAL_CIEMASK_CHH;Local - CIECAM Mask curve h(h)
!HISTORY_MSG_LOCAL_CIEMASK_HIGH;Local - CIECAM Mask highlights
!HISTORY_MSG_LOCAL_CIEMASK_SHAD;Local - CIECAM Mask shadows
!HISTORY_MSG_LOCAL_CIEMASK_STRU;Local - CIECAM Mask structure
!HISTORY_MSG_LOCAL_CIEMASK_STRU_TOOL;Local - CIECAM Mask structure as tool
!HISTORY_MSG_LOCAL_CIEMASK_WLC;Local - CIECAM Mask wavelet L(L)
!HISTORY_MSG_LOCAL_CIEMASK_WLEV;Local - CIECAM Mask wavelet levels
!HISTORY_MSG_LOCAL_CIE_ANGGRAD;Local - CIECAM Gradient angle
!HISTORY_MSG_LOCAL_CIE_BLACKS;Local - CIECAM Blacks distribution
!HISTORY_MSG_LOCAL_CIE_BLUXL;Local - CIECAM Blue X
!HISTORY_MSG_LOCAL_CIE_BLUYL;Local - CIECAM Blue Y
!HISTORY_MSG_LOCAL_CIE_BRICOMP;Local - CIECAM Brightness compression
!HISTORY_MSG_LOCAL_CIE_BRICOMPTH;Local - CIECAM Brightness compression threshold
!HISTORY_MSG_LOCAL_CIE_BWCIE;Local - CIECAM Black and white
!HISTORY_MSG_LOCAL_CIE_CAT;Local - Matrix adaptation
!HISTORY_MSG_LOCAL_CIE_DETAILJZ;Local - JzCzHz Local contrast
!HISTORY_MSG_LOCAL_CIE_ENAMASKALL;Local - CIECAM All mask tools
!HISTORY_MSG_LOCAL_CIE_EXPPRECAM;Local - CIECAM Pre-Cam
!HISTORY_MSG_LOCAL_CIE_GAM;Local - CIECAM Gamma
!HISTORY_MSG_LOCAL_CIE_GAMUTCIE;Local - CIECAM Gamut
!HISTORY_MSG_LOCAL_CIE_GREXL;Local - CIECAM Green X
!HISTORY_MSG_LOCAL_CIE_GREYL;Local - CIECAM Green Y
!HISTORY_MSG_LOCAL_CIE_ILL;Local - CIECAM TRC Illuminant
!HISTORY_MSG_LOCAL_CIE_LOGCIEQ;Local - CIECAM Log encoding Q
!HISTORY_MSG_LOCAL_CIE_MIDT;Local - CIECAM Mid Tones
!HISTORY_MSG_LOCAL_CIE_NORM;Local - CIECAM Normalize L
!HISTORY_MSG_LOCAL_CIE_PRIM;Local - CIECAM TRC primaries
!HISTORY_MSG_LOCAL_CIE_REDXL;Local - CIECAM Red X
!HISTORY_MSG_LOCAL_CIE_REDYL;Local - CIECAM Red Y
!HISTORY_MSG_LOCAL_CIE_REFI;Local - CIECAM Refinement colors
!HISTORY_MSG_LOCAL_CIE_SATCIE;Local - CIECAM Saturation control
!HISTORY_MSG_LOCAL_CIE_SHIFTXL;Local - CIECAM Shift x
!HISTORY_MSG_LOCAL_CIE_SHIFTYL;Local - CIECAM Shift y
!HISTORY_MSG_LOCAL_CIE_SIG;Local - Sigmoid
!HISTORY_MSG_LOCAL_CIE_SIGADAP;Local - CIECAM Sigmoid adaptability
!HISTORY_MSG_LOCAL_CIE_SIGMET;Local - CIECAM Sigmoid method
!HISTORY_MSG_LOCAL_CIE_SLOP;Local - CIECAM Slope
!HISTORY_MSG_LOCAL_CIE_SLOPESMO;Local - CIECAM Gray balance
!HISTORY_MSG_LOCAL_CIE_SLOPESMOB;Local - CIECAM Blue balance
!HISTORY_MSG_LOCAL_CIE_SLOPESMOG;Local - CIECAM Green balance
!HISTORY_MSG_LOCAL_CIE_SLOPESMOR;Local - CIECAM Red balance
!HISTORY_MSG_LOCAL_CIE_SMOOTH;Local - CIECAM Scale Yb scene
!HISTORY_MSG_LOCAL_CIE_SMOOTHMET;Local - CIECAM Smooth lights method
!HISTORY_MSG_LOCAL_CIE_SMOOTHYB;Local - CIECAM Scale Yb viewing
!HISTORY_MSG_LOCAL_CIE_SMOOTH_LUM;Local - CIECAM Levels - Luminosity mode
!HISTORY_MSG_LOCAL_CIE_STRGRAD;Local - CIECAM Gradient strength L
!HISTORY_MSG_LOCAL_CIE_STRLOG;Local - CIECAM Log encoding strength
!HISTORY_MSG_LOCAL_CIE_TRC;Local - CIECAM TRC
!HISTORY_MSG_LOCAL_CIE_WHITES;Local - CIECAM Whites distribution
!HISTORY_MSG_LOCAL_DEHAZE_BLACK;Local - Dehaze Black
!HISTORY_MSG_LOCAL_FEATHERCIE;Local - CIECAM Gradient feather
!HISTORY_MSG_LOCAL_FEATHERCOL;Local - Color Gradient feather
!HISTORY_MSG_LOCAL_FEATHEREXE;Local - Exp Gradient feather
!HISTORY_MSG_LOCAL_FEATHERLOG;Local - Log Gradient feather
!HISTORY_MSG_LOCAL_FEATHERMAS;Local - Mask Common gradient feather
!HISTORY_MSG_LOCAL_FEATHERSH;Local - SH Gradient feather
!HISTORY_MSG_LOCAL_FEATHERVIB;Local - Vib Gradient feather
!HISTORY_MSG_LOCAL_FEATHERWAV;Local - Wav Gradient feather
!HISTORY_MSG_LOCAL_GAMUTMUNSEL;Local - SC - Avoid Color Shift
!HISTORY_MSG_LOCAL_LOG_BLACKS;Local - Log Blacks distribution
!HISTORY_MSG_LOCAL_LOG_COMPR;Local - Log Compress brightness
!HISTORY_MSG_LOCAL_LOG_SAT;Local - Log Saturation control
!HISTORY_MSG_LOCAL_LOG_WHITES;Local - Log Whites distribution
!HISTORY_MSG_LOCAL_TMO_SATUR;Local Exp Fattal Saturation
!HISTORY_MSG_PDSHARPEN_AUTO_CONTRAST;CS - Auto threshold
!HISTORY_MSG_PDSHARPEN_AUTO_RADIUS;CS - Auto radius
!HISTORY_MSG_PDSHARPEN_CHECKITER;CS - Auto limit iterations
!HISTORY_MSG_PDSHARPEN_CONTRAST;CS - Contrast threshold
!HISTORY_MSG_PDSHARPEN_ITERATIONS;CS - Iterations
!HISTORY_MSG_PDSHARPEN_RADIUS;CS - Radius
!HISTORY_MSG_PDSHARPEN_RADIUS_BOOST;CS - Corner radius boost
!HISTORY_MSG_PERSP_CAM_ANGLE;Perspective - Camera
!HISTORY_MSG_PERSP_CAM_FL;Perspective - Camera
!HISTORY_MSG_PERSP_CAM_SHIFT;Perspective - Camera
!HISTORY_MSG_PERSP_CTRL_LINE;Perspective - Control lines
!HISTORY_MSG_PERSP_METHOD;Perspective - Method
!HISTORY_MSG_PERSP_PROJ_ANGLE;Perspective - Recovery
!HISTORY_MSG_PERSP_PROJ_ROTATE;Perspective - PCA rotation
!HISTORY_MSG_PERSP_PROJ_SHIFT;Perspective - PCA
!HISTORY_MSG_PIXELSHIFT_AVERAGE;PS - Average
!HISTORY_MSG_PREPROCWB_MODE;Preprocess WB Mode
!HISTORY_MSG_PROTAB;Protection
!HISTORY_MSG_RANGEAB;Range ab
!HISTORY_MSG_RESIZE_LONGEDGE;Resize - Long Edge
!HISTORY_MSG_RESIZE_SHORTEDGE;Resize - Short Edge
!HISTORY_MSG_SHARPENING_BLUR;Sharpening - Blur radius
!HISTORY_MSG_SIGMACOL;Chroma Attenuation response
!HISTORY_MSG_SIGMADIR;Dir Attenuation response
!HISTORY_MSG_SIGMAFIN;Final contrast Attenuation response
!HISTORY_MSG_SIGMATON;Toning Attenuation response
!HISTORY_MSG_SPOT;Spot removal
!HISTORY_MSG_SPOT_ENTRY;Spot removal - Point modif.
!HISTORY_MSG_TEMPOUT;CAM02 automatic temperature
!HISTORY_MSG_THRESWAV;Balance threshold
!HISTORY_MSG_TONE_EQUALIZER_BANDS;Tone equalizer - Bands
!HISTORY_MSG_TONE_EQUALIZER_ENABLED;Tone equalizer
!HISTORY_MSG_TONE_EQUALIZER_PIVOT;Tone equalizer - Pivot
!HISTORY_MSG_TONE_EQUALIZER_REGULARIZATION;Tone equalizer - Regularization
!HISTORY_MSG_TONE_EQUALIZER_SHOW_COLOR_MAP;Tone equalizer - Tonal map
!HISTORY_MSG_TRANS_METHOD;Geometry - Method
!HISTORY_MSG_WAVBALCHROM;Equalizer chrominance
!HISTORY_MSG_WAVBALLUM;Equalizer luminance
!HISTORY_MSG_WAVBL;Blur levels
!HISTORY_MSG_WAVCHR;Blur levels - blur chroma
!HISTORY_MSG_WAVCHROMCO;Chroma coarse
!HISTORY_MSG_WAVCHROMFI;Chroma fine
!HISTORY_MSG_WAVCLARI;Clarity
!HISTORY_MSG_WAVDENLH;Level 5
!HISTORY_MSG_WAVDENOISE;Local contrast
!HISTORY_MSG_WAVDENOISEH;High levels Local contrast
!HISTORY_MSG_WAVDETEND;Details soft
!HISTORY_MSG_WAVEDGS;Edge stopping
!HISTORY_MSG_WAVGUIDH;Local contrast-Hue equalizer
!HISTORY_MSG_WAVHUE;Equalizer hue
!HISTORY_MSG_WAVLABGRID_VALUE;Toning - exclude colors
!HISTORY_MSG_WAVLEVDEN;High level local contrast
!HISTORY_MSG_WAVLEVELSIGM;Denoise - radius
!HISTORY_MSG_WAVLEVSIGM;Radius
!HISTORY_MSG_WAVLIMDEN;Interaction 56 14
!HISTORY_MSG_WAVLOWTHR;Threshold low contrast
!HISTORY_MSG_WAVMERGEC;Merge C
!HISTORY_MSG_WAVMERGEL;Merge L
!HISTORY_MSG_WAVMIXMET;Reference local contrast
!HISTORY_MSG_WAVOFFSET;Offset
!HISTORY_MSG_WAVOLDSH;Old algorithm
!HISTORY_MSG_WAVQUAMET;Denoise mode
!HISTORY_MSG_WAVRADIUS;Radius shadows-highlights
!HISTORY_MSG_WAVSCALE;Scale
!HISTORY_MSG_WAVSHOWMASK;Show wavelet mask
!HISTORY_MSG_WAVSIGM;Sigma
!HISTORY_MSG_WAVSIGMA;Attenuation response
!HISTORY_MSG_WAVSLIMET;Method
!HISTORY_MSG_WAVSOFTRAD;Soft radius clarity
!HISTORY_MSG_WAVSOFTRADEND;Soft radius final
!HISTORY_MSG_WAVSTREND;Strength soft
!HISTORY_MSG_WAVTHRDEN;Threshold local contrast
!HISTORY_MSG_WAVTHREND;Threshold local contrast
!HISTORY_MSG_WAVUSHAMET;Clarity method
!HISTORY_MSG_WBALANCE_OBSERVER10;Observer 10°
!HISTORY_MSG_WBITC_CUSTOM;Itcwb Custom
!HISTORY_MSG_WBITC_DELTA;Itcwb Delta green
!HISTORY_MSG_WBITC_FGREEN;Itcwb Green - student
!HISTORY_MSG_WBITC_FORCE;Itcwb Force
!HISTORY_MSG_WBITC_GREEN;Green refinement
!HISTORY_MSG_WBITC_MINSIZE;Patch min size
!HISTORY_MSG_WBITC_NOPURPLE;Itcwb Nopurple
!HISTORY_MSG_WBITC_OBS;Remove algo 2 passes
!HISTORY_MSG_WBITC_PONDER;Itcwb ponderated
!HISTORY_MSG_WBITC_PRECIS;Itcwb Precision
!HISTORY_MSG_WBITC_PRIM;Primaries
!HISTORY_MSG_WBITC_RGREEN;Itcwb Green range
!HISTORY_MSG_WBITC_SAMPLING;Low sampling
!HISTORY_MSG_WBITC_SIZE;Itcwb Size
!HISTORY_MSG_WBITC_SORTED;Itcwb ponderated
!HISTORY_MSG_WBITC_THRES;Itcwb Threshold
!ICCPROFCREATOR_ILL_63;D63 : DCI-P3 Theater
!ICCPROFCREATOR_PRIM_DCIP3;DCI-P3
!INSPECTOR_WINDOW_TITLE;Inspector
!MAIN_FRAME_PLACES_DEL;Remove
!MAIN_TAB_FAVORITES;Favorites
!MAIN_TAB_FAVORITES_TOOLTIP;Shortcut: <b>Alt-u</b>
!MAIN_TAB_LOCALLAB;Selective Editing
!MAIN_TAB_LOCALLAB_TOOLTIP;Shortcut: <b>Alt-o</b>
!PARTIALPASTE_FILMNEGATIVE;Film negative
!PARTIALPASTE_FLATFIELDFROMMETADATA;Flat-field from Metadata
!PARTIALPASTE_LOCALLAB;Selective Editing
!PARTIALPASTE_LOCALLABGROUP;Selective Editing Settings
!PARTIALPASTE_PREPROCWB;Preprocess White Balance
!PARTIALPASTE_SPOT;Spot removal
!PARTIALPASTE_TONE_EQUALIZER;Tone equalizer
!PREFERENCES_BROWSERECURSIVEDEPTH;Browse sub-folders depth
!PREFERENCES_BROWSERECURSIVEFOLLOWLINKS;Follow symbolic links when browsing sub-folders
!PREFERENCES_BROWSERECURSIVEMAXDIRS;Maximum sub-folders
!PREFERENCES_CAMERAPROFILESDIR;Camera profiles directory
!PREFERENCES_CHUNKSIZES;Tiles per thread
!PREFERENCES_CHUNKSIZE_RAW_AMAZE;AMaZE demosaic
!PREFERENCES_CHUNKSIZE_RAW_CA;Raw CA correction
!PREFERENCES_CHUNKSIZE_RAW_RCD;RCD demosaic
!PREFERENCES_CHUNKSIZE_RAW_XT;Xtrans demosaic
!PREFERENCES_CHUNKSIZE_RGB;RGB processing
!PREFERENCES_CIE;Ciecam
!PREFERENCES_CIEARTIF;Avoid artifacts
!PREFERENCES_COMPLEXITYLOC;Default complexity for Selective Editing
!PREFERENCES_COMPLEXITY_EXP;Advanced
!PREFERENCES_COMPLEXITY_NORM;Standard
!PREFERENCES_COMPLEXITY_SIMP;Basic
!PREFERENCES_EXTEDITOR_BYPASS_OUTPUT_PROFILE;Bypass output profile
!PREFERENCES_EXTEDITOR_DIR;Output directory
!PREFERENCES_EXTEDITOR_DIR_CURRENT;Same as input image
!PREFERENCES_EXTEDITOR_DIR_CUSTOM;Custom
!PREFERENCES_EXTEDITOR_DIR_TEMP;OS temp dir
!PREFERENCES_EXTEDITOR_FLOAT32;32-bit float TIFF output
!PREFERENCES_EXTERNALEDITOR_CHANGE;Change Application
!PREFERENCES_EXTERNALEDITOR_CHANGE_FILE;Change Executable
!PREFERENCES_EXTERNALEDITOR_COLUMN_COMMAND;Command
!PREFERENCES_EXTERNALEDITOR_COLUMN_NAME;Name
!PREFERENCES_EXTERNALEDITOR_COLUMN_NATIVE_COMMAND;Native command
!PREFERENCES_INSPECTORWINDOW;Open inspector in own window or fullscreen
!PREFERENCES_LENSFUNDBDIR;Lensfun database directory
!PREFERENCES_LENSFUNDBDIR_TOOLTIP;Directory containing the Lensfun database.  Leave empty to use the default directories.
!PREFERENCES_LENSPROFILESDIR;Lens profiles directory
!PREFERENCES_LENSPROFILESDIR_TOOLTIP;Directory containing Adobe Lens Correction Profiles (LCPs)
!PREFERENCES_MAX_ZOOM_TITLE;Maximum zoom
!PREFERENCES_METADATA;Metadata
!PREFERENCES_METADATA_SYNC;Metadata synchronization with XMP sidecars
!PREFERENCES_METADATA_SYNC_NONE;Off
!PREFERENCES_METADATA_SYNC_READ;Read only
!PREFERENCES_METADATA_SYNC_READWRITE;Bidirectional
!PREFERENCES_PERFORMANCE_MEASURE;Measure
!PREFERENCES_PERFORMANCE_MEASURE_HINT;Logs processing times in console
!PREFERENCES_RAW_DECODER;Raw Decoder
!PREFERENCES_RAW_DECODER_ENABLE_LIBRAW;Use LibRaw
!PREFERENCES_SHOWTOOLTIP;Show Selective Editing advice tooltips
!PREFERENCES_SPOTLOC;Define Spot method for Selective Editing
!PREFERENCES_TAB_FAVORITES;Favorites
!PREFERENCES_THUMBNAIL_RANK_COLOR_MODE;Load/Save thumbnail rank and color from/to XMP sidecars
!PREFERENCES_TOOLPANEL_AVAILABLETOOLS;Available Tools
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES;Keep favorite tools in original locations
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES_TOOLTIP;If set, favorite tools will appear in both the favorites tab and their original tabs.\n\nNote: Enabling this option may result in a slight delay when switching tabs.
!PREFERENCES_TOOLPANEL_FAVORITE;Favorite
!PREFERENCES_TOOLPANEL_FAVORITESPANEL;Favorites Panel
!PREFERENCES_TOOLPANEL_TOOL;Tool
!PREFERENCES_WBA;White Balance
!PREFERENCES_WBACORR;White Balance - Automatic temperature correlation
!PREFERENCES_WBACORR_TOOLTIP;These settings allow, depending on the images (type of raw file, colorimetry, etc.), an adaptation of the " Temperature correlation " algorithm in order to obtain the best overall results. There is no absolute rule, linking these parameters to the results obtained.\n\nThe settings are of 3 types: \n* those accessible to the user from the GUI.\n* those accessible only in reading from each pp3 file : Itcwb_minsize=20, Itcwb_delta=4 Itcwb_rgreen=1 Itcwb_nopurple=false (See Rawpedia)\n* those accessible to the user in 'options' (see Rawpedia)\n You can use "Awb temperature bias" and "Green refinement" to adjust the results. Each movement of these commands brings a new calculation of temperature, tint and correlation.\n\nPlease note that the 3 indicators 'Correlation factor', 'Patch chroma' and ΔE are given for information only. It is not because one of these indicators is better that the result will necessarily be better.
!PREFERENCES_WBAENA;Show White Balance Auto temperature correlation settings
!PREFERENCES_WBAENACUSTOM;Use Custom temperature & tint
!PREFERENCES_WBAFORC;Forces Extra algoritm
!PREFERENCES_WBAGREENDELTA;Delta temperature in green iterate loop (if Force Extra enabled)
!PREFERENCES_WBANOPURP;No purple color used
!PREFERENCES_WBAPATCH;Number maximum of colors used in picture
!PREFERENCES_WBAPRECIS;Precision algorithm - scale used
!PREFERENCES_WBASIZEREF;Size of reference color compare to size of histogram color
!PREFERENCES_WBASORT;Sort in chroma order instead of histogram
!PREFERENCES_XMP_SIDECAR_MODE;XMP sidecar style
!PREFERENCES_XMP_SIDECAR_MODE_EXT;darktable-like (FILENAME.ext.xmp for FILENAME.ext)
!PREFERENCES_XMP_SIDECAR_MODE_STD;Standard (FILENAME.xmp for FILENAME.ext)
!PREFERENCES_ZOOMONSCROLL;Zoom images by scrolling
!PROGRESSBAR_DECODING;Decoding...
!PROGRESSBAR_GREENEQUIL;Green equilibration...
!PROGRESSBAR_HLREC;Highlight reconstruction...
!PROGRESSBAR_HOTDEADPIXELFILTER;Hot/dead pixel filter...
!PROGRESSBAR_LINEDENOISE;Line noise filter...
!PROGRESSBAR_RAWCACORR;Raw CA correction...
!QUEUE_DESTPREVIEW_TITLE;Select a thumbnail to preview its destination path here
!QUEUE_DESTPREVIEW_TOOLTIP;Destination path for the first selected image appears here
!QUEUE_LOCATION_TEMPLATE_HELP_BUTTON_TOOLTIP;Show or hide a help panel with instructions for creating location templates
!QUEUE_LOCATION_TEMPLATE_HELP_EXAMPLES_BODY;If you want to save the output image alongside the source image, write:\n<b>%p1/%f</b>\n\nIf you want to save the output image in a folder named '<i>converted</i>' located in the source photo's folder, write:\n<b>%p1/converted/%f</b>\n\nIf you want to save the output image in\n'<i>/home/tom/photos/converted/2010-10-31</i>', write:\n<b>%p-3/converted/%P-4/%f</b>
!QUEUE_LOCATION_TEMPLATE_HELP_EXAMPLES_TITLE;Common examples
!QUEUE_LOCATION_TEMPLATE_HELP_INTRO;The output template field allows you to to dynamically customize the destination folder and filename. When you include certain specifiers, which begin with <b>%</b>, they are replaced by the program when each file is being saved.\n\nThe sections below describe each type of specifier.
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_BODY_1;Using this pathname as an example:
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_BODY_2;The meanings of the formatting strings are:
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_EXAMPLE_LINUX;/home/tom/photos/2010-10-31/photo1.raw
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_EXAMPLE_WINDOWS;D:\tom\photos\2010-10-31\photo1.raw
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_INTRO;The <b>%dN</b>, <b>%d-N</b>, <b>%pN</b>, <b>%p-N</b>, <b>%PN</b> and <b>%P-N</b> (N = 1..9) specifiers will be replaced by elements of the image file's directory path.\nThe format specifiers operate as follows:\n  <b>%dN</b> = Nth directory from the end of the path\n  <b>%d-N</b> = Nth directory from the start of the path\n  <b>%pN</b>  = all directories up to the Nth from the end of the path\n  <b>%p-N</b> = the first N directories in the path\n  <b>%PN</b>  = the last N directories in the path\n  <b>%P-N</b> = all directories from the Nth to the end of the path\n  <b>%f</b> = base filename (no extension)
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_INTRO_WINDOWS;For Windows paths, <b>%d-1</b> is the drive letter and colon, and <b>%d-2</b> is the base directory on that drive.
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_TITLE;Directories and partial paths
!QUEUE_LOCATION_TEMPLATE_HELP_RANK_BODY;<b>%r</b> will be replaced by the photo's rank. If the photo is unranked, '<i>0</i>' is used. If the photo is in the trash, '<i>x</i>' is used.
!QUEUE_LOCATION_TEMPLATE_HELP_RANK_TITLE;Rank
!QUEUE_LOCATION_TEMPLATE_HELP_RESULT_MISMATCH;ERROR: 2nd result is different:
!QUEUE_LOCATION_TEMPLATE_HELP_SEQUENCE_BODY;<b>%s1</b>, ..., <b>%s9</b> will be replaced by the photo's initial position in the queue at the time the queue is started. The number specifies the padding, e.g. <b>%s3</b> results in '<i>001</i>'.
!QUEUE_LOCATION_TEMPLATE_HELP_SEQUENCE_TITLE;Position/sequence in queue
!QUEUE_LOCATION_TEMPLATE_HELP_TIMESTAMP_BODY;Three different date/time values may be used in templates:\n  <b>%tE"%Y-%m-%d"</b> = when export started\n  <b>%tF"%Y-%m-%d"</b> = when file was last saved\n  <b>%tP"%Y-%m-%d"</b> = when photo was taken\nThe quoted string defines the format of the resulting date and/or time. The format string <b>%tF"%Y-%m-%d"</b> is just one example. The string can use all conversion specifiers defined for the g_date_time_format function (see https://docs.gtk.org/glib/method.DateTime.format.html).\n\nExample format strings:
!QUEUE_LOCATION_TEMPLATE_HELP_TIMESTAMP_TITLE;Date and time
!QUEUE_LOCATION_TEMPLATE_HELP_TITLE;Creating an output template
!QUEUE_LOCATION_TITLE;Output Location
!SAVEDLG_BIGTIFF;BigTIFF (no metadata support)
!SORT_ASCENDING;Ascending
!SORT_BY_DATE;By Date
!SORT_BY_EXIF;By EXIF
!SORT_BY_LABEL;By Color Label
!SORT_BY_NAME;By Name
!SORT_BY_RANK;By Rank
!SORT_DESCENDING;Descending
!TC_LOCALLAB_PRIM_SHIFTX;Shift x
!TC_LOCALLAB_PRIM_SHIFTX_TOOLTIP;In combination with "Refine colors", allows you to:\n 1) for low values, adjust the image purity.\n 2) for higher values, carry out moderate color toning.\nBe careful not to go outside the CIE xy diagram.
!TC_LOCALLAB_PRIM_SHIFTY;Shift y
!TC_PRIM_BLUX;Bx
!TC_PRIM_BLUY;By
!TC_PRIM_GREX;Gx
!TC_PRIM_GREY;Gy
!TC_PRIM_REDX;Rx
!TC_PRIM_REDY;Ry
!TC_PRIM_REFI;Refine colors (white-point)
!TOOLBAR_TOOLTIP_PERSPECTIVE;<b>Perspective Correction</b>\n\nEdit control lines to correct perspective distortion. Click this button again to apply correction.
!TP_COLORAPP_ADAPSCEN_TOOLTIP;Corresponds to the luminance in candelas per m2 at the time of shooting, calculated automatically from the exif data.
!TP_COLORAPP_CATCLASSIC;Classic
!TP_COLORAPP_CATMET_TOOLTIP;Classic - traditional CIECAM operation. The chromatic adaptation transforms are applied separately on 'Scene conditions' and basic illuminant on the one hand, and on basic illuminant and 'Viewing conditions' on the other.\n\nSymmetric – The chromatic adaptation is based on the white balance. The 'Scene conditions', 'Image adjustments' and 'Viewing conditions' settings are neutralized.\n\nMixed – Same as the 'Classic' option but in this case, the chromatic adaptation is based on the white balance.
!TP_COLORAPP_CATMOD;Mode
!TP_COLORAPP_CATSYMGEN;Automatic Symmetric
!TP_COLORAPP_CATSYMSPE;Mixed
!TP_COLORAPP_CIECAT_DEGREEOUT;Chromatic Adaptation Viewing
!TP_COLORAPP_DEGREE_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D65) into new values whose white point is that of the new illuminant - see WP model (for example D50 or D55).
!TP_COLORAPP_DEGREOUT_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D50) into new values whose white point is that of the new illuminant - see WP model (for example D75).
!TP_COLORAPP_GEN;Settings
!TP_COLORAPP_GEN_TOOLTIP;This module is based on the CIECAM color appearance models, which were designed to better simulate how human vision perceives colors under different lighting conditions, e.g. against different backgrounds. It takes into account the environment of each color and modifies its appearance to get as close as possible to human perception. It also adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic appearance is preserved across the scene and display environments.
!TP_COLORAPP_IL41;D41
!TP_COLORAPP_IL50;D50
!TP_COLORAPP_IL55;D55
!TP_COLORAPP_IL60;D60
!TP_COLORAPP_IL65;D65
!TP_COLORAPP_IL75;D75
!TP_COLORAPP_ILA;Incandescent StdA 2856K
!TP_COLORAPP_ILFREE;Free
!TP_COLORAPP_ILLUM;Illuminant
!TP_COLORAPP_ILLUM_TOOLTIP;Select the illuminant closest to the shooting conditions.\nIn general D50, but it can change depending on the time and latitude.
!TP_COLORAPP_MOD02;CAM02
!TP_COLORAPP_MOD16;CAM16
!TP_COLORAPP_MODELCAT;CAM
!TP_COLORAPP_MODELCAT_TOOLTIP;Allows you to choose between CAM02 or CAM16.\nCAM02 will sometimes be more accurate.\nCAM16 should generate fewer artifacts.
!TP_COLORAPP_SOURCEF_TOOLTIP;Corresponds to the shooting conditions and how to bring the conditions and data back to a 'normal' area. Normal means average or standard conditions and data, i.e. without taking into account CIECAM corrections.
!TP_COLORAPP_SURROUNDSRC;Surround
!TP_COLORAPP_SURSOURCE_TOOLTIP;Changes tones and colors to take into account the surround conditions of the scene lighting. The darker the surround conditions, the brighter the image will become. Image brightness will not be changed when the surround is set to average.
!TP_COLORAPP_TEMP2_TOOLTIP;Either symmetrical mode temp = White balance.\nEither select illuminant always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
!TP_COLORAPP_TEMPOUT_TOOLTIP;Temperature and Tint.\nDepending on the choices made previously, the selected temperature is:\nWhite balance\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504\nFree.
!TP_COLORAPP_VIEWINGF_TOOLTIP;Takes into account the support on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as its environment. This process will take the data coming from process 'Image Adjustments' and 'bring' it to the support in such a way that the viewing conditions and its environment are taken into account.
!TP_COLORAPP_YBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
!TP_COLORAPP_YBSCEN_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
!TP_CROP_GTCENTEREDSQUARE;Centered square
!TP_CROP_PPI;PPI
!TP_DEHAZE_SATURATION;Saturation
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN;Compensate for lightness
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN_TOOLTIP;Alter the noise reduction strength based on the image lightness. Strength is reduced for dark images and increased for bright images.
!TP_FILMNEGATIVE_BLUE;Blue ratio
!TP_FILMNEGATIVE_BLUEBALANCE;Cool/Warm
!TP_FILMNEGATIVE_COLORSPACE;Inversion color space:
!TP_FILMNEGATIVE_COLORSPACE_INPUT;Input color space
!TP_FILMNEGATIVE_COLORSPACE_TOOLTIP;Select the color space used to perform the negative inversion:\n<b>Input color space</b> : perform inversion before the input profile is applied, as in the previous versions of RT.\n<b>Working color space</b> : perform inversion after input profile, using the currently selected working profile.
!TP_FILMNEGATIVE_COLORSPACE_WORKING;Working color space
!TP_FILMNEGATIVE_GREEN;Reference exponent
!TP_FILMNEGATIVE_GREENBALANCE;Magenta/Green
!TP_FILMNEGATIVE_GUESS_TOOLTIP;Automatically set the red and blue ratios by picking two patches which had a neutral hue (no color) in the original scene. The patches should differ in brightness.
!TP_FILMNEGATIVE_LABEL;Film Negative
!TP_FILMNEGATIVE_OUT_LEVEL;Output level
!TP_FILMNEGATIVE_PICK;Pick neutral spots
!TP_FILMNEGATIVE_PICK_SIZE;Size:
!TP_FILMNEGATIVE_RED;Red ratio
!TP_FILMNEGATIVE_REF_LABEL;Input RGB: %1
!TP_FILMNEGATIVE_REF_PICK;Pick white balance spot
!TP_FILMNEGATIVE_REF_SIZE;Size:
!TP_FILMNEGATIVE_REF_TOOLTIP;Pick a gray patch for white-balancing the output, positive image.
!TP_FLATFIELD_FROMMETADATA;From Metadata
!TP_HLREC_COLOROPP;Inpaint Opposed
!TP_HLREC_HLBLUR;Blur
!TP_HLREC_HLTH;Gain threshold
!TP_ICM_BW;Black and White
!TP_ICM_FBW;Black-and-White
!TP_ICM_GAMUT;Gamut control
!TP_ICM_ILLUMPRIM_TOOLTIP;Choose the illuminant closest to the shooting conditions.\nChanges can only be made when the 'Destination primaries' selection is set to 'Custom (sliders)'.
!TP_ICM_LABGRID_CIEXY;R(x)=%1 R(y)=%2\nG(x)=%3 G(y)=%4\nB(x)=%5 B(y)=%6
!TP_ICM_NEUTRAL;Reset
!TP_ICM_OUTPUTPROFILE_TOOLTIP;By default all RTv4 or RTv2 profiles are with TRC - sRGB: g=2.4 s=12.92\n\nWith 'ICC Profile Creator' you can generate v4 or v2 profiles with the following choices;\n-Primaries: Aces AP0, Aces AP1, AdobeRGB, Prophoto, Rec2020, sRGB, Widegamut, BestRGB, BetaRGB, BruceRGB, Custom\n-TRC: BT709, sRGB, linear, standard g=2.2, standard g=1.8, Custom\n-Illuminant: D41, D50, D55, D60, D65, D80, stdA 2856K
!TP_ICM_PRIMBLU_TOOLTIP;Primaries Blue:\nsRGB x=0.15 y=0.06\nAdobe x=0.15 y=0.06\nWidegamut x=0.157 y=0.018\nRec2020 x=0.131 y=0.046\nACES P1 x=0.128 y= 0.044\nACES P0 x=0.0001 y=-0.077\nProphoto x=0.0366 y=0.0001\nBruceRGB x=0.15 y=0.06\nBeta RGB x=0.1265 y=0.0352\nBestRGB x=0.131 y=0.046
!TP_ICM_PRIMGRE_TOOLTIP;Primaries Green:\nsRGB x=0.3 y=0.6\nAdobe x=0.21 y=0.71\nWidegamut x=0.115 y=0.826\nRec2020 x=0.17 y=0.797\nACES P1 x=0.165 y= 0.83\nACES P0 x=0.0 y=1.0\nProphoto x=0.1596 y=0.8404\nBruceRGB x=0.28 y=0.65\nBeta RGB x=0.1986 y=0.7551\nBest RGB x=0.2150 0.7750
!TP_ICM_PRIMILLUM_TOOLTIP;You can change an image from its original mode ('working profile') to a different mode ('destination primaries'). When you choose a different color mode for an image, you permanently change the color values in the image.\n\nChanging the 'primaries' is quite complex and difficult to use. It requires a lot of experimenting.\n It is capable of making exotic color adjustments as Channel Mixer primaries.\n Allows you to modify the camera calibration with Custom (sliders).
!TP_ICM_PRIMRED_TOOLTIP;Primaries Red:\nsRGB x=0.64 y=0.33\nAdobe x=0.64 y=0.33\nWidegamut x=0.735 y=0.265\nRec2020 x=0.708 y=0.292\nACES P1 x=0.713 y= 0.293\nACES P0 x=0.7347 y=0.2653\nProphoto x=0.7347 y=0.2653\nBruceRGB x=0.64 y=0.33\nBeta RGB x=0.688 y=0.3112\nBestRGB x=0.7347 y=0.2653
!TP_ICM_REDFRAME;Custom Primaries
!TP_ICM_TRCFRAME;Abstract Profile
!TP_ICM_TRCFRAME_TOOLTIP;Also known as 'synthetic' or 'virtual' profiles, which are applied at the end of the processing pipeline (prior to CIECAM) allowing you to create custom image effects.\nYou can make changes to the:\n 'Tone response curve', which modifies the tones of the image.\n 'Illuminant', which allows you to change the profile primaries to adapt them to the shooting conditions.\n 'Destination primaries', which allows you to change the destination primaries with three main uses - channel mixer, restore image color (saturation), and calibration.\nNote: Abstract profiles take into account the built-in working profiles without modifying them. They do not work with custom working profiles.
!TP_ICM_TRC_TOOLTIP;Allows you to change the default sRGB 'Tone response curve' in RT (g=2.4 s=12.92).\nThis TRC modifies the tones of the image. The RGB and Lab values, histogram and output (screen, TIF, JPG) are changed:\n-Gamma acts mainly on light tones -Slope acts mainly on dark tones.\nYou can choose any pair of 'gamma and slope' (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nA selection other than 'none' activates the 'Illuminant' and 'Destination primaries' menus.
!TP_ICM_WORKING_CAT;Matrix adaptation
!TP_ICM_WORKING_CAT_BRAD;Bradford
!TP_ICM_WORKING_CAT_CAT02;Cat02
!TP_ICM_WORKING_CAT_CAT16;Cat16
!TP_ICM_WORKING_CAT_TOOLTIP;Performs the chromatic adaptation of the XYZ conversion matrix. Default: Bradford
!TP_ICM_WORKING_CAT_VK;Von Kries
!TP_ICM_WORKING_CAT_XYZ;XYZ scale
!TP_ICM_WORKING_CIEDIAG;CIE xy diagram
!TP_ICM_WORKING_ILLU;Illuminant
!TP_ICM_WORKING_ILLU_1500;Tungsten 1500K
!TP_ICM_WORKING_ILLU_2000;Tungsten 2000K
!TP_ICM_WORKING_ILLU_D41;D41
!TP_ICM_WORKING_ILLU_D50;D50
!TP_ICM_WORKING_ILLU_D55;D55
!TP_ICM_WORKING_ILLU_D60;D60
!TP_ICM_WORKING_ILLU_D65;D65
!TP_ICM_WORKING_ILLU_D80;D80
!TP_ICM_WORKING_ILLU_D120;D120
!TP_ICM_WORKING_ILLU_E;E
!TP_ICM_WORKING_ILLU_NONE;Default
!TP_ICM_WORKING_ILLU_STDA;stdA 2875K
!TP_ICM_WORKING_NON;None
!TP_ICM_WORKING_PRESER;Preserves Pastel tones
!TP_ICM_WORKING_PRIM;Destination primaries
!TP_ICM_WORKING_PRIMFRAME_TOOLTIP;When 'Custom CIE xy diagram' is selected in 'Destination primaries' combo box, you can modify the values of the 3 primaries directly on the graph.\nNote that in this case, the white point position on the graph will not be updated.
!TP_ICM_WORKING_PRIM_AC0;ACESp0
!TP_ICM_WORKING_PRIM_ACE;ACESp1
!TP_ICM_WORKING_PRIM_ADOB;Adobe RGB
!TP_ICM_WORKING_PRIM_BET;Beta RGB
!TP_ICM_WORKING_PRIM_BRU;BruceRGB
!TP_ICM_WORKING_PRIM_BST;BestRGB
!TP_ICM_WORKING_PRIM_CUS;Custom (sliders)
!TP_ICM_WORKING_PRIM_CUSGR;Custom (CIE xy Diagram)
!TP_ICM_WORKING_PRIM_FREE;Custom LA (sliders)
!TP_ICM_WORKING_PRIM_JDCMAX;JDC Max
!TP_ICM_WORKING_PRIM_JDCMAXSTDA;JDC Max stdA
!TP_ICM_WORKING_PRIM_NONE;Default
!TP_ICM_WORKING_PRIM_PROP;ProPhoto
!TP_ICM_WORKING_PRIM_REC;Rec2020
!TP_ICM_WORKING_PRIM_SRGB;sRGB
!TP_ICM_WORKING_PRIM_TOOLTIP;Performs a gamut control. Destination primaries (Advanced) allows you to change the destination primaries to restore or change image color (saturation). The color balance is significantly preserved when the 'Working Profile' and the 'Destination primaries' are similar. 'Working Profile' is not modified.\nWhen 'Custom LA (sliders)' is selected, you can modify the values of the 3 primaries (Red, Green, and Blue) for x and y.
!TP_ICM_WORKING_PRIM_WID;WideGamut
!TP_ICM_WORKING_TRC_18;Prophoto g=1.8
!TP_ICM_WORKING_TRC_22;Adobe g=2.2
!TP_ICM_WORKING_TRC_BT709;BT709 g=2.22 s=4.5
!TP_ICM_WORKING_TRC_LIN;Linear g=1
!TP_ICM_WORKING_TRC_SRGB;sRGB g=2.4 s=12.92
!TP_LENSGEOM_LIN;Linear
!TP_LENSGEOM_LOG;Logarithmic
!TP_LENSPROFILE_CORRECTION_METADATA;From file metadata
!TP_LENSPROFILE_MODE_HEADER;Lens Profile
!TP_LENSPROFILE_USE_GEOMETRIC;Geometric distortion
!TP_LENSPROFILE_USE_HEADER;Correct
!TP_LOCALLAB_ACTIV;Luminance only
!TP_LOCALLAB_ACTIVSPOT;Enable Spot
!TP_LOCALLAB_ADJ;Equalizer Color
!TP_LOCALLAB_AMOUNT;Amount
!TP_LOCALLAB_ARTIF;Shape detection
!TP_LOCALLAB_ARTIF_TOOLTIP;ΔE scope threshold increases the range of ΔE scope. High values are for very wide gamut images.\nIncreasing ΔE decay can improve shape detection, but can also reduce the scope.
!TP_LOCALLAB_AUTOGRAY;Auto mean luminance (Yb%)
!TP_LOCALLAB_AUTOGRAYCIE;Automatic
!TP_LOCALLAB_AVOID;Avoid color shift
!TP_LOCALLAB_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction (Uniform Perceptual Lab). Default: Munsell only.\n\nMunsell only: Fixes Lab mode hue drifts due to non-linearity when chromaticity is changed (Uniform Perceptual Lab).\nLab: Applies a gamut control in relative colorimetric. Munsell is then applied.\nXYZ Absolute: Applies gamut control in absolute colorimetric. Munsell is then applied.\nXYZ Relative: Applies gamut control in relative colorimetric. Munsell is then applied. The result is not the same as Lab.
!TP_LOCALLAB_AVOIDMUN;Munsell correction only
!TP_LOCALLAB_AVOIDMUN_TOOLTIP;Munsell correction always disabled when Jz or CAM16 is used.
!TP_LOCALLAB_AVOIDRAD;Soft radius
!TP_LOCALLAB_BALAN;ab-L balance (ΔE)
!TP_LOCALLAB_BALANEXP;Laplacian balance
!TP_LOCALLAB_BALANH;C-H balance (ΔE)
!TP_LOCALLAB_BALAN_TOOLTIP;Changes the ΔE algorithm parameters.\nTakes into account more or less a*b* or L*, or more or less C or H.\nNot for Denoise.
!TP_LOCALLAB_BASELOG;Shadows range (logarithm base)
!TP_LOCALLAB_BILATERAL;Bilateral filter
!TP_LOCALLAB_BLACK_EV;Black Ev
!TP_LOCALLAB_BLCO;Chrominance only
!TP_LOCALLAB_BLENDMASKCOL;Blend
!TP_LOCALLAB_BLENDMASKMASK;Add/subtract luma mask
!TP_LOCALLAB_BLENDMASKMASKAB;Add/subtract chroma mask
!TP_LOCALLAB_BLENDMASKMASK_TOOLTIP;If this slider = 0 no action.\nAdd or subtract the mask from the original image.
!TP_LOCALLAB_BLENDMASK_TOOLTIP;If blend = 0 only shape detection is improved.\nIf blend > 0 the mask is added to the image. If blend < 0 the mask is subtracted from the image.
!TP_LOCALLAB_BLGUID;Guided Filter
!TP_LOCALLAB_BLINV;Inverse
!TP_LOCALLAB_BLLC;Luminance & Chrominance
!TP_LOCALLAB_BLLO;Luminance only
!TP_LOCALLAB_BLMED;Median
!TP_LOCALLAB_BLMETHOD_TOOLTIP;Normal: direct blur and noise with all settings.\nInverse: blur and noise with all settings. Warning, some settings may give curious results.
!TP_LOCALLAB_BLNOI_EXP;Blur & Noise
!TP_LOCALLAB_BLNORM;Normal
!TP_LOCALLAB_BLUFR;Blur/Grain & Denoise
!TP_LOCALLAB_BLUMETHOD_TOOLTIP;To blur the background and isolate the foreground:\n-blur the background by completely covering the image with a spot (high values for scope and transition and 'Normal' or 'Inverse' in checkbox).\n-Isolate the foreground by using one or more 'Excluding' spots and increase the scope.\n\nThis module (including the 'median' and 'Guided filter') can be used in addition to the main-menu noise reduction.
!TP_LOCALLAB_BLUR;Gaussian Blur - Noise - Grain
!TP_LOCALLAB_BLURCOL;Radius
!TP_LOCALLAB_BLURCOLDE_TOOLTIP;The image used to calculate dE is blurred slightly to avoid taking isolated pixels into account.
!TP_LOCALLAB_BLURDE;Blur shape detection
!TP_LOCALLAB_BLURLC;Luminance only
!TP_LOCALLAB_BLURLEVELFRA;Blur levels
!TP_LOCALLAB_BLURMASK_TOOLTIP;Uses a large-radius blur to create a mask that allows you to vary the contrast of the image and/or darken/lighten parts of it.
!TP_LOCALLAB_BLURRMASK_TOOLTIP;Allows you to vary the 'radius' of the Gaussian blur (0 to 1000).
!TP_LOCALLAB_BLUR_TOOLNAME;Blur/Grain & Denoise
!TP_LOCALLAB_BLWH;All changes forced in Black-and-White
!TP_LOCALLAB_BLWH_TOOLTIP;Force color components 'a' and 'b' to zero.\nUseful for black and white processing, or film simulation.
!TP_LOCALLAB_BUTTON_ADD;Add
!TP_LOCALLAB_BUTTON_DEL;Delete
!TP_LOCALLAB_BUTTON_DUPL;Duplicate
!TP_LOCALLAB_BUTTON_REN;Rename
!TP_LOCALLAB_BUTTON_VIS;Show/Hide
!TP_LOCALLAB_BWEVNONE;None
!TP_LOCALLAB_BWEVSIG;Activated
!TP_LOCALLAB_BWEVSIGLOG;Sigmoid & Log-Encoding
!TP_LOCALLAB_BWFORCE;Uses Black Ev & White Ev
!TP_LOCALLAB_CAM16PQREMAP;HDR PQ (Peak Luminance)
!TP_LOCALLAB_CAM16PQREMAP_TOOLTIP;PQ (Perceptual Quantizer) adapted to CAM16 (experimental). Allows you to change the internal PQ function (usually 10000 cd/m2 - default 100 cd/m2 - disabled for 100 cd/m2).\nCan be used to adapt to different devices and images, for example, to match CAM16 processing with the maximum monitor brightness of 400cd/m2.
!TP_LOCALLAB_CAM16_FRA;Cam16 Image Adjustments
!TP_LOCALLAB_CAMMODE;CAM model
!TP_LOCALLAB_CAMMODE_CAM16;CAM 16
!TP_LOCALLAB_CAMMODE_JZ;Jz Cz Hz
!TP_LOCALLAB_CATAD;Chromatic adaptation/Cat16
!TP_LOCALLAB_CBDL;Contrast by Detail Levels
!TP_LOCALLAB_CBDLCLARI_TOOLTIP;Enhances local contrast of the midtones.
!TP_LOCALLAB_CBDL_ADJ_TOOLTIP;Same as wavelets.\nThe first level (0) acts on 2x2 pixel details.\nThe last level (5) acts on 64x64 pixel details.
!TP_LOCALLAB_CBDL_THRES_TOOLTIP;Prevents the sharpening of noise.
!TP_LOCALLAB_CBDL_TOOLNAME;Contrast by Detail Levels
!TP_LOCALLAB_CENTER_X;Center X
!TP_LOCALLAB_CENTER_Y;Center Y
!TP_LOCALLAB_CH;CL - LC
!TP_LOCALLAB_CHRO46LABEL;Chroma levels 456: Mean=%1 High=%2
!TP_LOCALLAB_CHROLABEL;Chroma levels 0123: Mean=%1 High=%2
!TP_LOCALLAB_CHROMA;Chrominance
!TP_LOCALLAB_CHROMABLU;Chroma levels
!TP_LOCALLAB_CHROMABLU_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
!TP_LOCALLAB_CHROMACBDL;Chroma
!TP_LOCALLAB_CHROMACB_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
!TP_LOCALLAB_CHROMALEV;Chroma levels
!TP_LOCALLAB_CHROMASKCOL;Chroma
!TP_LOCALLAB_CHROMASK_TOOLTIP;Changes the chroma of the mask if one exists (i.e. C(C) or LC(H) is activated).
!TP_LOCALLAB_CHROML;Chroma (C)
!TP_LOCALLAB_CHRRT;Chroma
!TP_LOCALLAB_CIE;Color appearance (Cam16 & JzCzHz)
!TP_LOCALLAB_CIEC;Use Ciecam environment parameters
!TP_LOCALLAB_CIECAMLOG_TOOLTIP;This module is based on the CIECAM color appearance model which was designed to better simulate how human vision perceives colors under different lighting conditions.\nThe first Ciecam process 'Scene conditions' is carried out by Log encoding, it also uses 'Absolute luminance' at the time of shooting.\nThe second Ciecam process 'Image adjustments' is simplified and uses only 3 variables (local contrast, contrast J, saturation s).\nThe third Ciecam process 'Viewing conditions' adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic and contrast appearance is preserved across the display environment.
!TP_LOCALLAB_CIECOLORFRA;Color
!TP_LOCALLAB_CIECONTFRA;Contrast
!TP_LOCALLAB_CIELIGHTCONTFRA;Lighting & Contrast
!TP_LOCALLAB_CIELIGHTFRA;Lighting
!TP_LOCALLAB_CIEMODE;Change tool position
!TP_LOCALLAB_CIEMODE_COM;Default
!TP_LOCALLAB_CIEMODE_DR;Dynamic Range
!TP_LOCALLAB_CIEMODE_TM;Tone-Mapping
!TP_LOCALLAB_CIEMODE_TOOLTIP;In Default mode, Ciecam is added at the end of the process. 'Mask and modifications' and 'Recovery based on luminance mask' are available for'Cam16 and JzCzHz' at your disposal .\nYou can also integrate Ciecam into other tools if you wish (TM, Wavelet, Dynamic Range, Log Encoding). The results for these tools will be different to those without Ciecam. In this mode, you can also use 'Mask and modifications' and 'Recovery based on luminance mask'.
!TP_LOCALLAB_CIEMODE_WAV;Wavelet
!TP_LOCALLAB_CIETOOLEXP;Curves
!TP_LOCALLAB_CIE_SMOOTHFRAME;Highlight Attenuation & Levels
!TP_LOCALLAB_CIE_SMOOTH_EV;Ev based
!TP_LOCALLAB_CIE_SMOOTH_GAMMA;Slope based
!TP_LOCALLAB_CIE_SMOOTH_GAMMA ROLLOFF;Gamma based
!TP_LOCALLAB_CIE_SMOOTH_LEVELS;Levels
!TP_LOCALLAB_CIE_SMOOTH_NONE;None
!TP_LOCALLAB_CIE_TOOLNAME;Color appearance (Cam16 & JzCzHz)
!TP_LOCALLAB_CIRCRADIUS;Spot size
!TP_LOCALLAB_CIRCRAD_TOOLTIP;Contains the references of the spot, useful for shape detection (hue, luma, chroma, Sobel).\nLow values may be useful for processing foliage.\nHigh values may be useful for processing skin.
!TP_LOCALLAB_CLARICRES;Merge chroma
!TP_LOCALLAB_CLARIFRA;Clarity & Sharp mask/Blend & Soften Images
!TP_LOCALLAB_CLARIJZ_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.
!TP_LOCALLAB_CLARILRES;Merge luma
!TP_LOCALLAB_CLARISOFT;Soft radius
!TP_LOCALLAB_CLARISOFTJZ_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and Local contrast wavelets Jz.
!TP_LOCALLAB_CLARISOFT_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and all wavelet pyramid processes. To deactivate, set slider to zero.
!TP_LOCALLAB_CLARITYML;Clarity
!TP_LOCALLAB_CLARI_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.\nUseful if you use 'Wavelet level tone mapping'.
!TP_LOCALLAB_CLIPTM;Clip restored data (gain)
!TP_LOCALLAB_COFR;Color & Light
!TP_LOCALLAB_COLORDE;ΔE preview color - intensity
!TP_LOCALLAB_COLORDEPREV_TOOLTIP;Preview ΔE button in Settings will only work if you have activated 'Sharpening', 'Soft Light and Original Retinex', 'Blur/Grain and Denoise', 'Dehaze and Retinex', or 'Contrast by Detail Levels' in the 'Add tool to current spot' menu.\nFor others tools, the Preview ΔE button is in the tool, which allows previewing ΔE with several tools enabled. Prefer using Mask and modifications.
!TP_LOCALLAB_COLORDE_TOOLTIP;Show a blue color preview for ΔE selection if negative and green if positive.\n\nMask and modifications (show modified areas without mask): show actual modifications if positive, show enhanced modifications (luminance only) with blue and yellow if negative.
!TP_LOCALLAB_COLORFRAME;Dominant color
!TP_LOCALLAB_COLORSCOPE;Scope (color tools)
!TP_LOCALLAB_COLORSCOPE_TOOLTIP;Common Scope slider for Color and Light, Shadows/Highlights, Vibrance.\nOther tools have their own scope controls.
!TP_LOCALLAB_COLOR_CIE;Color curve
!TP_LOCALLAB_COLOR_TOOLNAME;Color & Light
!TP_LOCALLAB_COL_NAME;Name
!TP_LOCALLAB_COL_VIS;Status
!TP_LOCALLAB_COMPFRA;Directional contrast
!TP_LOCALLAB_COMPRCIE;Brightness compression
!TP_LOCALLAB_COMPRCIETH;Compression threshold
!TP_LOCALLAB_COMPREFRA;Wavelet level tone mapping
!TP_LOCALLAB_COMPRLOG_TOOLTIP;This algorithm compress the data before log conversion, above the threshold slider value. To use in conjunction with Whites distribution.
!TP_LOCALLAB_CONTCOL;Contrast threshold
!TP_LOCALLAB_CONTFRA;Contrast by level
!TP_LOCALLAB_CONTRAST;Contrast
!TP_LOCALLAB_CONTRASTCURVMASK_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts).May create artifacts.
!TP_LOCALLAB_CONTRESID;Contrast
!TP_LOCALLAB_CONTTHMASK_TOOLTIP;Allows you to determine which parts of the image will be impacted based on the texture.
!TP_LOCALLAB_CONTTHR;Contrast Threshold
!TP_LOCALLAB_CONTWFRA;Local contrast
!TP_LOCALLAB_CSTHRESHOLD;Wavelet levels
!TP_LOCALLAB_CSTHRESHOLDBLUR;Wavelet level selection
!TP_LOCALLAB_CURV;Lightness - Contrast - Chrominance 'Super'
!TP_LOCALLAB_CURVCURR;Normal
!TP_LOCALLAB_CURVEEDITORM_CC_TOOLTIP;If the curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
!TP_LOCALLAB_CURVEEDITOR_CC_TOOLTIP;If curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
!TP_LOCALLAB_CURVEEDITOR_LL_TOOLTIP;To activate the curves, set the 'Curve type' combo box to 'Normal'.
!TP_LOCALLAB_CURVEEDITOR_TONES_LABEL;Tone curve
!TP_LOCALLAB_CURVEEDITOR_TONES_TOOLTIP;L=f(L), can be used with L(H) in Color and Light.
!TP_LOCALLAB_CURVEMETHOD_TOOLTIP;'Normal', the curve L=f(L) uses the same algorithm as the lightness slider.
!TP_LOCALLAB_CURVES_CIE;Tone curve
!TP_LOCALLAB_CURVNONE;Disable curves
!TP_LOCALLAB_DARKRETI;Darkness
!TP_LOCALLAB_DEHAFRA;Dehaze
!TP_LOCALLAB_DEHAZ;Strength
!TP_LOCALLAB_DEHAZE_BLACK;Black
!TP_LOCALLAB_DEHAZFRAME_TOOLTIP;Removes atmospheric haze. Increases overall saturation and detail.\nCan remove color casts, but may also introduce a blue cast which can be corrected with other tools.
!TP_LOCALLAB_DEHAZ_TOOLTIP;Negative values add haze.
!TP_LOCALLAB_DELTAD;Delta balance
!TP_LOCALLAB_DELTAEC;ΔE Image mask
!TP_LOCALLAB_DENOI1_EXP;Denoise based on luminance mask
!TP_LOCALLAB_DENOI2_EXP;Recovery based on luminance mask
!TP_LOCALLAB_DENOIBILAT_TOOLTIP;Allows you to reduce impulse or 'salt &amp; pepper' noise.
!TP_LOCALLAB_DENOICHROC_TOOLTIP;Allows you to deal with blotches and packets of noise.
!TP_LOCALLAB_DENOICHRODET_TOOLTIP;Allows you to recover chrominance detail by progressively applying a Fourier transform (DCT).
!TP_LOCALLAB_DENOICHROF_TOOLTIP;Allows you to adjust fine-detail chrominance noise.
!TP_LOCALLAB_DENOIEQUALCHRO_TOOLTIP;Allows you to direct the chroma noise reduction towards either the blue-yellow or red-green colors.
!TP_LOCALLAB_DENOIEQUAL_TOOLTIP;Allows you to carry out more or less noise reduction in either the shadows or the highlights.
!TP_LOCALLAB_DENOILUMDETAIL_TOOLTIP;Allows you to recover luminance detail by progressively applying a Fourier transform (DCT).
!TP_LOCALLAB_DENOIMASK;Denoise chroma mask
!TP_LOCALLAB_DENOIMASK_TOOLTIP;For all tools, allows you to control the chromatic noise level of the mask.\nUseful for better control of chrominance and to avoid artifacts when using the LC(h) curve.
!TP_LOCALLAB_DENOIQUA_TOOLTIP;Conservative mode preserves low frequency detail. Aggressive mode removes low frequency detail.\nConservative and Aggressive modes use wavelets and DCT and can be used in conjunction with 'Non-local Means – Luminance'.
!TP_LOCALLAB_DENOITHR_TOOLTIP;Adjusts edge detection to help reduce noise in uniform, low-contrast areas.
!TP_LOCALLAB_DENOIWAVCH;Wavelets: Chrominance
!TP_LOCALLAB_DENOIWAVLUM;Wavelets: Luminance
!TP_LOCALLAB_DENOI_EXP;Denoise
!TP_LOCALLAB_DENOI_TOOLTIP;This module can be used for noise reduction either on its own (at the end of the processing pipeline) or in addition to the Noise Reduction module in the Detail tab (which works at the beginning of the pipeline).\n Scope allows you to differentiate the action based on color (ΔE).\nMinimum spot size: 128x128.
!TP_LOCALLAB_DEPTH;Depth
!TP_LOCALLAB_DETAIL;Local contrast
!TP_LOCALLAB_DETAILFRA;Edge detection - DCT
!TP_LOCALLAB_DETAILSH;Details
!TP_LOCALLAB_DETAILTHR;Lum/chrom detail threshold
!TP_LOCALLAB_DISAB_CIECAM;Disable Ciecam or Weak Jz surround
!TP_LOCALLAB_DIVGR;Gamma
!TP_LOCALLAB_DUPLSPOTNAME;Copy
!TP_LOCALLAB_EDGFRA;Edge sharpness
!TP_LOCALLAB_EDGSHOW;Show all tools
!TP_LOCALLAB_ELI;Ellipse
!TP_LOCALLAB_ENABLE_AFTER_MASK;Use Tone Mapping
!TP_LOCALLAB_ENABLE_MASK;Enable mask
!TP_LOCALLAB_ENABLE_MASKAFT;Use all algorithms Exposure
!TP_LOCALLAB_ENABLE_MASKALL;Enable all mask tools
!TP_LOCALLAB_ENARETIMASKTMAP_TOOLTIP;If enabled the Mask uses Restored Data after Transmission Map instead of Original data.
!TP_LOCALLAB_ENH;Enhanced
!TP_LOCALLAB_ENHDEN;Enhanced + chroma denoise
!TP_LOCALLAB_EPSBL;Detail
!TP_LOCALLAB_EQUIL;Normalize luminance
!TP_LOCALLAB_EQUILTM_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image are identical to those of the original.
!TP_LOCALLAB_ESTOP;Edge stopping
!TP_LOCALLAB_EV_DUPL;Copy of
!TP_LOCALLAB_EV_NVIS;Hide
!TP_LOCALLAB_EV_NVIS_ALL;Hide all
!TP_LOCALLAB_EV_VIS;Show
!TP_LOCALLAB_EV_VIS_ALL;Show all
!TP_LOCALLAB_EXCLUF;Excluding
!TP_LOCALLAB_EXCLUF_TOOLTIP;'Excluding' mode prevents adjacent spots from influencing certain parts of the image. Adjusting 'Scope' will extend the range of colors.\n You can also add tools to an Excluding spot and use them in the same way as for a normal spot.
!TP_LOCALLAB_EXCLUTYPE;Spot method
!TP_LOCALLAB_EXCLUTYPE_TOOLTIP;Normal spot uses recursive data.\n\nExcluding spot reinitializes all selective editing data.\nCan be used to totally or partially cancel a previous action or to carry out operations in Inverse mode.\nUse 'Scope' (Excluding) to set the exclusion intensity.\n\n'Full image' allows you to use the selective editing tools on the whole image.\nThe RT Spot delimiters are set beyond the image preview boundaries.\nThe transition is set to 100.\nNote: You may have to reposition the RT Spot slightly and adjust the Spot size to get the desired effect.\nNote: Using Denoise or Wavelet or FFTW in full-image mode uses large amounts of memory and may cause the application to crash on lower capacity systems.\n\n'Global' allows you to use the selective editing tools on the whole image, without using Delta E or transitions.
!TP_LOCALLAB_EXECLU;Excluding spot
!TP_LOCALLAB_EXFULL;Full image
!TP_LOCALLAB_EXMAIN;Global
!TP_LOCALLAB_EXNORM;Normal spot
!TP_LOCALLAB_EXPCBDL_TOOLTIP;Can be used to remove marks on the sensor or lens by reducing the contrast on the appropriate detail level(s).
!TP_LOCALLAB_EXPCHROMA;Chroma compensation
!TP_LOCALLAB_EXPCHROMA_TOOLTIP;Use in association with 'Exposure compensation f' and 'Contrast Attenuator f' to avoid desaturating colors.
!TP_LOCALLAB_EXPCOLOR_TOOLTIP;Adjust color, lightness, contrast and correct small defects such as red-eye, sensor dust etc.
!TP_LOCALLAB_EXPCOMP;Exposure compensation ƒ
!TP_LOCALLAB_EXPCOMPINV;Exposure compensation
!TP_LOCALLAB_EXPCOMP_TOOLTIP;For portraits or images with a low color gradient. You can change 'Shape detection' in 'Settings':\n\nIncrease 'ΔE scope threshold'\nReduce 'ΔE decay'\nIncrease 'ab-L balance (ΔE)'
!TP_LOCALLAB_EXPCONTRASTPYR_TOOLTIP;See the documentation for Wavelet Levels.\nThere are some differences in the Selective Editing version, which has more tools and more possibilities for working on individual detail levels.\nE.g. wavelet-level tone mapping.
!TP_LOCALLAB_EXPCONTRAST_TOOLTIP;Avoid spots that are too small ( < 32x32 pixels).\nUse low 'Transition value' and high 'Transition decay' and 'Scope' to simulate small spots and deal with defects.\nUse 'Clarity and Sharp mask and Blend and Soften Images' if necessary by adjusting 'Soft radius' to reduce artifacts.
!TP_LOCALLAB_EXPCURV;Curves
!TP_LOCALLAB_EXPGRAD;Graduated Filter
!TP_LOCALLAB_EXPGRADCOL_TOOLTIP;A graduated filter is available in Color and Light (luminance, chrominance &amp; hue gradients, and 'Merge file'), Exposure (luminance grad.), Exposure Mask (luminance grad.), Shadows/Highlights (luminance grad.), Vibrance (luminance, chrominance &amp; hue gradients), Local contrast &amp; wavelet pyramid (local contrast grad.).\nFeather is located in Settings.
!TP_LOCALLAB_EXPLAPBAL_TOOLTIP;Changes the transformed/original image blend.
!TP_LOCALLAB_EXPLAPGAMM_TOOLTIP;Changes the behaviour for images with too much or too little contrast by adding a gamma curve before and after the Laplace transform.
!TP_LOCALLAB_EXPLAPLIN_TOOLTIP;Changes the behaviour for underexposed images by adding a linear component prior to applying the Laplace transform.
!TP_LOCALLAB_EXPLAP_TOOLTIP;Moving the slider to the right progressively reduces the contrast.
!TP_LOCALLAB_EXPMERGEFILE_TOOLTIP;Allows you to use GIMP or Photoshop layer blend modes (difference, multiply, soft light, overlay, etc.) with opacity control.\nOriginal image: merge current spot with original.\nPrevious spot: merge current spot with previous (if there is only one spot, previous = original).\nBackground: merge current spot with a color and luminance background (fewer possibilties).
!TP_LOCALLAB_EXPNOISEMETHOD_TOOLTIP;Applies a median filter before the Laplace transform to prevent artifacts (noise).\nYou can also use the 'Denoise' tool.
!TP_LOCALLAB_EXPOSE;Dynamic Range & Exposure
!TP_LOCALLAB_EXPOSURE_TOOLTIP;Modify exposure in L*a*b space using Laplacian PDE algorithms to take into account dE and minimize artifacts.
!TP_LOCALLAB_EXPRETITOOLS;Advanced Retinex Tools
!TP_LOCALLAB_EXPSHARP_TOOLTIP;Spot minimum 39*39.\nUse low transition values and high 'Transition decay' and 'Scope' values to simulate smaller spots.
!TP_LOCALLAB_EXPTOOL;Exposure Tools
!TP_LOCALLAB_EXP_TOOLNAME;Dynamic Range & Exposure
!TP_LOCALLAB_FATAMOUNT;Amount
!TP_LOCALLAB_FATANCHOR;Anchor
!TP_LOCALLAB_FATDETAIL;Detail
!TP_LOCALLAB_FATFRA;Dynamic Range Compression ƒ
!TP_LOCALLAB_FATFRAME_TOOLTIP;PDE Fattal – uses the Fattal Tone-mapping algorithm.
!TP_LOCALLAB_FATLEVEL;Sigma
!TP_LOCALLAB_FATSAT;Saturation control
!TP_LOCALLAB_FATSHFRA;Dynamic Range Compression Mask ƒ
!TP_LOCALLAB_FEATH_TOOLTIP;Gradient width as a percentage of the Spot diagonal\nUsed by all graduated filters in all tools.\nNo action if a graduated filter hasn't been activated.
!TP_LOCALLAB_FEATVALUE;Feather gradient
!TP_LOCALLAB_FEATVALUE_MASK;Feather gradient (Grad. Filters Mask)
!TP_LOCALLAB_FFTCOL_MASK;FFTW ƒ
!TP_LOCALLAB_FFTMASK_TOOLTIP;Use a Fourier transform for better quality (increased processing time and memory requirements).
!TP_LOCALLAB_FFTW;ƒ - Use Fast Fourier Transform
!TP_LOCALLAB_FFTWBLUR;ƒ - Always Use Fast Fourier Transform
!TP_LOCALLAB_FULLIMAGE;Black-Ev and White-Ev for whole image
!TP_LOCALLAB_FULLIMAGELOG_TOOLTIP;Calculates the Ev levels for the whole image.
!TP_LOCALLAB_GAM;Gamma
!TP_LOCALLAB_GAMC;Gamma
!TP_LOCALLAB_GAMCOL_TOOLTIP;Apply a gamma on Luminance L*a*b* datas.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_GAMC_TOOLTIP;Apply a gamma on Luminance L*a*b* datas before and after treatment Pyramid 1 and Pyramid 2.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_GAMFRA;Tone response curve (TRC)
!TP_LOCALLAB_GAMM;Gamma
!TP_LOCALLAB_GAMMASKCOL;Gamma
!TP_LOCALLAB_GAMMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
!TP_LOCALLAB_GAMSH;Gamma
!TP_LOCALLAB_GAMUTLABRELA;Lab
!TP_LOCALLAB_GAMUTMUNSELL;Munsell only
!TP_LOCALLAB_GAMUTNON;None
!TP_LOCALLAB_GAMUTXYZABSO;XYZ Absolute
!TP_LOCALLAB_GAMUTXYZRELA;XYZ Relative
!TP_LOCALLAB_GAMW;Gamma (wavelet pyramids)
!TP_LOCALLAB_GRADANG;Gradient angle
!TP_LOCALLAB_GRADANG_TOOLTIP;Rotation angle in degrees: -180 0 +180.
!TP_LOCALLAB_GRADFRA;Graduated Filter Mask
!TP_LOCALLAB_GRADGEN_TOOLTIP;Adjusts luminance gradient strength.
!TP_LOCALLAB_GRADLOGFRA;Graduated Filter Luminance
!TP_LOCALLAB_GRADSTR;Gradient strength
!TP_LOCALLAB_GRADSTRAB_TOOLTIP;Adjusts chroma gradient strength.
!TP_LOCALLAB_GRADSTRCHRO;Chroma gradient strength
!TP_LOCALLAB_GRADSTRHUE;Hue gradient strength
!TP_LOCALLAB_GRADSTRHUE2;Hue gradient strength
!TP_LOCALLAB_GRADSTRHUE_TOOLTIP;Adjusts hue gradient strength.
!TP_LOCALLAB_GRADSTRLUM;Luma gradient strength
!TP_LOCALLAB_GRAINFRA;Film Grain 1:1
!TP_LOCALLAB_GRAINFRA2;Coarseness
!TP_LOCALLAB_GRAIN_TOOLTIP;Adds film-like grain to the image.
!TP_LOCALLAB_GRALWFRA;Graduated filter (local contrast)
!TP_LOCALLAB_GRIDFRAME_TOOLTIP;You can use this tool as a brush. Use a small spot and adapt the 'Transition value' and 'Transition decay'\nOnly 'Normal' mode and possibly Hue, Saturation, Color, Luminosity are concerned by Merge background (ΔE).
!TP_LOCALLAB_GRIDMETH_TOOLTIP;Color toning: the luminance is taken into account when varying chroma. Equivalent to H=f(H) if the 'white dot' on the grid remains at zero and you only vary the 'black dot'. Equivalent to 'Color toning' if you vary the 2 dots.\n\nDirect: acts directly on the chroma.
!TP_LOCALLAB_GRIDONE;Color Toning
!TP_LOCALLAB_GRIDTWO;Direct
!TP_LOCALLAB_GUIDBL;Soft radius
!TP_LOCALLAB_GUIDBL_TOOLTIP;Applies a guided filter with adjustable radius. Allows you to reduce artifacts or blur the image.
!TP_LOCALLAB_GUIDEPSBL_TOOLTIP;Changes the distribution function of the guided filter. Negative values simulate a Gaussian blur.
!TP_LOCALLAB_GUIDFILTER;Guided filter radius
!TP_LOCALLAB_GUIDFILTER_TOOLTIP;Can reduce or increase artifacts.
!TP_LOCALLAB_GUIDSTRBL_TOOLTIP;Intensity of the guided filter.
!TP_LOCALLAB_HHMASK_TOOLTIP;Fine hue adjustments for example for the skin.
!TP_LOCALLAB_HIGHMASKCOL;Highlights
!TP_LOCALLAB_HLH;H
!TP_LOCALLAB_HUECIE;Hue
!TP_LOCALLAB_IND;Independent (mouse)
!TP_LOCALLAB_INDSL;Independent (mouse + sliders)
!TP_LOCALLAB_INVBL;Inverse
!TP_LOCALLAB_INVBL_TOOLTIP;Alternative to 'Inverse' mode: use two spots\nFirst Spot:\n Full Image\n\nSecond spot: Excluding spot.
!TP_LOCALLAB_INVERS;Inverse
!TP_LOCALLAB_INVERS_TOOLTIP;Fewer possibilities if selected (Inverse).\n\nAlternative: use two spots\nFirst Spot:\n Full Image\n \nSecond spot: Excluding spot\n\n Inverse will enable this tool for the area outside the spot, while the area within the spot will remain unaffected by the tool.
!TP_LOCALLAB_INVMASK;Inverse algorithm
!TP_LOCALLAB_ISOGR;Distribution (ISO)
!TP_LOCALLAB_JAB;Uses Black Ev & White Ev
!TP_LOCALLAB_JABADAP_TOOLTIP;Perceptual Uniform adaptation.\nAutomatically adjusts the relationship between Jz and saturation taking into account 'Absolute luminance'.
!TP_LOCALLAB_JZ100;Jz reference 100cd/m2
!TP_LOCALLAB_JZ100_TOOLTIP;Automatically adjusts the reference Jz 100 cd/m2 level (image signal).\nChanges the saturation level and action of 'PU adaptation' (Perceptual Uniform adaptation).
!TP_LOCALLAB_JZADAP;PU adaptation
!TP_LOCALLAB_JZCH;Chroma
!TP_LOCALLAB_JZCHROM;Chroma
!TP_LOCALLAB_JZCLARICRES;Merge chroma Cz
!TP_LOCALLAB_JZCLARILRES;Merge Jz
!TP_LOCALLAB_JZCONT;Contrast
!TP_LOCALLAB_JZFORCE;Force max Jz to 1
!TP_LOCALLAB_JZFORCE_TOOLTIP;Allows you to force the maximum Jz value to 1 for better slider and curve response.
!TP_LOCALLAB_JZFRA;Jz Cz Hz Image Adjustments
!TP_LOCALLAB_JZHFRA;Curves Hz
!TP_LOCALLAB_JZHJZFRA;Curve Jz(Hz)
!TP_LOCALLAB_JZHUECIE;Hue Rotation
!TP_LOCALLAB_JZLIGHT;Brightness
!TP_LOCALLAB_JZLOG;Log encoding Jz
!TP_LOCALLAB_JZLOGWBS_TOOLTIP;Black Ev and White Ev adjustments can be different depending on whether Log encoding or Sigmoid is used.\nFor Sigmoid, a change (increase in most cases) of White Ev may be necessary to obtain a better rendering of highlights, contrast and saturation.
!TP_LOCALLAB_JZLOGWB_TOOLTIP;If Auto is enabled, it will calculate and adjust the Ev levels and the 'Mean luminance Yb%' for the spot area. The resulting values will be used by all Jz operations including 'Log Encoding Jz'.\nAlso calculates the absolute luminance at the time of shooting.
!TP_LOCALLAB_JZLOGYBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed as a percentage of gray. 18% gray corresponds to a background luminance of 50% when expressed in CIE L.\nThe data is based on the mean luminance of the image.\nWhen used with Log Encoding, the mean luminance is used to determine the amount of gain that needs to be applied to the signal prior to the log encoding. Lower values of mean luminance will result in increased gain.
!TP_LOCALLAB_JZMODECAM_TOOLTIP;Jz (only in 'Advanced' mode). Only operational if the output device (monitor) is HDR (peak luminance higher than 100 cd/m2 - ideally between 4000 and 10000 cd/m2. Black point luminance inferior to 0.005 cd/m2). This supposes a) the ICC-PCS for the screen uses Jzazbz (or XYZ), b) works in real precision, c) that the monitor is calibrated (if possible with a DCI-P3 or Rec-2020 gamut), d) that the usual gamma (sRGB or BT709) is replaced by a Perceptual Quantiser (PQ) function.
!TP_LOCALLAB_JZPQFRA;Jz remapping
!TP_LOCALLAB_JZPQFRA_TOOLTIP;Allows you to adapt the Jz algorithm to an SDR environment or to the characteristics (performance) of an HDR environment as follows:\n a) for luminance values between 0 and 100 cd/m2, the system behaves as if it were in an SDR environment.\n b) for luminance values between 100 and 10000 cd/m2, you can adapt the algorithm to the HDR characteristics of the image and the monitor.\n\nIf 'PQ - Peak luminance' is set to 10000, 'Jz remappping' behaves in the same way as the original Jzazbz algorithm.
!TP_LOCALLAB_JZPQREMAP;PQ - Peak luminance
!TP_LOCALLAB_JZPQREMAP_TOOLTIP;PQ (Perceptual Quantizer) - allows you to change the internal PQ function (usually 10000 cd/m2 - default 120 cd/m2).\nCan be used to adapt to different images, processes and devices.
!TP_LOCALLAB_JZQTOJ;Relative luminance
!TP_LOCALLAB_JZQTOJ_TOOLTIP;Allows you to use 'Relative luminance' instead of 'Absolute luminance' - Brightness becomes Lightness.\nThe changes affect: the Brightness slider, the Contrast slider and the Jz(Jz) curve.
!TP_LOCALLAB_JZSAT;Saturation
!TP_LOCALLAB_JZSHFRA;Shadows/Highlights Jz
!TP_LOCALLAB_JZSOFTCIE;Soft radius (GuidedFilter)
!TP_LOCALLAB_JZSTRSOFTCIE;Strength GuidedFilter
!TP_LOCALLAB_JZTARGET_EV;Viewing Mean luminance (Yb%)
!TP_LOCALLAB_JZTHRHCIE;Threshold Chroma for Jz(Hz)
!TP_LOCALLAB_JZWAVEXP;Wavelet Jz
!TP_LOCALLAB_LABBLURM;Blur Mask
!TP_LOCALLAB_LABEL;Selective Editing
!TP_LOCALLAB_LABGRID;Color correction grid
!TP_LOCALLAB_LABGRIDMERG;Background
!TP_LOCALLAB_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
!TP_LOCALLAB_LABSTRUM;Structure Mask
!TP_LOCALLAB_LAPLACC;ΔØ Mask Laplacian solve PDE
!TP_LOCALLAB_LAPLACE;Laplacian threshold ΔE
!TP_LOCALLAB_LAPLACEXP;Laplacian threshold
!TP_LOCALLAB_LAPMASKCOL;Laplacian threshold
!TP_LOCALLAB_LAPRAD1_TOOLTIP;Increases the contrast of the mask by increasing the luminance values of the lighter areas. Can be used in conjunction with the L(L) and LC(H) curves.
!TP_LOCALLAB_LAPRAD2_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
!TP_LOCALLAB_LAPRAD_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
!TP_LOCALLAB_LAP_MASK_TOOLTIP;Solves PDEs for all Laplacian masks.\nIf enabled the Laplacian threshold mask reduces artifacts and smooths the result.\nIf disabled the response is linear.
!TP_LOCALLAB_LCLABELS;Residual noise levels
!TP_LOCALLAB_LCLABELS_TOOLTIP;Displays the mean and high-end noise values for the area shown in the Preview Panel (at 100% zoom). The noise values are grouped by wavelet levels 0,1,2,3 and 4,5,6.\nThe displayed values are indicative only and are designed to assist with denoise adjustments. They should not be interpreted as absolute noise levels.\n\n 300: Very noisy\n 100-300: Noisy\n 50-100: Moderatly noisy\n < 50: Low noise\n\nThey allow you to see:\n*The impact of Noise Reduction in the main-menu Detail tab.\n*The influence of Non-local Means, Wavelets and DCT on the luminance noise.\n*The influence of Wavelets and DCT on the chroma noise.\n*The influence of Capture Sharpening and Demosaicing.
!TP_LOCALLAB_LC_FFTW_TOOLTIP;FFT improves quality and allows the use of large radii, but increases processing time (depends on the area to be processed). Preferable to use only for large radii. The size of the area can be reduced by a few pixels to optimize the FFTW. This can reduce the processing time by a factor of 1.5 to 10.
!TP_LOCALLAB_LC_TOOLNAME;Local Contrast & Wavelets
!TP_LOCALLAB_LEVELBLUR;Maximum blur levels
!TP_LOCALLAB_LEVELWAV;Wavelet levels
!TP_LOCALLAB_LEVELWAV_TOOLTIP;The Level is automatically adapted to the size of the spot and the preview.\nFrom level 9 size max 512 to level 1 size max = 4.
!TP_LOCALLAB_LEVFRA;Levels
!TP_LOCALLAB_LIGHTNESS;Lightness
!TP_LOCALLAB_LIGHTN_TOOLTIP;In inverse mode: selection = -100 forces luminance to zero.
!TP_LOCALLAB_LIGHTRETI;Lightness
!TP_LOCALLAB_LINEAR;Linearity
!TP_LOCALLAB_LIST_NAME;Add tool to current spot...
!TP_LOCALLAB_LIST_TOOLTIP;You can select 3 levels of complexity for each tool: Basic, Standard and Advanced.\nThe default setting for all tools is Basic but this can be changed in the Preferences window.\nYou can also change the level of complexity on a per-tool basis while you are editing.
!TP_LOCALLAB_LMASK_LEVEL_TOOLTIP;Allows you to decrease or increase the effect on particular levels of detail in the mask by targeting certain luminance zones (in general the lightest).
!TP_LOCALLAB_LMASK_LL_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts). May create artifacts.
!TP_LOCALLAB_LOCCONT;Unsharp Mask
!TP_LOCALLAB_LOC_CONTRAST;Local Contrast & Wavelets
!TP_LOCALLAB_LOC_CONTRASTPYR;Pyramid 1:
!TP_LOCALLAB_LOC_CONTRASTPYR2;Pyramid 2:
!TP_LOCALLAB_LOC_CONTRASTPYR2LAB; Contrast by level/TM/Directional contrast
!TP_LOCALLAB_LOC_CONTRASTPYRLAB; Graduated Filter/Edge Sharpness/Blur
!TP_LOCALLAB_LOC_RESIDPYR;Residual image (Main)
!TP_LOCALLAB_LOG;Log Encoding
!TP_LOCALLAB_LOG1FRA;CAM16 Image Adjustments
!TP_LOCALLAB_LOG2FRA;Viewing Conditions
!TP_LOCALLAB_LOGAUTO;Automatic
!TP_LOCALLAB_LOGAUTOGRAYJZ_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions.
!TP_LOCALLAB_LOGAUTOGRAY_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions when the 'Automatic' button in Relative Exposure Levels is pressed.
!TP_LOCALLAB_LOGAUTO_TOOLTIP;Pressing this button will calculate the dynamic range and 'Mean luminance' for the scene conditions if the 'Auto mean luminance (Yb%)' is checked).\nAlso calculates the absolute luminance at the time of shooting.\nPress the button again to adjust the automatically calculated values.
!TP_LOCALLAB_LOGBASE_TOOLTIP;Default = 2.\nValues less than 2 reduce the action of the algorithm making the shadows darker and the highlights brighter.\nWith values greater than 2, the shadows are grayer and the highlights become more washed out.
!TP_LOCALLAB_LOGCATAD_TOOLTIP;Chromatic adaptation allows us to interpret a color according to its spatio-temporal environment.\nUseful when the white balance deviates significantly from the D50 reference.\nAdapts colors to the illuminant of the output device.
!TP_LOCALLAB_LOGCIE;Log encoding
!TP_LOCALLAB_LOGCIEQ;Log Encoding Q (with Ciecam)
!TP_LOCALLAB_LOGCIEQ_TOOLTIP;Activating the checkbox allows you to switch between log encoding based on the 3 RGB channels, and log encoding based solely on Ciecam’s brightness (Q) channel.\nUsing the Q channel instead of the RGB channels helps avoid undesirable edge effects such as hue and saturation shifts.\nHowever, the settings are more difficult to optimise because Q is unbounded and Ciecam alters the data to take into account the surround conditions, simultaneous contrast, etc.\nYou may have to adjust the following:\n   Scene conditions: Mean luminance (Yb), Whites &amp; Blacks distribution, Black Ev, White Ev.\n   Source Data Adjustments : Brightness compression, Strength.\n\nNote: when using Log Encoding (Q), be careful not to activate the Disable Ciecam option in the Scene Conditions, Surround menu.
!TP_LOCALLAB_LOGCIE_TOOLTIP;Allows you to use Black Ev, White Ev, White and Black distribution, Scene Mean luminance(Yb%) and Viewing Mean luminance(Yb%) for tone-mapping using 'Log encoding' with Brightness compression.
!TP_LOCALLAB_LOGCOLORFL;Colorfulness (M)
!TP_LOCALLAB_LOGCOLORF_TOOLTIP;Perceived amount of hue in relation to gray.\nIndicator that a stimulus appears more or less colored.
!TP_LOCALLAB_LOGCONQL;Contrast (Q)
!TP_LOCALLAB_LOGCONTHRES;Contrast threshold (J & Q)
!TP_LOCALLAB_LOGCONTL;Contrast (J)
!TP_LOCALLAB_LOGCONTL_TOOLTIP;Contrast (J) in CIECAM16 takes into account the increase in perceived coloration with luminance.
!TP_LOCALLAB_LOGCONTQ_TOOLTIP;Contrast (Q) in CIECAM16 takes into account the increase in perceived coloration with brightness.
!TP_LOCALLAB_LOGCONTTHRES_TOOLTIP;Adjusts the mid-tone contrast range (J &amp; Q).\nPositive values progressively reduce the effect of the Contrast sliders (J &amp; Q). Negative values progressively increase the effect of the Contrast sliders.
!TP_LOCALLAB_LOGDETAIL_TOOLTIP;Acts mainly on high frequencies.
!TP_LOCALLAB_LOGENCOD_TOOLTIP;Tone Mapping with Logarithmic encoding (ACES).\nUseful for underexposed images or images with high dynamic range.\n\nTwo-step process: 1) Dynamic Range calculation 2) Manual adjustment.
!TP_LOCALLAB_LOGEXP;All tools
!TP_LOCALLAB_LOGFRA;Scene Conditions
!TP_LOCALLAB_LOGFRAME_TOOLTIP;Allows you to calculate and adjust the Ev levels and the 'Mean luminance Yb%' (source gray point) for the spot area. The resulting values will be used by all Lab operations and most RGB operations in the pipeline.\nAlso calculates the absolute luminance at the time of shooting.
!TP_LOCALLAB_LOGIMAGE_TOOLTIP;Takes into account corresponding Ciecam variables: i.e. Contrast (J) and Saturation (s), as well as Contrast (Q), Brightness (Q), Lightness (J) and Colorfulness (M) (in Advanced mode).
!TP_LOCALLAB_LOGLIGHTL;Lightness (J)
!TP_LOCALLAB_LOGLIGHTL_TOOLTIP;Close to lightness (L*a*b*). Takes into account the increase in perceived coloration.
!TP_LOCALLAB_LOGLIGHTQ;Brightness (Q)
!TP_LOCALLAB_LOGLIGHTQ_TOOLTIP;Perceived amount of light emanating from a stimulus.\nIndicator that a stimulus appears to be more or less bright, clear.
!TP_LOCALLAB_LOGLIN;Logarithm mode
!TP_LOCALLAB_LOGPFRA;Relative Exposure Levels
!TP_LOCALLAB_LOGPFRA2;Log Encoding settings
!TP_LOCALLAB_LOGREPART;Overall strength
!TP_LOCALLAB_LOGREPART_TOOLTIP;Allows you to adjust the relative strength of the log-encoded image with respect to the original image.\nDoes not affect the Ciecam component.
!TP_LOCALLAB_LOGSATURL_TOOLTIP;Saturation (s) in CIECAM16 corresponds to the color of a stimulus in relation to its own brightness.\nActs mainly on medium tones and on the highlights.
!TP_LOCALLAB_LOGSCENE_TOOLTIP;Corresponds to the shooting conditions.
!TP_LOCALLAB_LOGSURSOUR_TOOLTIP;Changes tones and colors to take into account the Scene conditions.\n\n<b>Average</b>: Average light conditions (standard). The image will not change.\n\n<b>Dim</b>: Dim conditions. The image will become slightly brighter.\n\n<b>Dark</b>: Dark conditions. The image will become more bright.
!TP_LOCALLAB_LOGVIEWING_TOOLTIP;Corresponds to the medium on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as the surrounding conditions.
!TP_LOCALLAB_LOG_TOOLNAME;Log Encoding
!TP_LOCALLAB_LUM;LL - CC
!TP_LOCALLAB_LUM46LABEL;Luma levels 456: Mean=%1 High=%2
!TP_LOCALLAB_LUMADARKEST;Darkest
!TP_LOCALLAB_LUMASK;Background color/luma mask
!TP_LOCALLAB_LUMASK_TOOLTIP;Adjusts the shade of gray or color of the mask background in Show Mask (Mask and modifications).
!TP_LOCALLAB_LUMAWHITESEST;Lightest
!TP_LOCALLAB_LUMFRA;L*a*b* standard
!TP_LOCALLAB_LUMLABEL;Luma levels 0123: Mean=%1 High=%2
!TP_LOCALLAB_MASFRAME;Mask and Merge
!TP_LOCALLAB_MASFRAME_TOOLTIP;For all masks.\nTakes into account the ΔE image to avoid modifying the selection area when the following Mask Tools are used: Gamma, Slope, Chroma, Contrast curve, Local contrast (by wavelet level), Blur Mask and Structure Mask (if enabled ).\nDisabled when Inverse mode is used.
!TP_LOCALLAB_MASK;Curves
!TP_LOCALLAB_MASK2;Contrast curve
!TP_LOCALLAB_MASKCOM;Common Color Mask
!TP_LOCALLAB_MASKCOM_TOOLNAME;Common Color Mask
!TP_LOCALLAB_MASKCOM_TOOLTIP;A tool in its own right.\nCan be used to adjust the image appearance (chrominance, luminance, contrast) and texture as a function of Scope.
!TP_LOCALLAB_MASKCURVE_TOOLTIP;The 3 curves are set to 1 (maximum) by default:\nC=f(C) the chroma varies according to the chrominance. You can decrease the chroma to improve the selection. By setting this curve close to zero (with a low value of C to activate the curve) you can desaturate the background in Inverse mode.\nL=f(L) the luminance varies according to the luminance, so you can decrease the brightness to improve the selection.\nL and C = f(H) luminance and chroma vary with hue, so you can decrease luminance and chroma to improve selection.
!TP_LOCALLAB_MASKDDECAY;Decay strength
!TP_LOCALLAB_MASKDECAY_TOOLTIP;Manages the rate of decay for the gray levels in the mask.\n Decay = 1 linear, Decay > 1 sharper parabolic transitions, Decay < 1 more gradual transitions.
!TP_LOCALLAB_MASKDEINV_TOOLTIP;Reverses the way the algorithm interprets the mask.\nIf checked black and very light areas will be decreased.
!TP_LOCALLAB_MASKDE_TOOLTIP;Used to target the denoise as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the Denoise will be applied progressively.\n iIf the mask is above the 'light' threshold, then the Denoise will be applied progressively.\n Between the two, the image settings without the Denoise will be maintained, unless you adjust the sliders 'Gray area luminance denoise' or 'Gray area chrominance denoise'.
!TP_LOCALLAB_MASKGF_TOOLTIP;Used to target the Guided Filter as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the GF will be applied progressively.\n If the mask is above the 'light' threshold, then the GF will be applied progressively.\n Between the two, the image settings without the GF will be maintained.
!TP_LOCALLAB_MASKH;Hue curve
!TP_LOCALLAB_MASKHIGTHRESCB_TOOLTIP;Lighter-tone limit above which CBDL (Luminance only) parameters will be restored progressively to their original values prior to being modified by the CBDL settings .\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\nUse a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESC_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESD_TOOLTIP; The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESE_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable colorpicker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESL_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESRETI_TOOLTIP;Lighter-tone limit above which Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESS_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESTM_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESVIB_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESWAV_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRES_TOOLTIP; The Guided Filter is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'structure mask', 'Smooth radius', 'Gamma and slope', 'Contrast curve', 'Local contrast wavelet'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLCTHR;Light area luminance threshold
!TP_LOCALLAB_MASKLCTHR2;Light area luma threshold
!TP_LOCALLAB_MASKLCTHRLOW;Dark area luminance threshold
!TP_LOCALLAB_MASKLCTHRLOW2;Dark area luma threshold
!TP_LOCALLAB_MASKLCTHRMID;Gray area luma denoise
!TP_LOCALLAB_MASKLCTHRMIDCH;Gray area chroma denoise
!TP_LOCALLAB_MASKLC_TOOLTIP;Used by wavelet luminance.\nThis allows you to target the denoise based on the image luminance information contained in the L(L) or LC(H) mask (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n 'Dark area luminance threshold'. If 'Reinforce denoise in dark and light areas' > 1 the denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (determined by mask).\n 'Light area luminance threshold'. The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (determined by mask).\n In the area between the two thresholds, the denoise settings are not affected by the mask.
!TP_LOCALLAB_MASKLNOISELOW;Reinforce dark/light areas
!TP_LOCALLAB_MASKLOWTHRESCB_TOOLTIP;Dark-tone limit below which the CBDL parameters (Luminance only) will be restored progressively to their original values prior to being modified by the CBDL settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESC_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESD_TOOLTIP;The denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESE_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESL_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESRETI_TOOLTIP;Dark-tone limit below which the Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESS_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESTM_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESVIB_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESWAV_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRES_TOOLTIP;The Guided Filter is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKRECOL_TOOLTIP;Used to modulate the effect of the Color and Light settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Color and Light settings \n In between these two areas, the full value of the Color and Light settings will be applied.
!TP_LOCALLAB_MASKRECOTHRES;Recovery threshold
!TP_LOCALLAB_MASKREEXP_TOOLTIP;Used to modulate the effect of the 'Dynamic range and Exposure' settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings \n In between these two areas, the full value of the 'Dynamic range and Exposure' settings will be applied.
!TP_LOCALLAB_MASKRELOG_TOOLTIP;Used to modulate the effect of the Log encoding settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Log encoding settings - can be used to restore highlights reconstructed by Color propagation \n In between these two areas, the full value of the Log encoding settings will be applied.
!TP_LOCALLAB_MASKRESCB_TOOLTIP;Used to modulate the effect of the CBDL (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the CBDL settings \n In between these two areas, the full value of the CBDL settings will be applied.
!TP_LOCALLAB_MASKRESH_TOOLTIP;Used to modulate the effect of the Shadows Highlights settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Shadows Highlights settings \n In between these two areas, the full value of the Shadows Highlights settings will be applied.
!TP_LOCALLAB_MASKRESRETI_TOOLTIP;Used to modulate the effect of the Retinex (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Retinex settings \n In between these two areas, the full value of the Retinex settings will be applied.
!TP_LOCALLAB_MASKRESTM_TOOLTIP;Used to modulate the effect of the Tone Mapping settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Tone Mapping settings \n In between these two areas, the full value of the Tone Mapping settings will be applied.
!TP_LOCALLAB_MASKRESVIB_TOOLTIP;Used to modulate the effect of the Vibrance and Warm Cool settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings \n In between these two areas, the full value of the Vibrance and Warm Cool settings will be applied.
!TP_LOCALLAB_MASKRESWAV_TOOLTIP;Used to modulate the effect of the Local contrast and Wavelet settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings \n In between these two areas, the full value of the Local contrast and Wavelet settings will be applied.
!TP_LOCALLAB_MASKUNUSABLE;Mask disabled (Enable in Mask & modifications)
!TP_LOCALLAB_MASKUSABLE;Mask enabled (Mask & modifications)
!TP_LOCALLAB_MASK_TOOLTIP;You can enable multiple masks for a tool by activating another tool and using only the mask (set the tool sliders to 0 ).\n\nYou can also duplicate the spot and place it close to the first spot. The small variations in the spot references allow you to make fine adjustments.
!TP_LOCALLAB_MEDIAN;Median Low
!TP_LOCALLAB_MEDIANITER_TOOLTIP;The number of successive iterations carried out by the median filter.
!TP_LOCALLAB_MEDIAN_TOOLTIP;You can choose a median value in the range 3x3 to 9x9 pixels. Higher values increase noise reduction and blur.
!TP_LOCALLAB_MEDNONE;None
!TP_LOCALLAB_MERCOL;Color
!TP_LOCALLAB_MERDCOL;Merge background (ΔE)
!TP_LOCALLAB_MERELE;Lighten only
!TP_LOCALLAB_MERFIV;Addition
!TP_LOCALLAB_MERFOR;Color Dodge
!TP_LOCALLAB_MERFOU;Multiply
!TP_LOCALLAB_MERGE1COLFRA;Merge with Original/Previous/Background
!TP_LOCALLAB_MERGECOLFRA;Mask: LCh & Structure
!TP_LOCALLAB_MERGECOLFRMASK_TOOLTIP;Allows you to create masks based on the 3 LCh curves and/or a structure-detection algorithm.
!TP_LOCALLAB_MERGEMER_TOOLTIP;Takes ΔE into account when merging files (equivalent of scope in this case).
!TP_LOCALLAB_MERGEOPA_TOOLTIP;Opacity = % of current spot to be merged with original or previous Spot.\nContrast threshold : adjusts result as a function of contrast in original image.
!TP_LOCALLAB_MERHEI;Overlay
!TP_LOCALLAB_MERHUE;Hue
!TP_LOCALLAB_MERLUCOL;Luminance
!TP_LOCALLAB_MERLUM;Luminosity
!TP_LOCALLAB_MERNIN;Screen
!TP_LOCALLAB_MERONE;Normal
!TP_LOCALLAB_MERSAT;Saturation
!TP_LOCALLAB_MERSEV;Soft Light (legacy)
!TP_LOCALLAB_MERSEV0;Soft Light Illusion
!TP_LOCALLAB_MERSEV1;Soft Light W3C
!TP_LOCALLAB_MERSEV2;Hard Light
!TP_LOCALLAB_MERSIX;Divide
!TP_LOCALLAB_MERTEN;Darken only
!TP_LOCALLAB_MERTHI;Color Burn
!TP_LOCALLAB_MERTHR;Difference
!TP_LOCALLAB_MERTWE;Exclusion
!TP_LOCALLAB_MERTWO;Subtract
!TP_LOCALLAB_METHOD_TOOLTIP;'Enhanced + chroma denoise' significantly increases processing times.\nBut reduce artifacts.
!TP_LOCALLAB_MIDTCIE;Midtones
!TP_LOCALLAB_MLABEL;Restored data Min=%1 Max=%2
!TP_LOCALLAB_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
!TP_LOCALLAB_MODE_EXPERT;Advanced
!TP_LOCALLAB_MODE_NORMAL;Standard
!TP_LOCALLAB_MODE_SIMPLE;Basic
!TP_LOCALLAB_MRFIV;Background
!TP_LOCALLAB_MRFOU;Previous Spot
!TP_LOCALLAB_MRONE;None
!TP_LOCALLAB_MRTHR;Original Image
!TP_LOCALLAB_MULTIPL_TOOLTIP;Wide-range tone adjustment: -18EV to +4EV. The first slider acts on very dark tones between -18EV and -6EV. The last slider acts on light tones up to 4EV.
!TP_LOCALLAB_NEIGH;Radius
!TP_LOCALLAB_NLDENOISENLGAM_TOOLTIP;Lower values preserve details and texture, higher values increase denoise.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_NLDENOISENLPAT_TOOLTIP;Use this slider to adapt the amount of denoise to the size of the objects to be processed.
!TP_LOCALLAB_NLDENOISENLRAD_TOOLTIP;Higher values increase denoise at the expense of processing time.
!TP_LOCALLAB_NLDENOISE_TOOLTIP;'Detail recovery' acts on a Laplacian transform to target uniform areas rather than areas with detail.
!TP_LOCALLAB_NLDET;Detail recovery
!TP_LOCALLAB_NLFRA;Non-local Means: Luminance
!TP_LOCALLAB_NLFRAME_TOOLTIP;Non-local means denoising takes a mean of all pixels in the image, weighted by how similar they are to the target pixel.\nReduces loss of detail compared with local mean algorithms.\nOnly luminance noise is taken into account. Chrominance noise is best processed using wavelets and Fourier transforms (DCT).\nCan be used in conjunction with 'Luminance denoise by level' or on its own.
!TP_LOCALLAB_NLGAM;Gamma
!TP_LOCALLAB_NLLUM;Strength
!TP_LOCALLAB_NLPAT;Maximum patch size
!TP_LOCALLAB_NLRAD;Maximum radius size
!TP_LOCALLAB_NOISECHROCOARSE;Coarse chroma (Wav)
!TP_LOCALLAB_NOISECHROC_TOOLTIP;If superior to zero, high quality algorithm is enabled.\nCoarse is for slider >=0.02.
!TP_LOCALLAB_NOISECHRODETAIL;Chroma detail recovery
!TP_LOCALLAB_NOISECHROFINE;Fine chroma (Wav)
!TP_LOCALLAB_NOISEGAM;Gamma
!TP_LOCALLAB_NOISEGAM_TOOLTIP;If gamma = 1 Luminance 'Lab' is used. If gamma = 3.0 Luminance 'linear' is used.\nLower values preserve details and texture, higher values increase denoise.
!TP_LOCALLAB_NOISELEQUAL;Equalizer white-black
!TP_LOCALLAB_NOISELUMCOARSE;Luminance coarse (Wav)
!TP_LOCALLAB_NOISELUMDETAIL;Luma detail recovery
!TP_LOCALLAB_NOISELUMFINE;Luminance fine 1 (Wav)
!TP_LOCALLAB_NOISELUMFINETWO;Luminance fine 2 (Wav)
!TP_LOCALLAB_NOISELUMFINEZERO;Luminance fine 0 (Wav)
!TP_LOCALLAB_NOISEMETH;Denoise
!TP_LOCALLAB_NOISE_TOOLTIP;Adds luminance noise.
!TP_LOCALLAB_NONENOISE;None
!TP_LOCALLAB_NUL_TOOLTIP;.
!TP_LOCALLAB_OFFS;Offset
!TP_LOCALLAB_OFFSETWAV;Offset
!TP_LOCALLAB_OPACOL;Opacity
!TP_LOCALLAB_ORIGLC;Merge only with original image
!TP_LOCALLAB_ORRETILAP_TOOLTIP;Modifies ΔE prior to any changes made by 'Scope'. This allows you to differentiate the action for different parts of the image (with respect to the background for example).
!TP_LOCALLAB_ORRETISTREN_TOOLTIP;Acts on the Laplacian threshold, the greater the action, the more the differences in contrast will be reduced.
!TP_LOCALLAB_PASTELS2;Vibrance
!TP_LOCALLAB_PDE;Contrast Attenuator - Dynamic Range compression
!TP_LOCALLAB_PDEFRA;Contrast Attenuator ƒ
!TP_LOCALLAB_PDEFRAME_TOOLTIP;PDE IPOL algorithm adapted for RawTherapee: gives different results and requires different settings compared to main-menu 'Exposure'.\nMay be useful for under-exposed or high dynamic range images.
!TP_LOCALLAB_PRECAMGAMUT_TOOLTIP;If checked, ensures a gamut control just after primary conversion to XYZ.
!TP_LOCALLAB_PRECAMREFIMAIN_TOOLTIP;Allows you to move the white-point in such a way that it approaches the dominant color. This action modifies the purity. In combination with "Shift x" and "Shift y", allows you to carry out moderate color toning.
!TP_LOCALLAB_PRECAMREFI_TOOLTIP;Allows you to move the white-point in such a way that it approaches the dominant color. This action modifies the purity.
!TP_LOCALLAB_PRECAM_TOOLTIP;'Source Data Adjustments' modifies the Dynamic Range using Log encoding, the tones of the image and primaries (simplified Abstract Profile), and midtones, just before the Ciecam process. These values are adjustable:\nGamma: Acts mainly on light tones\nSlope: Acts mainly on dark tones. You can choose any pair of gamma and slope (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nDestination primaries: Allows you to change the destination primaries to restore or change image color (saturation). The color balance is significantly preserved when the 'Working Profile' and the 'Destination primaries' are similar. 'Working Profile' is not modified. You can also finely adapt the primaries and the illuminant (white-point). Moving a primary away from the white point reduces saturation and vice versa. Pay attention to the gamut.
!TP_LOCALLAB_PREVHIDE;Hide additional settings
!TP_LOCALLAB_PREVIEW;Preview ΔE
!TP_LOCALLAB_PREVSHOW;Show additional settings
!TP_LOCALLAB_PRIMILLFRAME;Primaries & Illuminant
!TP_LOCALLAB_PROXI;ΔE decay
!TP_LOCALLAB_QUAAGRES;Aggressive
!TP_LOCALLAB_QUACONSER;Conservative
!TP_LOCALLAB_QUALCURV_METHOD;Curve type
!TP_LOCALLAB_QUAL_METHOD;Global quality
!TP_LOCALLAB_QUANONEALL;Off
!TP_LOCALLAB_QUANONEWAV;Non-local means only
!TP_LOCALLAB_RADIUS;Radius
!TP_LOCALLAB_RADIUS_TOOLTIP;Uses a Fast Fourier Transform for radius > 30.
!TP_LOCALLAB_RADMASKCOL;Smooth radius
!TP_LOCALLAB_RECOTHRES02_TOOLTIP;If the 'Recovery threshold' value is greater than 1, the mask in Mask and Modifications takes into account any previous modifications made to the image but not those made with the current tool (e.g. Color and Light, Wavelet, Cam16, etc.)\nIf the value of the 'Recovery threshold' is less than 1, the mask in Mask and Modifications does not take into account any previous modifications to the image.\n\nIn both cases, the 'Recovery threshold' acts on the masked image as modified by the current tool (Color and Light, Wavelet, Cam16, etc.).
!TP_LOCALLAB_RECT;Rectangle
!TP_LOCALLAB_RECURS;Recursive references
!TP_LOCALLAB_RECURS_TOOLTIP;Forces the algorithm to recalculate the references after each tool is applied.\nAlso useful for working with masks.
!TP_LOCALLAB_REN_DIALOG_LAB;Enter the new Control Spot name
!TP_LOCALLAB_REN_DIALOG_NAME;Renaming Control Spot
!TP_LOCALLAB_REPARCOL_TOOLTIP;Allows you to adjust the relative strength of the Color and Light image with respect to the original image.
!TP_LOCALLAB_REPARDEN_TOOLTIP;Allows you to adjust the relative strength of the Denoise image with respect to the original image.
!TP_LOCALLAB_REPAREXP_TOOLTIP;Allows you to adjust the relative strength of the Dynamic Range and Exposure image with respect to the original image.
!TP_LOCALLAB_REPARSH_TOOLTIP;Allows you to adjust the relative strength of the Shadows/Highlights and Tone Equalizer image with respect to the original image.
!TP_LOCALLAB_REPARTM_TOOLTIP;Allows you to adjust the relative strength of the Tone mapping image with respect to the original image.
!TP_LOCALLAB_REPARW_TOOLTIP;Allows you to adjust the relative strength of the local contrast and wavelet image with respect to the original image.
!TP_LOCALLAB_RESID;Residual Image
!TP_LOCALLAB_RESIDBLUR;Blur residual image
!TP_LOCALLAB_RESIDCHRO;Residual image Chroma
!TP_LOCALLAB_RESIDCOMP;Compress residual image
!TP_LOCALLAB_RESIDCONT;Residual image Contrast
!TP_LOCALLAB_RESIDHI;Highlights
!TP_LOCALLAB_RESIDHITHR;Highlights threshold
!TP_LOCALLAB_RESIDSHA;Shadows
!TP_LOCALLAB_RESIDSHATHR;Shadows threshold
!TP_LOCALLAB_RETI;Dehaze & Retinex
!TP_LOCALLAB_RETIFRA;Retinex
!TP_LOCALLAB_RETIFRAME_TOOLTIP;Retinex can be useful for processing images: \nthat are blurred, foggy or hazy (in addition to Dehaze).\nthat contain large differences in luminance.\nIt can also be used for special effects (tone mapping).
!TP_LOCALLAB_RETIM;Original Retinex
!TP_LOCALLAB_RETITOOLFRA;Retinex Tools
!TP_LOCALLAB_RETI_LIGHTDARK_TOOLTIP;Has no effect when the value of 'Lightness = 1' or 'Darkness =2'.\nFor other values, the last step of a 'Multiple scale Retinex' algorithm (similar to 'local contrast') is applied. These 2 cursors, associated with 'Strength' allow you to make adjustments upstream of local contrast.
!TP_LOCALLAB_RETI_LIMDOFFS_TOOLTIP;Adjusts the internal parameters to optimize the response.\nPreferable to keep the 'Restored data' values close to Min=0 and Max=32768 (log mode), but other values are possible.
!TP_LOCALLAB_RETI_LOGLIN_TOOLTIP;Logarithm mode introduces more contrast but will also generate more halos.
!TP_LOCALLAB_RETI_NEIGH_VART_TOOLTIP;The radius and variance sliders allow you adjust haze and target either the foreground or the background.
!TP_LOCALLAB_RETI_SCALE_TOOLTIP;If Scale=1, Retinex behaves like local contrast with additional possibilities.\nIncreasing the value of Scale increases the intensity of the recursive action at the expense of processing time.
!TP_LOCALLAB_RET_TOOLNAME;Dehaze & Retinex
!TP_LOCALLAB_REWEI;Reweighting iterates
!TP_LOCALLAB_RGB;RGB Tone Curve
!TP_LOCALLAB_RGBCURVE_TOOLTIP;In RGB mode you have 4 choices : Standard, Weighted standard, Luminance &amp; Film-like.
!TP_LOCALLAB_ROW_NVIS;Not visible
!TP_LOCALLAB_ROW_VIS;Visible
!TP_LOCALLAB_RSTPROTECT_TOOLTIP;Red and skin-tone protection affects the Saturation, Chroma and Colorfulness sliders.
!TP_LOCALLAB_SATCIE;Saturation control
!TP_LOCALLAB_SATUR;Saturation
!TP_LOCALLAB_SATURV;Saturation (s)
!TP_LOCALLAB_SCALEGR;Scale
!TP_LOCALLAB_SCALERETI;Scale
!TP_LOCALLAB_SCALTM;Scale
!TP_LOCALLAB_SCOPEMASK;Scope (ΔE image mask)
!TP_LOCALLAB_SCOPEMASK_TOOLTIP;Enabled if ΔE Image Mask is enabled.\nLow values avoid retouching selected area.
!TP_LOCALLAB_SENSI;Scope
!TP_LOCALLAB_SENSIEXCLU;Scope
!TP_LOCALLAB_SENSIEXCLU_TOOLTIP;Adjust the colors to be excluded.
!TP_LOCALLAB_SENSIMASK_TOOLTIP;Scope adjustment specific to common mask tool.\nActs on the difference between the original image and the mask.\nUses the luma, chroma and hue references from the center of the spot\n\nYou can also adjust the ΔE of the mask itself by using 'Scope (ΔE image mask)' in 'Settings' > 'Mask and Merge'.
!TP_LOCALLAB_SENSI_TOOLTIP;Adjusts the scope of the action:\nSmall values limit the action to colors similar to those in the center of the spot.\nHigh values let the tool act on a wider range of colors.
!TP_LOCALLAB_SETTINGS;Settings
!TP_LOCALLAB_SH1;Shadows Highlights
!TP_LOCALLAB_SH2;Equalizer
!TP_LOCALLAB_SHADEX;Shadows
!TP_LOCALLAB_SHADEXCOMP;Shadow compression
!TP_LOCALLAB_SHADHIGH;Shadows/Highlights & Tone Equalizer
!TP_LOCALLAB_SHADHMASK_TOOLTIP;Lowers the highlights of the mask in the same way as the shadows/highlights algorithm.
!TP_LOCALLAB_SHADMASK_TOOLTIP;Lifts the shadows of the mask in the same way as the shadows/highlights algorithm.
!TP_LOCALLAB_SHADOWHIGHLIGHT_TOOLTIP;Adjust shadows and highlights either with shadows &amp; highlights sliders or with a tone equalizer.\nCan be used instead of, or in conjunction with the Exposure module.\nCan also be used as a graduated filter.
!TP_LOCALLAB_SHAMASKCOL;Shadows
!TP_LOCALLAB_SHAPETYPE;Spot shape
!TP_LOCALLAB_SHAPE_TOOLTIP;'Ellipse' is the normal mode.\n 'Rectangle' can be used in certain cases, for example to work in full-image mode by placing the delimiters outside the preview area. In this case, set transition = 100.\n\nFuture developments will include polygon shapes and Bezier curves.
!TP_LOCALLAB_SHARAMOUNT;Amount
!TP_LOCALLAB_SHARBLUR;Blur radius
!TP_LOCALLAB_SHARDAMPING;Damping
!TP_LOCALLAB_SHARFRAME;Modifications
!TP_LOCALLAB_SHARITER;Iterations
!TP_LOCALLAB_SHARP;Sharpening
!TP_LOCALLAB_SHARP_TOOLNAME;Sharpening
!TP_LOCALLAB_SHARRADIUS;Radius
!TP_LOCALLAB_SHORTC;Short Curves 'L' Mask
!TP_LOCALLAB_SHORTCMASK_TOOLTIP;Short circuit the 2 curves L(L) and L(H).\nAllows you to mix the current image with the original image modified by the mask job.\nUsable with masks 2, 3, 4, 6, 7.
!TP_LOCALLAB_SHOWC;Mask and modifications
!TP_LOCALLAB_SHOWC1;Merge file
!TP_LOCALLAB_SHOWCB;Mask and modifications
!TP_LOCALLAB_SHOWDCT;Show Fourier (ƒ) process
!TP_LOCALLAB_SHOWE;Mask and modifications
!TP_LOCALLAB_SHOWFOURIER;Fourier ƒ(dct)
!TP_LOCALLAB_SHOWLAPLACE;∆ Laplacian (first)
!TP_LOCALLAB_SHOWLC;Mask and modifications
!TP_LOCALLAB_SHOWMASK;Show mask
!TP_LOCALLAB_SHOWMASKCOL_TOOLTIP;Displays masks and modifications.\nBeware, you can only view one tool mask at a time.\nShow modified image: shows the modified image including the effect of any adjustments and masks.\nShow modified areas without mask: shows the modifications before any masks are applied.\nShow modified areas with mask: shows the modifications after a mask has been applied.\nShow mask: shows the aspect of the mask including the effect of any curves and filters.\nShow spot structure: allows you to see the structure-detection mask when the 'Spot structure' cursor is activated (when available).\nNote: The mask is applied before the shape detection algorithm.
!TP_LOCALLAB_SHOWMASKSOFT_TOOLTIP;Allows you to visualize the different stages of the Fourier process.\n Laplace - calculates the second derivative of the Laplace transform as a function of the threshold.\nFourier - shows the Laplacian transform with DCT.\nPoisson - shows the solution of the Poisson DCE.\nNo luminance normalization - shows result without any luminance normalization.
!TP_LOCALLAB_SHOWMASKTYP1;Blur & Noise
!TP_LOCALLAB_SHOWMASKTYP2;Denoise
!TP_LOCALLAB_SHOWMASKTYP3;Blur & Noise + Denoise
!TP_LOCALLAB_SHOWMASKTYP_TOOLTIP;Can be used with 'Mask and modifications'.\nIf 'Blur and noise' is selected, the mask cannot be used for Denoise.\nIf Denoise is selected, the mask cannot be used for 'Blur and noise'.\nIf 'Blur and noise + Denoise' is selected, the mask is shared. Note that in this case, the Scope sliders for both 'Blur and noise' and Denoise will be active so it is advisable to use the option 'Show modifications with mask' when making any adjustments.
!TP_LOCALLAB_SHOWMNONE;Show modified image
!TP_LOCALLAB_SHOWMODIF;Show modified areas without mask
!TP_LOCALLAB_SHOWMODIF2;Show modified areas
!TP_LOCALLAB_SHOWMODIFMASK;Show modified areas with mask
!TP_LOCALLAB_SHOWNORMAL;No luminance normalization
!TP_LOCALLAB_SHOWPLUS;Mask and modifications (Blur & Denoise)
!TP_LOCALLAB_SHOWPOISSON;Poisson (pde ƒ)
!TP_LOCALLAB_SHOWR;Mask and modifications
!TP_LOCALLAB_SHOWREF;Preview ΔE
!TP_LOCALLAB_SHOWS;Mask and modifications
!TP_LOCALLAB_SHOWSTRUC;Show spot structure(Advanced)
!TP_LOCALLAB_SHOWSTRUCEX;Show spot structure(Advanced)
!TP_LOCALLAB_SHOWT;Mask and modifications
!TP_LOCALLAB_SHOWVI;Mask and modifications
!TP_LOCALLAB_SHRESFRA;Shadows/Highlights & TRC
!TP_LOCALLAB_SHTRC_TOOLTIP;Based on 'working profile' (only those provided), modifies the tones of the image by acting on a TRC (Tone Response Curve).\nGamma acts mainly on light tones.\nSlope acts mainly on dark tones.\nIt is recommended that the TRC of both devices (monitor and output profile) be sRGB (default).
!TP_LOCALLAB_SH_TOOLNAME;Shadows/Highlights & Tone Equalizer
!TP_LOCALLAB_SIGBLACKSSCIE;Blacks distribution
!TP_LOCALLAB_SIGCIE;Sigmoid
!TP_LOCALLAB_SIGFRA;Sigmoid Q
!TP_LOCALLAB_SIGGAMJCIE;Gamma
!TP_LOCALLAB_SIGJZFRA;Sigmoid Jz
!TP_LOCALLAB_SIGMAWAV;Attenuation response
!TP_LOCALLAB_SIGMOID16_TOOLTIP;Allows you to simulate a tone mapping appearance using both 'Ciecam' and 'Sigmoid Q'. Sigmoid Q has three sliders:\na) Contrast acts on the shape of the sigmoid curve and consequently on the strength\nb) Threshold (Gray point) distributes the action according to the luminance\nc) Adaptability weights the action of the sigmoid by action on the internal exponential function.
!TP_LOCALLAB_SIGMOIDBL;Blend
!TP_LOCALLAB_SIGMOIDLAMBDA;Contrast
!TP_LOCALLAB_SIGMOIDLOGAUTO;Auto threshold
!TP_LOCALLAB_SIGMOIDLOGEV_TOOLTIP;If the combo box selection 'Black Ev and White Ev' is 'Sigmoid and Log encoding' instead of 'Sigmoid only', the two algorithms 'Log encoding' and 'Sigmoid' are used together.
!TP_LOCALLAB_SIGMOIDNORMCIE;Normalize Luminance
!TP_LOCALLAB_SIGMOIDNORMCIEBLEND_TOOLTIP;Blend acts on the final aspect of the image, contrast and luminance. Ratio between original and output image.
!TP_LOCALLAB_SIGMOIDNORMCIE_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image take into account those of the original.\nAll the adjustments acting on J or Q are taken into account, including those which are not relative to Sigmoid Q.
!TP_LOCALLAB_SIGMOIDQJ;Black Ev & White Ev
!TP_LOCALLAB_SIGMOIDQJCOMPRCIE_TOOLTIP;When the combo box selection 'Uses Black Ev and White Ev' is 'Sigmoid and Log encoding Q' or 'Log encoding instead of Sigmoid' checked. This algorithm compress the data above the threshold slider value. The last value stands for brightness (Q) and should be close as possible to the value 'Compression threshold' (calculate when 'Auto threshold" checked, often > 1).
!TP_LOCALLAB_SIGMOIDSENSI;Adaptability
!TP_LOCALLAB_SIGMOIDTH;Threshold (Gray point)
!TP_LOCALLAB_SIGMOIDWHITESCIE_TOOLTIP;Allows you, in Automatic when the dynamic range of the image is high, to change the distribution of lights in whites and deep blacks.\nCan be used with Log encoding or Sigmoid with Black Ev and White Ev enabled.\n\nThe algorithm does not change the basic data, but acts on the components necessary to calculate the Dynamic range, Black Ev, White Ev and the Gray point.
!TP_LOCALLAB_SIGMOID_TOOLTIP;Allows you to simulate a tone mapping appearance using both the 'Jz' and 'Sigmoid' function. Three sliders:\na) Contrast acts on the shape of the sigmoid curve and consequently on the strength\nb) Threshold (Gray point) distributes the action according to the luminance\nc)Blend acts on the final aspect of the image, contrast and luminance.
!TP_LOCALLAB_SIGSLOPJCIE;Slope
!TP_LOCALLAB_SIGTRCCIE;Source Data Adjustments
!TP_LOCALLAB_SIGWHITESCIE;Whites distribution
!TP_LOCALLAB_SLOMASKCOL;Slope
!TP_LOCALLAB_SLOMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
!TP_LOCALLAB_SLOPESMOOTH;Gray balance (Slope)
!TP_LOCALLAB_SLOPESMOOTHB;Blue balance (Slope)
!TP_LOCALLAB_SLOPESMOOTHG;Green balance (Slope)
!TP_LOCALLAB_SLOPESMOOTHR;Red balance (Slope)
!TP_LOCALLAB_SLOSH;Slope
!TP_LOCALLAB_SMOOTHCIE;Highlight Attenuation
!TP_LOCALLAB_SMOOTHCIE_LUM;Luminosity mode
!TP_LOCALLAB_SMOOTHCIE_SCA;Scale Yb Scene
!TP_LOCALLAB_SMOOTHCIE_TOOLTIP;Completes the processing carried out by gamma, slope and midtones by causing a slight lowering of lights. Please note this does not replace Highlight reconstruction.\n\nGamma based and Slope based (Standard and Advanced) allow you to simulate a tone mapping using:\na) Scene conditions: Black-Ev, White-Ev, Mean luminance (Yb%)\nb) Viewing conditions: Mean luminance (Yb%).\n\nScale Yb Scene is function of White-Ev.
!TP_LOCALLAB_SMOOTHCIE_YB;Scale Yb Viewing
!TP_LOCALLAB_SOFT;Soft Light & Original Retinex
!TP_LOCALLAB_SOFTM;Soft Light
!TP_LOCALLAB_SOFTMETHOD_TOOLTIP;Apply a Soft-light blend (identical to the global adjustment). Carry out dodge and burn using the original Retinex algorithm.
!TP_LOCALLAB_SOFTRADIUSCOL;Soft radius
!TP_LOCALLAB_SOFTRADIUSCOL_TOOLTIP;Applies a guided filter to the output image to reduce possible artifacts.
!TP_LOCALLAB_SOFTRETI;Reduce ΔE artifacts
!TP_LOCALLAB_SOFT_TOOLNAME;Soft Light & Original Retinex
!TP_LOCALLAB_SOURCE_ABS;Absolute luminance
!TP_LOCALLAB_SOURCE_GRAY;Mean luminance (Yb%)
!TP_LOCALLAB_SPECCASE;Specific cases
!TP_LOCALLAB_SPECIAL;Special use of RGB curves
!TP_LOCALLAB_SPECIAL_TOOLTIP;The checkbox allows you to remove all other actions i.e. 'Scope', masks, sliders etc., (except for transitions) and use just the effect of the RGB tone-curve.
!TP_LOCALLAB_SPOTNAME;New Spot
!TP_LOCALLAB_STD;Standard
!TP_LOCALLAB_STR;Strength
!TP_LOCALLAB_STRBL;Strength
!TP_LOCALLAB_STREN;Compression strength
!TP_LOCALLAB_STRENG;Strength
!TP_LOCALLAB_STRENGR;Strength
!TP_LOCALLAB_STRENGRID_TOOLTIP;You can adjust the desired effect with 'strength', but you can also use the 'scope' function which allows you to delimit the action (e.g. to isolate a particular color).
!TP_LOCALLAB_STRENGTH;Noise
!TP_LOCALLAB_STRENGTHCIELOG;Strength
!TP_LOCALLAB_STRGRID;Strength
!TP_LOCALLAB_STRUC;Structure
!TP_LOCALLAB_STRUCCOL;Spot structure
!TP_LOCALLAB_STRUCCOL1;Spot structure
!TP_LOCALLAB_STRUCT_TOOLTIP;Uses the Sobel algorithm to take into account structure for shape detection.\nActivate 'Mask and modifications' > 'Show spot structure' (Advanced mode) to see a preview of the mask (without modifications).\n\nCan be used in conjunction with the Structure Mask, Blur Mask and 'Local contrast' (by wavelet level) to improve edge detection.\n\nEffects of adjustments using Lightness, Contrast, Chrominance, Exposure or other non-mask-related tools visible using either 'Show modified image' or 'Show modified areas with mask'.
!TP_LOCALLAB_STRUMASKCOL;Structure mask strength
!TP_LOCALLAB_STRUMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' unchecked: In this case a mask showing the structure will be generated even if none of the 3 curves is activated. Structure masks are available for mask (Blur and denoise') and mask(Color &amp; Light).
!TP_LOCALLAB_STRUSTRMASK_TOOLTIP;Moderate use of this slider is recommended!
!TP_LOCALLAB_STYPE;Shape method
!TP_LOCALLAB_STYPE_TOOLTIP;You can choose between:\nSymmetrical - left handle linked to right, top handle linked to bottom.\nIndependent - all handles are independent.
!TP_LOCALLAB_SYM;Symmetrical (mouse)
!TP_LOCALLAB_SYMSL;Symmetrical (mouse + sliders)
!TP_LOCALLAB_TARGET_GRAY;Mean luminance (Yb%)
!TP_LOCALLAB_TE_PIVOT;Pivot (Ev)
!TP_LOCALLAB_THRES;Threshold structure
!TP_LOCALLAB_THRESDELTAE;ΔE scope threshold
!TP_LOCALLAB_THRESRETI;Threshold
!TP_LOCALLAB_THRESWAV;Balance threshold
!TP_LOCALLAB_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sig=%4
!TP_LOCALLAB_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
!TP_LOCALLAB_TM;Tone Mapping
!TP_LOCALLAB_TM_MASK;Use transmission map
!TP_LOCALLAB_TONEMAPESTOP_TOOLTIP;This slider affects edge sensitivity.\n The greater the value, the more likely a change in contrast will be interpreted as an 'edge'.\n If set to zero the tone mapping will have an effect similar to unsharp masking.
!TP_LOCALLAB_TONEMAPGAM_TOOLTIP;The Gamma slider shifts the tone-mapping effect towards either the shadows or the highlights.
!TP_LOCALLAB_TONEMAPREWEI_TOOLTIP;In some cases tone mapping may result in a cartoonish appearance, and in some rare cases soft but wide halos may appear.\n Increasing the number of reweighting iterates will help fight some of these problems.
!TP_LOCALLAB_TONEMAP_TOOLTIP;Same as the tone mapping tool in the main menu.\nThe main-menu tool must be deactivated if this tool is used.
!TP_LOCALLAB_TONEMASCALE_TOOLTIP;This slider allows you to adjust the transition between 'local' and 'global' contrast.\nThe greater the value, the larger a detail needs to be for it to be boosted.
!TP_LOCALLAB_TONE_TOOLNAME;Tone Mapping
!TP_LOCALLAB_TOOLCOL;Structure mask as tool
!TP_LOCALLAB_TOOLCOLFRMASK_TOOLTIP;Allows you to modify the mask, if one exists.
!TP_LOCALLAB_TOOLMASK;Mask Tools
!TP_LOCALLAB_TOOLMASK_2;Wavelets
!TP_LOCALLAB_TOOLMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' checked: in this case a mask showing the structure will be generated after one or more of the 2 curves L(L) or LC(H) has been modified.\n Here, the 'Structure mask' behaves like the other Mask tools : Gamma, Slope, etc.\n It allows you to vary the action on the mask according to the structure of the image.
!TP_LOCALLAB_TRANSIT;Transition Gradient
!TP_LOCALLAB_TRANSITGRAD;Transition differentiation XY
!TP_LOCALLAB_TRANSITGRAD_TOOLTIP;Allows you to vary the y-axis transition.
!TP_LOCALLAB_TRANSITVALUE;Transition value
!TP_LOCALLAB_TRANSITWEAK;Transition decay (linear-log)
!TP_LOCALLAB_TRANSITWEAK_TOOLTIP;Adjust transition decay function: 1 linear , 2 parabolic, 3 cubic up to ^25.\nCan be used in conjunction with very low transition values to reduce defects (CBDL, Wavelets, Color &amp; Light).
!TP_LOCALLAB_TRANSIT_TOOLTIP;Adjust smoothness of transition between affected and unaffected areas as a percentage of the 'radius'.
!TP_LOCALLAB_TRANSMISSIONGAIN;Transmission gain
!TP_LOCALLAB_TRANSMISSIONMAP;Transmission map
!TP_LOCALLAB_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positive values (max).\nOrdinate: amplification or reduction.\nYou can adjust this curve to change the Transmission and reduce artifacts.
!TP_LOCALLAB_TRCFRAME;Tone Response Curve & Midtones
!TP_LOCALLAB_USEMASK;Laplacian
!TP_LOCALLAB_VART;Variance (contrast)
!TP_LOCALLAB_VIBRANCE;Vibrance & Warm/Cool
!TP_LOCALLAB_VIBRA_TOOLTIP;Adjusts vibrance (essentially the same as the global adjustment).\nCarries out the equivalent of a white-balance adjustment using a CIECAM algorithm.
!TP_LOCALLAB_VIB_TOOLNAME;Vibrance & Warm/Cool
!TP_LOCALLAB_VIS_TOOLTIP;<b>Click</b> to show/hide selected Control Spot.\n<b>Ctrl</b>+<b>click</b> to show/hide all Control Spot.
!TP_LOCALLAB_WARM;Warm/Cool & Color artifacts
!TP_LOCALLAB_WARM_TOOLTIP;This slider uses the CIECAM algorithm and acts as a White Balance control to make the color temperature of the selected area warmer or cooler.\nIt can also reduce color artifacts in some cases.
!TP_LOCALLAB_WASDEN_TOOLTIP;Luminance noise reduction: the left-hand side of the curve including the dark-gray/light-gray boundary corresponds to the first 3 levels 0, 1, 2 (fine detail). The right hand side of the curve corresponds to the coarser details (level 3, 4, 5, 6).
!TP_LOCALLAB_WAT_BALTHRES_TOOLTIP;Balances the action within each level.
!TP_LOCALLAB_WAT_BLURLC_TOOLTIP;The default blur setting affects all 3 L*a* b* components (luminance and colour).\nWhen checked, only luminance is blurred.
!TP_LOCALLAB_WAT_CLARIC_TOOLTIP;'Merge chroma' is used to select the intensity of the desired effect on chrominance.
!TP_LOCALLAB_WAT_CLARIL_TOOLTIP;'Merge luma' is used to select the intensity of the desired effect on luminance.
!TP_LOCALLAB_WAT_CONTCHROMALEV_TOOLTIP;'Chroma levels': adjusts the 'a' and 'b' components of Lab* as a proportion of the luminance value.
!TP_LOCALLAB_WAT_CONTOFFSET_TOOLTIP;Offset modifies the balance between low-contrast and high-contrast details.\nHigh values will amplify contrast changes to the higher-contrast details, whereas low values will amplify contrast changes to low-contrast details.\nBy using a low 'Attenuation response' value you can select which contrast values will be enhanced.
!TP_LOCALLAB_WAT_DELTABAL_TOOLTIP;By moving the slider to the left, the lower levels are accentuated. To the right, the lower levels are reduced and the higher levels accentuated.
!TP_LOCALLAB_WAT_EXPRESID_TOOLTIP;The residual image behaves in the same way as the main image when making adjustments to contrast, chroma etc.
!TP_LOCALLAB_WAT_GRADW_TOOLTIP;The more you move the slider to the right, the more effective the detection algorithm will be and the less noticeable the effects of local contrast.
!TP_LOCALLAB_WAT_LEVELLOCCONTRAST_TOOLTIP;Low to high local contrast from left to right on the x-axis.\nIncreases or decreases local contrast on the y-axis.
!TP_LOCALLAB_WAT_LOCCONTRASTEDG_TOOLTIP;You can adjust the distribution of local contrast by wavelet level based on the initial intensity of the contrast. This will modify the effects of perspective and relief in the image, and/or reduce the contrast values for very low initial contrast levels.
!TP_LOCALLAB_WAT_ORIGLC_TOOLTIP;'Merge only with original image', prevents the 'Wavelet Pyramid' settings from interfering with 'Clarity' and 'Sharp mask'.
!TP_LOCALLAB_WAT_RESIDBLUR_TOOLTIP;Blurs the residual image, independent of the levels.
!TP_LOCALLAB_WAT_RESIDCOMP_TOOLTIP;Compresses the residual image to increase or reduce contrast.
!TP_LOCALLAB_WAT_SIGMALC_TOOLTIP;The effect of the local contrast adjustment is stronger for medium-contrast details and weaker for high and low-contrast details.\n This slider controls how quickly the effect dampens towards the extreme contrasts.\nThe higher the value of the slider, the wider the range of contrasts that will receive the full effect of the local contrast adjustment and the higher the risk of generating artifacts.\nThe lower the value, the more the effect will be pinpointed towards a narrow range of contrast values.
!TP_LOCALLAB_WAT_STRENGTHW_TOOLTIP;Intensity of edge-effect detection.
!TP_LOCALLAB_WAT_STRWAV_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
!TP_LOCALLAB_WAT_THRESHOLDWAV_TOOLTIP;Range of wavelet levels used throughout the Wavelets module.
!TP_LOCALLAB_WAT_WAVBLURCURV_TOOLTIP;Allows you to blur each level of decomposition.\nThe finest to coarsest levels of decomposition are from left to right.
!TP_LOCALLAB_WAT_WAVCBDL_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAT_WAVDELTABAL_TOOLTIP;Acts on the balance of the three directions (horizontal, vertical and diagonal) based on the luminance of the image.\nBy default the shadows or highlights are reduced to avoid artifacts.
!TP_LOCALLAB_WAT_WAVESHOW_TOOLTIP;Shows all of the 'Edge sharpness' tools. It is advisable to read the Wavelet Levels documentation.
!TP_LOCALLAB_WAT_WAVLEVELBLUR_TOOLTIP;Allows you to adjust the maximum effect of blurring on the levels.
!TP_LOCALLAB_WAT_WAVSHAPE_TOOLTIP;Low to high local contrast from left to right on the x-axis\nIncrease or decrease local contrast on the y-axis.
!TP_LOCALLAB_WAT_WAVTM_TOOLTIP;The lower (negative) part compresses each level of decomposition creating a tone mapping effect.\nThe upper (positive) part attenuates the contrast by level.\nThe finest to coarsest levels of decomposition are from left to right on the x-axis.
!TP_LOCALLAB_WAV;Local contrast
!TP_LOCALLAB_WAVBLUR_TOOLTIP;Allows you to blur each level of the decomposition, as well as the residual image.
!TP_LOCALLAB_WAVCOMP;Compression by level
!TP_LOCALLAB_WAVCOMPRE;Compression by level
!TP_LOCALLAB_WAVCOMPRE_TOOLTIP;Allows you to apply tone mapping or reduce local contrast on individual levels.\nFine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAVCOMP_TOOLTIP;Allows you to apply local contrast based on the direction of the wavelet decomposition : horizontal, vertical, diagonal.
!TP_LOCALLAB_WAVCON;Contrast by level
!TP_LOCALLAB_WAVCONTF_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAVDEN;Luminance denoise
!TP_LOCALLAB_WAVE;Wavelets
!TP_LOCALLAB_WAVEDG;Local contrast
!TP_LOCALLAB_WAVEEDG_TOOLTIP;Improves sharpness by targeting the action of local contrast on the edges. It has the same functions as the corresponding module in Wavelet Levels and uses the same settings.
!TP_LOCALLAB_WAVEMASK_LEVEL_TOOLTIP;Range of wavelet levels used in 'Local contrast' (by wavelet level).
!TP_LOCALLAB_WAVGRAD_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
!TP_LOCALLAB_WAVHUE_TOOLTIP;Allows you to reduce or increase the denoise based on hue.
!TP_LOCALLAB_WAVLEV;Blur by level
!TP_LOCALLAB_WAVMASK;Local contrast
!TP_LOCALLAB_WAVMASK_TOOLTIP;Uses wavelets to modify the local contrast of the mask and reinforce or reduce the structure (skin, buildings, etc.).
!TP_LOCALLAB_WEDIANHI;Median Hi
!TP_LOCALLAB_WHITE_EV;White Ev
!TP_LOCALLAB_ZCAMFRA;ZCAM Image Adjustments
!TP_LOCALLAB_ZCAMTHRES;Retrieve high datas
!TP_LOCAL_HEIGHT;Bottom
!TP_LOCAL_HEIGHT_T;Top
!TP_LOCAL_WIDTH;Right
!TP_LOCAL_WIDTH_L;Left
!TP_LOCRETI_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Evenly distributed.\nHigh = Reinforce strong light.
!TP_PDSHARPENING_LABEL;Capture Sharpening
!TP_PERSPECTIVE_CAMERA_CROP_FACTOR;Crop factor
!TP_PERSPECTIVE_CAMERA_FOCAL_LENGTH;Focal length
!TP_PERSPECTIVE_CAMERA_FRAME;Correction
!TP_PERSPECTIVE_CAMERA_PITCH;Vertical
!TP_PERSPECTIVE_CAMERA_ROLL;Rotation
!TP_PERSPECTIVE_CAMERA_SHIFT_HORIZONTAL;Horizontal shift
!TP_PERSPECTIVE_CAMERA_SHIFT_VERTICAL;Vertical shift
!TP_PERSPECTIVE_CAMERA_YAW;Horizontal
!TP_PERSPECTIVE_CONTROL_LINES;Control lines
!TP_PERSPECTIVE_CONTROL_LINES_TOOLTIP;<b>Ctrl</b>+<b>drag</b>: Draw new line\n<b>Right-click</b>: Delete line
!TP_PERSPECTIVE_CONTROL_LINE_APPLY_INVALID_TOOLTIP;At least two horizontal or two vertical control lines required.
!TP_PERSPECTIVE_METHOD;Method
!TP_PERSPECTIVE_METHOD_CAMERA_BASED;Camera-based
!TP_PERSPECTIVE_METHOD_SIMPLE;Simple
!TP_PERSPECTIVE_POST_CORRECTION_ADJUSTMENT_FRAME;Post-correction adjustment
!TP_PERSPECTIVE_PROJECTION_PITCH;Vertical
!TP_PERSPECTIVE_PROJECTION_ROTATE;Rotation
!TP_PERSPECTIVE_PROJECTION_SHIFT_HORIZONTAL;Horizontal shift
!TP_PERSPECTIVE_PROJECTION_SHIFT_VERTICAL;Vertical shift
!TP_PERSPECTIVE_PROJECTION_YAW;Horizontal
!TP_PERSPECTIVE_RECOVERY_FRAME;Recovery
!TP_PREPROCWB_LABEL;Preprocess White Balance
!TP_PREPROCWB_MODE;Mode
!TP_PREPROCWB_MODE_AUTO;Auto
!TP_PREPROCWB_MODE_CAMERA;Camera
!TP_RAW_AMAZEBILINEAR;AMaZE+Bilinear
!TP_RAW_DCBBILINEAR;DCB+Bilinear
!TP_RAW_IMAGENUM_SN;SN mode
!TP_RAW_PIXELSHIFTAVERAGE;Use average for moving parts
!TP_RAW_PIXELSHIFTAVERAGE_TOOLTIP;Use average of all frames instead of selected frame for regions with motion.\nGives motion effect on slow moving (overlapping) objects.
!TP_RAW_RCDBILINEAR;RCD+Bilinear
!TP_RAW_XTRANS;X-Trans
!TP_RAW_XTRANSFAST;Fast X-Trans
!TP_RESIZE_LE;Long Edge:
!TP_RESIZE_LONG;Long Edge
!TP_RESIZE_SE;Short Edge:
!TP_RESIZE_SHORT;Short Edge
!TP_SHARPENING_BLUR;Blur radius
!TP_SHARPENING_ITERCHECK;Auto limit iterations
!TP_SHARPENING_RADIUS_BOOST;Corner radius boost
!TP_SPOT_COUNTLABEL;%1 point(s)
!TP_SPOT_DEFAULT_SIZE;Default spot size
!TP_SPOT_ENTRYCHANGED;Point changed
!TP_SPOT_HINT;Click on this button to be able to operate on the preview area.\n\nTo edit a spot, hover the white mark locating an edited area, making the editing geometry appear.\n\nTo add a spot, press Ctrl and left mouse button, drag the circle (Ctrl key can be released) to a source location, then release the mouse button.\n\nTo move the source or destination spot, hover its center then drag it.\n\nThe inner circle (maximum effect area) and the 'feather' circle can be resized by hovering them (the circle becomes orange) and dragging it (the circle becomes red).\n\nWhen the changes are done, right click outside any spot to end the Spot editing mode, or click on this button again.
!TP_SPOT_LABEL;Spot Removal
!TP_TONE_EQUALIZER_BANDS;Bands
!TP_TONE_EQUALIZER_BAND_0;Blacks
!TP_TONE_EQUALIZER_BAND_1;Shadows
!TP_TONE_EQUALIZER_BAND_2;Midtones
!TP_TONE_EQUALIZER_BAND_3;Highlights
!TP_TONE_EQUALIZER_BAND_4;Whites
!TP_TONE_EQUALIZER_DETAIL;Regularization
!TP_TONE_EQUALIZER_LABEL;Tone Equalizer
!TP_TONE_EQUALIZER_PIVOT;Pivot (Ev)
!TP_TONE_EQUALIZER_SHOW_COLOR_MAP;Show tonal map
!TP_WAVELET_BALCHROM;Equalizer Color
!TP_WAVELET_BALLUM;Denoise equalizer White-Black
!TP_WAVELET_BL;Blur levels
!TP_WAVELET_BLCURVE;Blur by levels
!TP_WAVELET_BLURFRAME;Blur
!TP_WAVELET_BLUWAV;Attenuation response
!TP_WAVELET_CHROFRAME;Denoise chrominance
!TP_WAVELET_CHROMAFRAME;Chroma
!TP_WAVELET_CHROMCO;Chrominance Coarse
!TP_WAVELET_CHROMFI;Chrominance Fine
!TP_WAVELET_CHRWAV;Blur chroma
!TP_WAVELET_CLA;Clarity
!TP_WAVELET_CLARI;Sharp-mask and Clarity
!TP_WAVELET_COMPEXPERT;Advanced
!TP_WAVELET_COMPLEXLAB;Complexity
!TP_WAVELET_COMPLEX_TOOLTIP;Standard: shows a reduced set of tools suitable for most processing operations.\nAdvanced: shows the complete set of tools for advanced processing operations.
!TP_WAVELET_COMPNORMAL;Standard
!TP_WAVELET_CONTFRAME;Contrast - Compression
!TP_WAVELET_CURVEEDITOR_BL_TOOLTIP;Disabled if zoom > about 300%.
!TP_WAVELET_DAUBLOCAL;Wavelet Edge performance
!TP_WAVELET_DEN5THR;Guided threshold
!TP_WAVELET_DENCURV;Curve
!TP_WAVELET_DENL;Correction structure
!TP_WAVELET_DENLH;Guided threshold levels 1-4
!TP_WAVELET_DENLOCAL_TOOLTIP;Use a curve in order to guide the denoising according to the local contrast.\nThe areas are denoised, the structures are maintained.
!TP_WAVELET_DENMIX_TOOLTIP;The local-contrast reference value used by the guided filter.\nDepending on the image, results can vary depending on whether the noise is measured before or after the noise reduction. These four choices allow you to take into account various combinations of the original and modified (denoised) images to find the best compromise.
!TP_WAVELET_DENOISE;Guide curve based on Local contrast
!TP_WAVELET_DENOISEGUID;Guided threshold based on hue
!TP_WAVELET_DENOISEH;High levels Curve Local contrast
!TP_WAVELET_DENOISEHUE;Denoise hue equalizer
!TP_WAVELET_DENQUA;Mode
!TP_WAVELET_DENSIGMA_TOOLTIP;Adapts the shape of the guide.
!TP_WAVELET_DENSLI;Slider
!TP_WAVELET_DENSLILAB;Method
!TP_WAVELET_DENWAVGUID_TOOLTIP;Uses hue to reduce or increase the action of the guided filter.
!TP_WAVELET_DENWAVHUE_TOOLTIP;Amplify or reduce denoising depending on the color.
!TP_WAVELET_DETEND;Details
!TP_WAVELET_DIRFRAME;Directional contrast
!TP_WAVELET_EDEFFECT;Attenuation response
!TP_WAVELET_EDEFFECT_TOOLTIP;This slider selects the range of contrast values that will receive the full effect of any adjustment.
!TP_WAVELET_FINCFRAME;Final local contrast
!TP_WAVELET_FINTHR_TOOLTIP;Uses local contrast to reduce or increase the action of the guided filter.
!TP_WAVELET_GUIDFRAME;Final smoothing (guided filter)
!TP_WAVELET_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
!TP_WAVELET_LEVDEN;Level 5-6 denoise
!TP_WAVELET_LEVELHIGH;Radius 5-6
!TP_WAVELET_LEVELLOW;Radius 1-4
!TP_WAVELET_LEVELSIGM;Radius
!TP_WAVELET_LEVFOUR;Level 5-6 denoise and guided threshold
!TP_WAVELET_LIMDEN;Interaction levels 5-6 on levels 1-4
!TP_WAVELET_LOWTHR_TOOLTIP;Prevents amplification of fine textures and noise.
!TP_WAVELET_MERGEC;Merge chroma
!TP_WAVELET_MERGEL;Merge luma
!TP_WAVELET_MIXCONTRAST;Reference
!TP_WAVELET_MIXDENOISE;Denoise
!TP_WAVELET_MIXMIX;Mixed 50% noise - 50% denoise
!TP_WAVELET_MIXMIX70;Mixed 30% noise - 70% denoise
!TP_WAVELET_MIXNOISE;Noise
!TP_WAVELET_OFFSET_TOOLTIP;Offset modifies the balance between low contrast and high contrast details.\nHigh values will amplify contrast changes to the higher contrast details, whereas low values will amplify contrast changes to low contrast details.\nBy using a low Attenuation response value you can select which contrast values will be enhanced.
!TP_WAVELET_OLDSH;Algorithm using negatives values
!TP_WAVELET_PROTAB;Protection
!TP_WAVELET_QUAAGRES;Aggressive
!TP_WAVELET_QUACONSER;Conservative
!TP_WAVELET_RADIUS;Radius shadows - highlight
!TP_WAVELET_RANGEAB;Range a and b %
!TP_WAVELET_RESBLUR;Blur luminance
!TP_WAVELET_RESBLURC;Blur chroma
!TP_WAVELET_RESBLUR_TOOLTIP;Disabled if zoom > about 500%.
!TP_WAVELET_SHA;Sharp mask
!TP_WAVELET_SHFRAME;Shadows/Highlights
!TP_WAVELET_SHOWMASK;Show wavelet 'mask'
!TP_WAVELET_SIGM;Radius
!TP_WAVELET_SIGMA;Attenuation response
!TP_WAVELET_SIGMAFIN;Attenuation response
!TP_WAVELET_SIGMA_TOOLTIP;The effect of the contrast sliders is stronger in medium contrast details, and weaker in high and low contrast details.\n With this slider you can control how quickly the effect dampens towards the extreme contrasts.\n The higher the slider is set, the wider the range of contrasts which will get a strong change, and the higher the risk to generate artifacts.\n .The lower it is, the more the effect will be pinpointed towards a narrow range of contrast values.
!TP_WAVELET_SOFTRAD;Soft radius
!TP_WAVELET_STREND;Strength
!TP_WAVELET_THRDEN_TOOLTIP;Generates a stepped curve used to guide the noise reduction as a function of local contrast. The denoise will be applied to uniform low local-contrast areas. Areas with detail (higher local contrast) will be preserved.
!TP_WAVELET_THREND;Local contrast threshold
!TP_WAVELET_TMEDGS;Edge stopping
!TP_WAVELET_TMSCALE;Scale
!TP_WAVELET_TONFRAME;Excluded colors
!TP_WAVELET_USH;None
!TP_WAVELET_USHARP;Clarity method
!TP_WAVELET_USH_TOOLTIP;If you select Sharp-mask, you can choose any level (in Settings) from 1 to 4 for processing.\nIf you select Clarity, you can choose any level (in Settings) between 5 and Extra.
!TP_WAVELET_WAVLOWTHR;Low contrast threshold
!TP_WAVELET_WAVOFFSET;Offset
!TP_WBALANCE_AUTOITCGREEN;Temperature correlation
!TP_WBALANCE_AUTOOLD;RGB grey
!TP_WBALANCE_AUTO_HEADER;Automatic &amp; Refinement
!TP_WBALANCE_ITCWALG_TOOLTIP;Allows you to switch to the other Alternative temperature (Alt_temp), when possible.\nInactive in the "single choice" case.
!TP_WBALANCE_ITCWBDELTA_TOOLTIP;Fixed for each "green" iteration tried, the temperature difference to be taken into account.
!TP_WBALANCE_ITCWBFGREEN_TOOLTIP;Find the best compromise between Student and green.
!TP_WBALANCE_ITCWBMINSIZEPATCH_TOOLTIP;Allows you to set the minimum patch value. values that are too low can lead to a lack of correlation.
!TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;Allows you to filter magenta/purple data from the image. If the box is checked a filter limiting the value of Y is applied. By default this value is 0.4. You can change it in 'options' Itcwb_Ypurple (Maximum 1)
!TP_WBALANCE_ITCWBPRECIS_TOOLTIP;The lower the value, the more relevant the data, but increases the processing time. Since the processing time is low, this parameter should generally be able to remain at the default value
!TP_WBALANCE_ITCWBRGREEN_TOOLTIP;Sets the green value review amplitude in iterations, from low amplitude 0.82 to 1.25 to maximum amplitude 0.4 to 4.
!TP_WBALANCE_ITCWBSIZEPATCH_TOOLTIP;This setting sets the size of color datas used by algorithm.
!TP_WBALANCE_ITCWBSIZE_TOOLTIP;This setting sets the number of iterations to find the best correspondence between the reference spectral colors and those in xyY value of the image. A value of 3 seams a good compromise.
!TP_WBALANCE_ITCWBTHRES_TOOLTIP;Limits comparison sampling between spectral data and image data.
!TP_WBALANCE_ITCWB_ALG;Remove 2 pass algorithm
!TP_WBALANCE_ITCWB_CUSTOM;Use Custom temperature & tint
!TP_WBALANCE_ITCWB_DELTA;Delta temperature in green loop
!TP_WBALANCE_ITCWB_FGREEN;Find green student
!TP_WBALANCE_ITCWB_FORCED;Close to full CIE diagram
!TP_WBALANCE_ITCWB_FRA;Auto temperature correlation settings
!TP_WBALANCE_ITCWB_FRA_TOOLTIP;These settings allow, depending on the images (type of raw, colorimetry, etc.), an adaptation of the 'Temperature correlation' algorithm. There is no absolute rule linking these parameters to the results obtained.
!TP_WBALANCE_ITCWB_MINSIZEPATCH;Patch minimum size
!TP_WBALANCE_ITCWB_NOPURPLE;Filter on purple color
!TP_WBALANCE_ITCWB_PRECIS;Precision algorithm - scale used
!TP_WBALANCE_ITCWB_PRIM_ACE;Forces use of the entire CIE diagram
!TP_WBALANCE_ITCWB_PRIM_ADOB;Medium sampling
!TP_WBALANCE_ITCWB_PRIM_BETA;Medium sampling - near Pointer's gamut
!TP_WBALANCE_ITCWB_PRIM_JDCMAX;Close to full CIE diagram
!TP_WBALANCE_ITCWB_PRIM_REC;High sampling
!TP_WBALANCE_ITCWB_PRIM_SRGB;Low sampling & Ignore Camera settings
!TP_WBALANCE_ITCWB_PRIM_XYZCAM;Camera XYZ matrix
!TP_WBALANCE_ITCWB_PRIM_XYZCAM2;JDCmax after Camera XYZ matrix
!TP_WBALANCE_ITCWB_RGREEN;Green range
!TP_WBALANCE_ITCWB_SAMPLING;Low sampling 5.9
!TP_WBALANCE_ITCWB_SIZE;Size of ref. color compare to histogram
!TP_WBALANCE_ITCWB_SIZEPATCH;Size of color patch
!TP_WBALANCE_ITCWB_THRES;Colors used in picture (preset)
!TP_WBALANCE_ITCWCUSTOM_TOOLTIP;Allows you to use Custom settings Temperature and Green (tint).\n\nUsage tips:\n1) start Itcwb , enable 'Use Custom temperature and tint'.\n2) Set 'Temperature and tint' to your liking :free, Pick,...(Custom)\n3) go back to 'Temperature correlation'.\n\nYou cannot use : 2 passes, AWB temperature bias, Green refinement.
!TP_WBALANCE_ITCWFORCED_TOOLTIP;By default (box not checked) the data scanned during sampling is brought back to the sRGB profile, which is the most widespread, both for calibrating DCP or ICC profiles with the Colorchecker24, or used on the web.\n If you have very high gamut images (some flowers, artificial colors), then it may be necessary to use the entire CIExy diagram, the profile used will be ACESP0. In this second case, the number of colors that can be used in internal to the algorithm will be more important.
!TP_WBALANCE_ITCWGREEN;Green refinement
!TP_WBALANCE_ITCWGREEN_TOOLTIP;Allows you to change the "tint" (green) which will serve as a reference when starting the algorithm. It has substantially the same role for greens as "AWB temperature bias" for temperature.\nThe whole algorithm is recalculated.
!TP_WBALANCE_ITCWPRIM_TOOLTIP;Allows you to select the image sampling.\n'Close to full CIE diagram' almost uses the data present on the sensor, possibly including the imaginary colors.\n'Camera XYZ matrix' - uses the matrix directly derived from Color Matrix.\n'Medium sampling' (default) - near Pointer's gamut: corresponds substantially to the most common cases of human vision.\nThe other choice 'Low sampling and Ignore camera settings' allow you to isolate high gamut parts of the image and forces the algorithm in some cases (tint > 0.8,...) to ignore camera settings. This will obviously have an impact on the result.\n\nThis sampling only has an influence on the channel multipliers, it has nothing to do with the "working profile" and does not modify the gamut of the image.
!TP_WBALANCE_ITCWSAMPLING_TOOLTIP;Allows you to use the old sampling algorithm to ensure better compatibility with 5.9. You must enable Observer 10° (default).
!TP_WBALANCE_MULLABEL;Multipliers: r=%1 g=%2 b=%3
!TP_WBALANCE_MULLABEL_TOOLTIP;Values given for information purposes. You cannot change them.
!TP_WBALANCE_OBSERVER10;Observer 10° instead of Observer 2°
!TP_WBALANCE_OBSERVER10_TOOLTIP;The color management in RawTherapee (White balance, channel multipliers, highlight recovery,...) uses the spectral data of the illuminants and colors. Observer is an important parameter of this management which takes into account the angle of perception of the eye. In 1931 it was fixed at 2° (privileges the use of the cones). In 1964 it was fixed at 10° (privileges the use of the cones, but partially takes into account the rods).\nIn the rare case of a color drift with "Observer 2°" (probably due to the conversion matrix) "Observer 10°" must be selected.
!TP_WBALANCE_PATCHLABEL;Read colors:%1 Patch: Chroma:%2 Size=%3
!TP_WBALANCE_PATCHLABEL_TOOLTIP;Display number of read colors (max=237).\nDisplay calculated Patch Chroma.\nAWB temperature bias, lets try to reduce this value, a minimum may seem to optimize the algorithm.\n\nPatch size matching chroma optimization.
!TP_WBALANCE_PATCHLEVELLABEL;Patch: ΔE=%1 - datas x 9 Min:%2 Max=%3
!TP_WBALANCE_PATCHLEVELLABEL_TOOLTIP;Display ΔE patch (this assumes there is enough spectral data), between image and spectral datas.\n Display read datas found. The 2 values correspond to the minimum and maximum data values taken into account. The coefficient x9 must be taken into account to obtain the number of pixels concerned in the image.
!TP_WBALANCE_STUDLABEL;Correlation factor: %1 Passes:%2 Worst_alt=%3
!TP_WBALANCE_STUDLABEL0;Correlation factor: %1 Passes:%2 Alt=%3
!TP_WBALANCE_STUDLABEL1;Correlation factor: %1 Passes:%2 Best_alt=%3
!TP_WBALANCE_STUDLABEL_TOOLTIP;Display calculated Student correlation.\nLower values are better, where <0.005 is excellent,\n<0.01 is good, and >0.5 is poor.\nLow values do not mean that the white balance is good:\nif the illuminant is non-standard the results can be erratic.\nA value of 1000 means previous calculations are used and\nthe resultsare probably good.\n\nPasses : number of passes made.\nAlt_temp : Alternative temperature.
!//TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;By default when "Inpaint opposed" is activated, purple colors are not taken into account. However, if the image does not need highlight reconstruction, or if this image naturally contains purple tints (flowers, etc.), it may be necessary to deactivate, to take into account all the colors.
!//TP_WBALANCE_ITCWB_FORCED;Forces use of the entire CIE diagram
